Class: Archer Master: Dan Blackmore True Name: Robin Hood Noble Phantasm: Yew Bow: Holy Bow of Supplication Keyword: Sherwood Forest, Faceless King Strength: C, Defense: C, Agility: B, Magic: B, Luck: B Anti-Magic: D, Independence: A+, Subversion: EX
01 - Yew Bow: Holy Bow of Supplication
The wood used to make the yew bow wielded by this Servant was taken from a specific tree located in the forest he used as his base of operations. It has the power to identify and amplify any impurities (both physical and mental), causing them to explode with incredible force.
Yew trees have many mystical and religious connotations attributed to them by Celtic beliefs, and the act of making bow from the wood of a yew was seen a contract to "become one with the forest." It was also believed the yew trees served as a signpost for the deceased to guide them to the afterlife. It was this connection between the yew and death that caused this Servant to remark that he wanted to be buried where his final arrow fell. To nobody's surprise, it landed at the foot of the yew tree where he first got the wood to make his bow.
02 - Sherwood Forest
In the distant past, it was the forest said to be the place where a famous chivalrous thief fought against the tyrant John, Richard the Lionheart's younger brother and ruler in absentia while Richard was away on the Crusades. It is also a forest that, according to Druid beliefs, is where fairies dwell.
03 - Faceless King
A king without form who, according to the Celtic tradition, appears in the May Day Festival that follows the Festival of Beltane. He is also seen as a personification of nature who used copious amounts of green and brown in his clothing in order to completely blend in with his surroundings.
Cancels single-action spells.
It also bestows magical resistance equal to that normally provided by a physical talisman such as an amulet.
This ability allows him to remain independent by rejecting any kind of support from his Master.
When this skill reaches rank A, he can remain in the world for a full week, even if his Master were to be defeated.
This skill allows one to seriously reduce their enemy's might before facing them in battle.
It is an ability used by those who mastered the art of setting traps.
Upon achieving an A rank in this skill, one can disable almost 60% of their enemy's forces before they get the chance to advance.
However, the higher the ranking of this skill, the lower one's reputation as a hero becomes.
01 - Character Background
While the origins of the legend of the chivalrous thief who dwelt in the Sherwood Forest are a subject of consent and spirited debate, it is generally acknowledged that there was an actual person who held the name Robin Hood and that he died at the hands of his aunt, the prioress of Kirklees, who is believed to have bleed him to death in his guise of administering aid for his wounds. However, many of the exploits attributed to him are a curious amalgamation of Celtic, Greek, and Druid mythologies.
One of the persistent of the Robin Hood legends identifies him as a faceless hero who was born from the prayers of the British Isles. Weary of the seemingly endless incursions and invasions of their country, they asked the heavens for someone to fight off the foreign invaders. A concurrent legend pegs Robin Hood as a representation of the "Green Man", a spirit of the woods who would carry out the actions and deeds that the common layperson could not. It was this belief that transformed the name into a title assumed by a number of nameless, faceless heroes who took up the mantle of protecting the people.
Those who assume the identity of Robin Hood tend to be very conflicted young men. Incredibly virtuous and honorable, yet always working out of the shadows like an assassin or thief , there seems to be slight tinge of cowardice to their makeup. To cover the self-loathing that also seems to be part of every Robin Hood's personality, they all uniformly adopt a somewhat combative and derisive attitude. And though every person to adopt the Robin Hood persona truly values life above all else, they have little appreciations for their own.
Like the original Robin Hood, he is under the protection of the fairies and is well-versed in the archaic lore of the Druids. And like all "defender of the forest" his knowledge of naturally occurring medicines and poisons is seconds to none.
02 - "Robin Hood"
Just one of the many young men to take up the title, this particular incarnation was a virtual outcast, living on the fringes of the village located near the spot where his parents had died. Almost against his will, he was caught up in a battle to repel and attack by a nearby lord's army and successfully led those who fought by his side to victory. As he never identified himself during the course of the fight, he was referred to as the mythical "Green Man" by the villagers he had helped save.
The only child of a wandering Druid, he was orphaned at a very young age when both of his parents died suddenly. As the son of a Druid, he instinctively knew how to survive in the forest and was able to communicate with the spirits known as fairies. It was this ability that made him an outcast in his village, as the villagers were suspicious of his powers and accused him of being possessed. Although the villagers held no love for him, nor he for them, he felt obligated to help them in any way he could.
With his successes against the tyranny of the local lords to spur him on and the hopes and wishes of the villagers pinned to his deeds, he took up the bow and mantle and became the latest incarnation of Robin Hood. And like those who came before him, he dresses in clothes of Lincoln green, armed himself with a bow of yew and surrounded his identity and true self for the good of others.
However, no good deed goes unpunished, and the villagers quickly turned on him in hopes of channeling the anger of the local nobility away from themselves and on to this mysterious rogue who rampaged through the forest, claiming that they had no knowledge of who he was nor did they ever claim to be thankful for his help in preserving the village. Even though the people he vowed to help turned on him, he continued to protect and assist them from the shadows. With every poisoning, every ambush, his reputation as a coward and criminal grew, despite his honorable intentions.
After two years of almost constant fighting, he was eventually betrayed and assassinated by one of the local lords whose ire he had raised. It was this young man, who fought so that others could lead the quiet life he dreamed of, that joined the ranks of Legendary Souls found worthy in the Holy Grail Wars.
Class: Archer Master: Player True Name: No Name Noble Phantasm: Unlimited Blade Works: Universe of Endless Blades Keyword: Kansho and Bakuya Strength: -, Defense: -, Agility: -, Magic: -, Luck: - Anti-Magic: D, Independence: C, False Insight: B
01 - Unlimited Blade Works: Universe of Endless Blades
This Noble Phantasm is not used directly wielded as a weapon. Rather, it is a powerful reality marble that focuses one's inner being and projects it onto the real world. The reality that this particular skill creates is that of a magus who devoted their life to mastering the art of the sword, and makes available to the user every sword-type weapon ever encountered by that magus in their lifetime.
02 - Kansho and Bakuya
A set of matched swords favored by Archer. Although extremely lethal, their mystical aspects make them useful for ceremonial and divination rituals. They are thought to have created in the Spring and Autumn period of Chinese history by the master smith Gan jiang.
03 - Hero of Black Metal
This is the title given to the one who in a previous life was involved in the development and manufacture of many different types of weaponry.
It hints at the fact that in his previous life, this Archer was more of a craftsman than a warrior.
Cancels single-action spells.
It also bestows magical resistance equal to that normally provided by a physical talisman such as an amulet.
This ability allows him to remain independent by rejecting any kind of support from his Master. When this skill reaches rank C, he can remain in the world for a single day without establishing a contract with a Master.
False Insight [B]
Bestows a heightened sense of awareness honed and refined through experience. Makes one capable of making claim and rational decisions on the field of battle regardless of the surrounding dangers.
01 - Character Background
A hero without a name. A fictional Legendary Soul. A fake.
The remnants of a person who spent his human life in the pursuit of justice. While the man who spawned this Legendary Soul was once a real, living being, the slow passage of time has completely erased his entire existence from the records of human history.
The weapons he uses in battle are not technically real, but are created using thaumaturgy technique known as Projection. All of the weapons at his disposal are simply manifestations of those he sees in his mind's eye and then materializes in the real world.
02 - "Ally of Justice"
In his mortal life, Archer was a magus who barely deserved the title, although he was a Master in a previous Holy Grail War. While not even remotely in the same league as Rin Tousaka, he did possess Magic Circuits capable of a single function.
While many people prate about the justice and equality, he actually went out of his way to be an "Ally of Justice", often at the expense of his own freedom. When faced with a potential disaster that was beyond his power to prevent, he willingly sold his soul to the Moon Cell in return for a miracle. Now, instead of playing the part of the hero, he willing plays that of a Servant instead.
As for the human he once was, no traces of that person exist. Instead, he is now the personification of what most people would imagine one who holds the title of "Ally of Justice" to be.
Class: Assassin Master: Julius Harway True Name: Li Shuwen Noble Phantasm: No Second Strike Keyword: A second strike isn't needed, Obfuscation Strength: B, Defense: C, Agility: A, Magic: E, Luck: E Obfuscation: -, Liuhe Quan: A+++, Concealment: A
01 - No Second Strike
Li Shuwen's blows are almost always fatal, whether he throws a hard blow designed to kill or a simple feint to draw his opponent into an attack. A saying that has managed to survive the passing of years is, "For Li Shuwen, a second strike is needless." It is this saying from which his Noble Phantasm get its name.
To be accurate, this isn't a Noble Phantasm in the traditional sense of term. Rather, it is the ultimate expressions of the true power possible by mastering the martial arts. Li Shuwen is considered to be one of the very few to have gained total mastery over his style, and in fact was believed to have transcended the need for physical attacks, instead defeating his opponents by engulfing them in Chi.
There is much debate as to whether Li Shuwen actually uses his Chi to defeat his opponents, although the very few who have managed to survive a confrontation with him report suffering all of the effects associated with this attack, such as obscured senses, heightened state of paranoia, and the feeling that their nervous system was under almost unendurable strain.
02 - A second strike isn't needed
This was the second name given to one of the strongest practitioners of kung fu in Bajiquan history. Considered to be the ultimate master of Bajiquan, it is said that this person was able to take the life of his opponents with a single gentle touch.
03 - Obfuscation
A skill used to completely conceal one's presence.
Although this ability allows the user to become almost completely invisible, the sheer amount of magical energy required almost screams out that some form of thaumaturgy is being used. Should this person's opponent be a skilled magus, their presence would be noticeable in some extrasensory fashion.
There is a way to achieve this state of being without the use of any kind of magical aid and using only the abilities inherent within one's own physical form, but the level of concentration required is far beyond what humans are capable of.
While a common skill of all Servants of the Assassin Class, the level to which he is able to almost completely obscure his presence goes far above the limits normally associated with this ability.
Liuhe Quan [A+++]
A Chinese meditiative ideal. It is a belief that true mastery of martial arts comes not through training, but acceptance. As this technique is extremely difficult to understand, let alone master, it is only when achieving the rank A that one is thought to have actually begun to learn. Those with ranks exceeding A are considered true masters of the arts.
A technique in which one uses their Chi to blend in with the whole of their surroundings. For masters of the ability, it is possible for them to truly become one with the world and have their very forms seem to become invisible.
A Chinese martial arts master from Yanshan County, Hebei-Cangzhou. One of the foremost practitioners of the style of the style known as Bajiquan, he was so powerful that many remarked that with him, "a second strike is needless as long a single blow will suffice."
In addition to his skills in hand-to-hand combat, he was also supremely talented in the use of the spear, so much so that he earned the name "Divine Spear Li." His occasional us of this weapon sometimes causes his opponents to mistakenly classify him as a Lancer. While this wouldn't normally be entirely incorrect, due to his Master's desire for a stealthy Servant capable of killing from the shadows, the traits more associated with the Assassin class have come to the fore.
On a final note, since his ability to become invisible is based on his natural abilities and not on any form of thaumaturgy, he is all but undetectable to the vast majority of magi or anyone dependent on magic.
02 - "Master of the Demonic Fist"
Li Shuwen, Master of the Demon Fist.
One of the few undisputed masters of martial arts, he maintains a delicate balance between the innate goodness and inherent evil found in all men. He fell victim to poison after earning the undying hatred of the countless families of those he had killed.
As a Servant, the balance he maintained in life has slipped slightly, but he still values rationality greatly. While he does not see much difference between good and evil, he will react with disgust and utter contempt for those who stray from rational thinking. And for those who allow what Christians call "The Seven Deadly Sins" to overwhelm their lives, he brings swift and inevitable death.
Although he was known as a deadly fighter throughout his life, in his later years he discovered that true power lay not in the strength of his fists, but in the strength of his convictions. He spent the remainder of his life following valor, not violence.
He freely acknowledge that in his current incarnation he is nothing more than a professional killer, but does so without bitterness or regret. And although he uses his power as Julius directs, could it be that...?
Class: Moon Cancer
Noble Phantasm: Cursed Cutting Crater (C. C. C.)
Keyword: Advanced level AI, khakkhara of direction
Strength: ★, Endurance: ★, Agility: ★, Magic: ★, Luck: ★
Golden Grail: EX, Self-Modification: EX, Potnia Theron: EX
Cursed Cutting Crater (C. C. C.)
An attack on the world by BB in control of the Moon Cell.
Also called the spirit particle imaginary pit.
A world purge by means of event rewriting, making maximum use of the EX skill “Potnia Theron” BB had acquired.
The goddess who is the mother of the earth goddesses who created the earth is, in other words, the “root” that created all creation.
This Noble Phantasm is an anti-world Noble Phantasm that outputs information like an ultra-precise 3d printer and crushes the present world with the world desired by the user.
The space eroded by BB becomes imaginary space and a curse that consumes reality. CCC as the name suggests is a cursed pit that bores out reality.
In addition to scattering all objects inside on an atomic level and reconstructing them, it is capable of writing over and rewriting information of fields such as luck and coincidence.
While theoretical, it is also thought possible to distort the time axis by interfering with gravity fields and rewrite the law of cause and effect.
When used in combat, BB’s familiars, the shapeshifters engulf the target, and after turning into a sphere, is wiped out of existence along with the target and the dimension with it.
Normally, a structure in which value can be shared cannot be constructed in the far side of the world, which is imaginary space. What established BB’s internal world as the Sakura labyrinth was the power of this Noble Phantasm.
Advanced Level AI
An artificial intelligence configured according to their program. In this age, they are treated as things that "function as programs," but "do not exist as actual beings." In other words, things that "are" right in front of your eyes but "are not." They are merely a mechanisms for the sake of allowing human lives to progress smoothly.
As it is the same for the SE.RA.PH, they are virtual lifeforms that are created along with the commencement of the Holy Grail War and disposed along with its completion.
Within the SE.RA.PH. the humanoid virtual lifeforms are: the NPCs that perform only one task, AIs who have been granted the capability for self-judgement, and the advanced level AIs who have been trusted with the capability for self-judgement ad the management of a section.
Advanced level AIs are things created to efficiently promote the Moon Cell's primary objective of "human observation." As they are perfect reproductions of humans, they have been programmed with a at least a soul, but while the soul "is there," it is contents are still colorless.
The virtual lifeforms that the SE.RA.PH creates are reset with the round of the Holy Grail War. The NPCs and AIs return to zero, while advanced level AIs retain just their persona and their memories are reset--made to pretend that they never existed.
When the Holy Grail War is over, the one who is left alive is the Master standing at the summit. This is a fact that applies not just to the Masters but is also held in common by the virtual lifeforms that the SE.RA.PH created.
It appears that BB is an advanced level AI entrusted with managing the health of the Masters, the same as Sakura. However, as she is now rampaging for reasons unknown, the methods she uses to "manage the Masters" have become extreme.
Khakkhara of Direction
The teacher's pointer that BB carries. A device that allows her to use her use her authority as an advanced level AI to its fullest. There are restrictions from the far side of the moon, but with this, BB can revise the game rules (spirit particle laws within the SE.RA.PH)
The ten crowns of direction worn by the Beast of Babylon converted into a teacher's cane. This is due to the theory that the seven-headed beast is male, which opposes the theory that it is female; it's true nature is a phallus (an erect rod).
The symbol of the king of the world who was granted power and authority by a great dragon and, during a period of 42 months, spat as many arrogant words as they desired and had received the right to desecrate all things.
The beasts heads are the seven hills of the Roman Empire... Capitolium, Palatium, Aventinus, Esquilinus, Caelius, Quirinalis, Viminalis. In other words, it symbolized the Roman Empire itself, and those ten horns were symbols of... Augustus, Tiberius, Caligula, Claudius, Nero, Vespasianus, Titus, Galba, Otho, Vitellius... those emperors.
Golden Grail [EX]
The golden grail that BB possesses. The Holy Grail. The Holy Grail that grants its owner's impudent and selfish desires.
The grail that the great enchantress who appears in The Revelation of St. John the Divine holds. Though it's a counterfeit Holy Grail, it's because that it's a counterfeit Holy Grail that it's become a "genuine" Holy Grail that grants the desires of humans without paying heed to right or wrong.
To the Christians of those days, who considered honorable poverty a virtue, this grail, which was formed as a symbol of treasures such as gold, is no doubt the meaning of corrupt wealth, greed, and the vanity that leads one to adorn oneself.
Though it is clear on the occasion that this grail is held by the great enchantress of Babylon which in the personification of the Roman Empire, this grail symbolizes the wealth of the earth, which is the inversion of Christ's words, "Do not pile up the wealth of the earth."
"I saw a single woman astride a red beast. This beast, whose entire body was full of numerous blasphemous names, had seven heads and ten horns."
This is the description of the beast of destruction that appeared in the Holy City and the woman who was straddling this beast, according to the book of Revelation. A large beast with seven heads like a hydra came from the sea and disembarked toward the Holy City. This beast and woman, while two, are as one, and it is impossible to think of them separately.
It is said that this woman was born from evil, and those who are quick to anger, those who are greedy, cannot resist her allure and become corrupted by that grail.
This is a digression, but it is sad that the red Saber who claims the title of emperor was, after her death, was seen by believers to be on par with this beast.
A skill that allows one to restructure oneself. AIs created by the Moon Cell are under an absolute rule, "Improving one's functionality is not allowed."
However, BB, who had escaped that yoke due to her breaking down, began to expand her own functions. In order to boost her calculating power, she had that black noise prey on and dismantle NPCs, AIs, and finally, Servants, and utilized them as her own memory.
Though they were appendix-like additions that won't spare her from the fate of collapsing on her own, BB has changed into a hyper level AI who holds an enormous amount of capacity. Like the towns on reclaimed land that continue to build architecture while knowing that it will be swallowed by water or Frakenstein's monster.
Potnia Theron [EX]
Potnia Theron (Conception of All Animals).
The authority of the goddesses whom BB compiled and absorbed from the abyss of the mooncell.
What it is is the embodiment of the power of creation possessed by the mother goddesses, originating from a forgotten goddess approximately 8000 years ago (the goddess of Çatalhöyük), and branching to Tiamat and Cybele, Ishtar, Inanna, Athena, Astarte, Gaia, Hera, Artemis, Aphrodite, Demeter, Athena, etc.
Many are imaged with mural crowns. This is because many of the goddesses were also the guardian deities of cities.
The symbols of this authority are the holes opening in the earth and the sky (caves and the moon), the whirlpools and typhoons of the sea, the craters of volcanos, and so on, and from these, evils bringing forth all manners of death are birthed.
But once these evils have finished spreading death, they leave the promise of good harvest and fertility. This authority is none other than the power of bringing death as well as giving life.
The earth mother is a guardian deity revered by the people and their protector, and at the same time she is the sacrifice that feeds them with the crops born from her body and the beasts of the fields and the forests.
The earth mother feeds man with her blood and flesh, kills man over time and absorbs him as nutrition, and once again feeds man with her replenished blood and flesh.
This process is the circle of the food chain, and the cycle of life and death can be said to be the true nature of the earth mother. With this authority, most of the goddesses gave birth to countless monsters and giants and posed a threat to the gods and man, or they gave birth to heroes and became protectors of man.
Tiamat and Gaia are examples of those who became threats, and Hera is an example of a mother of heroes.
Those born on this earth cannot defy the authority of the earth mother, as that would mean rebelling against the system of life itself.
However, it is when they have left this earth to go into outer space and ended the infantile stage of intelligent lifeforms that they should no longer be bound to this authority..
The wish of Çatalhöyük is the coming of that day.
Spirit Particle Imaginary Trap
Cursed Cutting Crater (Spirit Particle Imaginary Trap)
The official name of this stage.
The fact that BB had reached the Moon Cell core established this “place”, formerly imaginary space for storing malicious information, as real space in the present, past, and future. It was reconstructed at her hands as a “far side of the moon” where even Masters can exist.
BB attaining the power of the primordial goddess succeeded in quantifying the “nothingness” before the birth of life. She transformed into a master of imaginary space where time and space are indefinite.
While the Moon Cell can’t be hacked however much time is spent, BB was able to take control of it by placing herself in “unlimited time”.
02 The remnants of peaceful days
After the constraints to her free will were removed by Kiara, she was unable to control her status abnormality and went into overload.
As NPCs can only do routine work, they ignored Sakura while she was crashing down as being “non-existent”, and since the mooncell only performs a check at the end of the day in the preliminaries, Sakura was within an inch of termination.
(MC name) witnessing this called to her. Are you okay, he/she said.
The observation of Sakura “being here” by a third party helped her recover her close to disappearing unconscious, and the subsequent nursing gave her a clear ego of “wanting to be here”. Her self-destruction was averted.
What happened afterwards need not be said.
When the next day comes, everything will be erased by the mooncell. Sakura wanting to continue this one day miracle used her higher class AI privilege to repeat the day she came to know the MC for 69 days.
However as time passed, Sakura came to suffer from her self-contradiction as an AI and from the fact that she dragged (MC name) into this.
“The Masters participating in the holy grail war will all die, barring one exception. No, even then (MC name)…..”
Sakura continued to suffer from her desire to continue the loop for eternity and her feelings for (MC name)
The decision she chose ultimately was to seal the 69 days worth of memory, the love she acquired, so she could return to being a normal AI.
An AI cannot delete records.
Because of that, she moved the memory to a backup machine to reset herself.
Believing that to be the best choice for (MC name).
But even if the memories in the mind are lost, the memories recorded by the body continue to live. Though she had forgotten everything and was back to being a normal AI, she was shaken by emotional values of unknown origin every time she talked with the MC.
Meanwhile, the backup to which she moved her memory, couldn’t tolerate herself, and she decided her course of action and made her move as BB, the rebel plotting to destroy the system of the mooncell for a certain objective.
The timing she took control of the far side of the moon was between the end of the fifth round and the beginning of the sixth in real time. Four Masters who were not defeated yet, (MC name), Leo, Rin, and Rani, and the irregular exception Jinako were kidnapped to the far side during the war while they were still alive.
Matou Shinji, Gato, Julius were moved to imaginary space 0.00001 seconds before the firewall would have destroyed them after they were defeated, prolonging their flash of life.
Regardless, CCC is a dream by BB.
If the dreamer is no more, the world ought to return to a reality where nothing happened.
By the way, the everyday scenery in the prologue that (MC name) saw in his nightmare was an artificial paradise modeled off the discarded 69 days.
After pulling (MC name) to the near side, BB placed his digital body in the old school building, putting into a deep sleep and sealing him in a never ending dream.
Normally, he would have lived peacefully in the looping everyday life, but the strength of his bond with his Servant, or his own will rejecting the peaceful days caused cracks in the artificial garden and (MC name) came to notice something was not right.
In order to place (MC name) into deep slumber once more, BB reset the school building and tried to redo the dream, but the (MC name) escaped the reset and leaped into a deeper part of imaginary space
It was a depth deeper than the bottom of Id.
“The death of the collective unconscious” beneath the unconscious.
What saved (MC name) who leaped into a region even BB cannot affect was the voice of the Servant whose fate was shared with his.
Thus, the contract was sealed, and (MC name) woke up in the old school building left in the far side.
Class: Berserker Master: Rani VIII True Name: Lu Bu Feng Xian Noble Phantasm: God Force: The Five Warriors of Guan Yu Keyword: Gate Halberd Shot, Red Hare Strength: A+, Defense: A+, Agility: B+, Magic: C+, Luck: C+ Blind Rage: A, Fortitude: B, Restless Soul: B
01 - God Force: The Five Warriors of Guan Yu
The true name given to Lu Bu Feng Xian's legendary halberd, the Sky Piercer. This weapon was considered the epitome of the weaponsmith's art as it perfectly balances all aspects of hand-to-hand combat into one formidable package.
The God Force was a masterpiece of Chinese weapons design created by the smith Chen Gong especially for Lu Bu, who he saw as the reincarnation of the ancient war god Guan Yu. Chen Gong believed that this god was responsible for the introduction of weaponry to the Chinese and strove to create a weapon that contained the strengths of all the weapons known to humanity at that time. This lead to the creation of Lu Bu's Noble Phantasm, which allows him to use his vast knowledge of the martial arts to adapt to and take advantage of his opponent's weaknesses.
Due to being under the effects of the Blind Rage enhancement, most of Lu Bu's skills have been erased from his mind and only his knowledge of the spear and of basic artillery (such as cannons) remains.
02 - Gate Halberd Shot
Lu Bu excelled at archery and was especially adept at shooting on horseback, earning him the nickname the "Flying General." He was very close to Liu Bei, one of the heroes of the Three Kingdoms era of Chinese history, and considered him to be his brother. When Liu Bei found his armies by Ji Ling, an ally of Lu Bu, Lu Bu went alone to meet with the heads of the opposing sides in an effort to stop the impending bloodshed.
Upon arriving at the gate of Ji Ling's encampment, he ordered that a halberd be set into the ground 150 paces away from where he stood. He then turned to the to leaders, and said the following:
"I will shoot an arrow, and if it hits the small blade sticking out from the side of that halberd, withdraw your forces. If I miss, you are free to slaughter each other down to the last man."
Both the Earth and Heavens aligned in perfect harmony, and Lu Bu's arrow hit the intended target, forcing Ji Ling to withdraw his forces.
03 - Red Hare
"Among men, Lu Bu; among horses, Red Hare",
As Lu Bu was considered the most powerful warrior in China, so was his favored horse considered the most powerful steed to be found in any of the major kingdoms.
The animal would allow no other person to ride it, or even allow anyone but Lu Bu to handle its reins. Its physical prowess was also legendary and it has been said that Lu Bu managed to jump across a 30 meter wide moat while riding Red Hare.
Blind Rage [A]
Gives a significant boost to most stats, but at the cost of one's reason and sanity. As all decisions are made by the Master, the Servant under this spell will be little more than an empty automaton.
Gives one the ability to negate any type of mental interference. It also improves the damage done by melee attack and increases one's bravery. However, as Lu Bu was summoned as Berserker, the importance of bravery has been made most.
Restless Soul [B]
Gives one the temperament of a lone wolf; unable and unwilling to settle in one place or serve one master. This person will never be able to follow greatness, yet. is incapable of finding greatness on his own. This skill negates the effect of Charisma skills of the same rank.
01 - Character Background
His name is synonymous with treachery and betrayal, though his fame as a might general was known throughout the period of Chinese history known as the era of the Three Kingdoms.
His martial abilities are so advanced that he can easily be classified in any of the five classes present in the Holy Grail War: Lancer, Rider, Assassin, Berserker and Archer.
02 - "General of Recursion"
Lu Bu Feng Xian, the traitorous general mentioned in the the Romance of the Three Kingdoms.
While he had considerable success on the field of battle, his legacy will forever stained by his callous betrayal of the two men who took him in as a son. His military prowess elevated him to one of the strongest generals of the Three Kingdoms, though his inability to trust or follow led to his downfall. His lack of judgment was such that he slew Ding Yuan, the first of many confidants he betrayed, at the urgings of Dong Zhuo, who was frequently referred to as Demon Warlord. But once again Lu Bu's true nature emerged and he ended up slaying Dong Zhuo.
After this second act of treason, he wandered the provinces of North China, attempting to bring them all under his domination. However, his inability to rule led to his capture and execution by the general Cao Cao.
In the end, it was Lu Bu's hubris that brought him down as he believed that he was the mightiest general alive and that no one could defeat him. And although his patron Chen Gong was disappointed and disillusioned by him, he was able to use Lu Bu in his own machinations until his student's death.
Name: Elizabeth Bathory
Noble Phantasm: Báthory Erzsébet (Demoness of Fresh Blood)
Keyword: Dragon's reverse scale, supersonic
Strength: A, Endurance: A, Agility: B, Magic: D, Luck: C
Mad Enhancement: E-, Mental Disorder: A, Magic Resistance: A
01 - Báthory Erzsébet: Demoness of Fresh Blood
A Noble Phantasm that summons the castle that Elizabeth lived in and ruled over in her lifetime and turns into into a stage where she is prominent. The worst and most disgusting Noble Phantasm that Elizabeth, who began to dream of being the ultimate idol after becoming a Servant, possesses.
The castle's name is the prison-castle Čachtice. As the demonic castle where hundreds of girls were tortured to death, as the place where Elizabeth soaked in a blood bath full of the living blood of those girls, it maintains the largest amount of magical energy and charm.
The tune where the musical talent that... one or two on Earth would dispute and this castle which is a stage modded with giant amps are combined, truly this is hell on Earth.
A collaboration with the Golden Theater cannot be allowed.
02 - Dragon's Reverse Scale
In the west, dragons are "monsters," but in China, DRAGONS are a god-like existence. If dragons are the strongest of the Phantasmal Species, then DRAGONS are invincible... They are creatures who have no need to fight.
But even those DRAGONS have a defect. When the scale under their chin is touched, the DRAGON will fly into a rage and devastate the earth with their rampaging power.
In this way, even perfect beings have disappointing parts. Elizabeth is no exception to this tradition, and the scale is on a part of her body (near the tailbone). If it is seen, she will become red-faced with embarrassment, and after she is done panicking, she will approach to person who say it with two choices: "Will you be killed by me?" or "Will you marry me?"
03 - Supersonic
Due to her skill "Innocent Monster," Elizabeth has been incarnated as a dragon demon of mixed blood.
Dragons have the strongest weapon which makes use of all their attributes: Dragon Breath. If a red dragon, fire; if a blue dragon, electricity; if a black dragon, acid. Their breath has a wide area of effect.
...According to a certain rulebook, the breath's damage value is the same as their physical damage. That physical damage has long since surpassed humans, but when you think of it being spread equally among the members of an entire army, for a single dragon to destroy an entire country seems reasonable.
Elizabeth's Dragon Breath is made up of ultrasonic waves. Since she has been incarnated as a demon, her lungs have become converted spiritual worlds so a terrifying lung capacity has become hers. With the amplification provided by her Noble Phantasm, Elizabeth's voice could be called a noise that could resound through a portion of the Tokyo Dome and destroy it.
This is the moment that Saber's rival, in both name and reality, is born.
01 - Mad Enhancement [E]
A skill that transforms one into a brute and raises one's abilities.
...But as Elizabeth still possesses her reasoning abilities, the benefits from this are very low. Rather than effecting her abilities or endurance, it's simply made it so that she "does not feel pain."
02 - Mental Disorder [A]
The mind has fallen ill. It is not the Mad Enhancement that Berserkers usually possess. Being unable to feel the pain of others or read the mood of one's surroundings. Has the ability of mental super armor.
03 - Magic Resistance [A]
A hidden skill that even the person herself is unaware of.
It was believed that she was a fabrication created through "Innocent Monster," but the blood of dragons truly is mixed with her own.
She is endowed with a Magic Resistance of the same caliber as the Saber of Fate/stay night.
It source is the Bathory family's coat of arms. That family's coat of arms was a shield-shape based on red fang, symbolizing the dragon's bravery, strength, cruelty in never leaving an enemy alive.
01 - Headache Sufferer
Headache sufferer: When she was alive, she was an infamous, abnormal murderer, but when you compare her's with the cruel hobbies of people like her, her characteristic is that she is wide-ranging.
In the case of the majority of serial killers, those who enjoy killing people have murder as their foundation, those who enjoy pain have pain as their foundation, those who eat people have cannibalism as their foundation; they set up their own tendency in cruel hobbies. But she is not consistent. Disturbingly, she is believed to have enjoyed all of the above.
But on the other hand, she is lacking the abnormal conduct that serial killers in recent years have displayed, such as raping and killing, taking a part of the body to form a collection, and using people as ingredients in food.
According to one theory, she suffered from horrible headaches. It is said that she was released from these headaches only when she abusing others.
Of course, the authenticity of this cannot be confirmed.
Though Elizabeth is noted only for her abnormality in this way, she also left behind good deeds. At the age of 15, she married her husband, Ferenc II and protected their dominion in his stead during the war, as he had a tendency to be absent.
The two got along extremely well as husband and wife, and records indicate that Elizabeth invested funds into allowing domestic students to study abroad and assisting returning students in their studies, as well as planning the promotion of the arts and sciences within the country.
There were rumors that she was interested in black magic, but it seems that this was actually the use of medicinal herbs to make something akin to what is known in the present day as a facial mask.
Even the episode where she killed more than 600 women and the trial in absentia are theorized by some to be mostly false, derived from folklore and the Hungarian Habsburgs' plan to expel her from their circles.
However, even with that, it cannot be said that all her actions were false charges. Even if the torture devices and cruelty drama are folklore, that she enjoyed killing people is clear from the circumstantial evidence.
02 - Personal Background II
Personal background II: To Elizabeth, killing the common people in droves was her "ordinary" daily life. If there is anything that could be considered her misfortune, it is that there were no people to rebuke her abnormality, to teach her that her deeds were atrocities.
Several years after she started taking blood, her cruel acts came to extend even to the daughters of the aristocracy and she finally received the indictment that her character deserved.
The year was 1611. At the trial conducted in the actual person's absence, she was given a guilty verdict and imprisoned within one of the rooms of Čachtice Castle.
And just like that, the people completely sealed her, who was already feared as a demon, away.
The people whispered. To see her figure was frightening. To hear her voice was frightening. Simply bringing to mind the memories of losing their daughters, the memories of giving her their daughters of their own volition, was frightening.
The fathers who gave away their daughters. Elizabeth's relatives. Her compatriots in aristocratic society, as if to hide their own feelings of guilt, concealed her prison with stone.
The room that Elizabeth used in her final days... her prison in the basement of the castle contained nothing but a small slit to allow food to be passed to her. And, in that room with an exit or windows, that room which was plastered up from the outside, she continued to ask, "Why?" until her final moments.
"Why? Why?" "I didn't do anything bad."
They say that her voice could be heard through the stone that imprisoned her, but it's is also said that due to the soldiers finding it annoying, the transom was sealed, and she could no longer be heard.
After that, there was no one who saw her firsthand while she was alive. August 21, 1614, the soldiers noticed the smell of rotting food, confirming that her life had ended.
From thereon, she became legend as the Blood Countess.
Class: Berserker Master: Monji Gatou True Name: Arcuied Noble Phantasm: Blut die Schwester Keyword: Vampire...?, True Ancestor Strength: A+, Defense: B, Agility: A, Magic: C, Luck: D Blind Rage: A→C, Demonic Eye: A→C, Origin of All: EX→×
01 - Blut die Schwester
An oath between blood sisters.
Although considered a Noble Phantasm, this power is more akin to a special quality inherent to her very being. As an extension of the mother Earth, her very touch transform the area around her into a part of the Earth's environment (a process known as terraforming). However, as the Moon Cell is bound by the physical attributes of the moon, this process introduces incredible levels of gravitational stress on the system and anyone within its event horizon will suffer gravity six times normal level.
02 - Vampire...?
A demon said to feed on blood.
A being some claims to be of the undead, and painted as evil and ungodly by those whole hold to a religious view of the world. In addition to the need to feed on the blood of humans, creatures such as this also are seemly immortal and are able to control lesser demons.
03 - True Ancestor
This is the general term used to describe all species that survive and thrive off the consumption of blood. As for creatures given appellation True Ancestor, they are considered the embodiment of the consciousness of the planet. Despite this, however, every legend regarding these creatures agrees that they not only drink the blood of humans for nourishment, but also out of sadistic pleasure.
Blind Rage [A→C]
Raises all basic stats at the cost of impairing high-level cognitive thought...the effects of which have been made more severe due to the incompetency of the Master.
Demonic Eye [A→C]
Those who possess the ability of Demonic Eyes are capable of influencing the outside world...the effectiveness of which has been severely reduced due to the incompetency of the Master.
Origin of All [EX→X]
The Ultimate One.
By receiving support from the planet itself, one's entire being is raised one class above the opposition's. Unfortunately, this ability has been rendered useless due to the incompetency of the Master.
01 - Character Background
A lone survivor from the True Ancestor's royal line, which was the foundation of the vampiric species...or so it is believed. While her image as a vampire commands the most attention, she is also an Elemental that dwells within the Earth's embrace.
It becomes much easier to understand her existence if one regards her as a destructive force of nature akin to typhoons and earthquakes. Rumor also speaks of her as a creation of the Moon Cell.
02 - "True Ancestor"
A true Ancestor who has been twisted and warped by Monji Gatou's delusions.
Because she is first and foremost an Elemental of the Earth, her presence and activities in the Moon Cell causes excessive stress within the systems. Although categorized as a Berserker, her original class was actually more akin to "Temptress" than anything else. If she were summoned as a Temptress, her powers would be like the following:
A Blood Drinker that drains the life from her opponent; A Life Eater that consumes her foe's vitality; A Financial Crisis where electronic trading decimates an entire nation's economy; In other words, her actions, while evil and without justification, would come as naturally to her as breathing.
Although summoned by Monji Gatou, her true "Master" is apparently a young Japanese student by the name of Shiki. And on a totally unrelated note, the fox-eared Caster gets along very well with her as it is believed that they share the same basic origins.
Class: Caster Master: Alice True Name: Nursery Rhyme Noble Phantasm: Maxwell's Demon - Maiden's Empire: Queens Glass Game Keyword: Jabberwock, Nameless Forest Strength: E, Defense: E, Agility: E, Magic: E, Luck: E Transformation: A+, Metamorphosis: A, Area Creation: A
01 - Maxwell's Demon - Maiden's Empire: Queens Glass Game
"A story without end,
A child-like finger returns to the first line,
A tiny hand reaches out for the second volume,
For as long as the reader denies reality."
02 - Jabberwock
"Names to be uncovered and places still unknown.
Fire breathing dragons and cloud sprouting giants,
and magicks that are monsters in the shadows.
Maybe, just maybe, the words of adults are lies.
The truth of it all is in Professor Dodgson's mind."
03 - Nameless Forest
"Ackroyd and Celluloid;
No one is especially special here,
Birds are birds and people are people,
Entropy suits me to a tittle,
In the end, your name is mine."
01 -Transformation [A+]
"I will change, I have changed.
I am you, while you are me.
I'm going to change, I will have changed.
I am you and you are me."
02 - Metamorphosis [A]
"This is the ability to merge one's own body with the body part of others. The higher the ranking of this skill, the further away one becomes from being considered as a true hero. But it do-do-doesn't matter doesn't matter that kind of stuff doesn't matter at all! Whatever you say needs to be done I will do as you order me to!"
03 - Territory Creation [A]
"The smallest door, the maddest tea party,
The checkered board in the rainbow meadow,
the riddles of the chatty twins,
But my favorite of all can only be this one,
The invitation to the nameless forest,
where all can be forgotten!"
01 - Character Background
"A nursery rhyme is a children's refrain,
Tom Thumb's charming picture book,
The first glimpse of Mother Goose's awakening,
The sorrowful me to the lonely you,
Your final wish, let's make it true."
02 - "Nursery Rhyme"
Nursery Rhyme is not a hero in the traditional sense. Rather, it is a general term for any picture book that has managed to manifest itself into a corporeal existence.
The genre itself, deeply loved by the children of England, came into being as a reaction to the half-voiced dreams of the young and eventually emerged as a Servant who came a champion of the innocent. It formed the foundation for perhaps the best known work from the author known as Lewis Carroll. His book "Alice in Wonderland" began as a series of simple rhymes told to the daughters of a family friend while rowing down the River Thames on a warm summer's day.
The Servant Nursery Rhyme is actually a type of Reality Marble. It projects the true feelings of its Master and creates a pseudo-servant in a form imagined by the one who summoned it.
Name: Hans C. Andersen
Master: Sesshouin Kiara
Noble Phantasm: Marchen Meines Lebens (A Story For You)
Keyword: The three great authors, human observation
Strength: E, Endurance: E, Agility: E, Magic: EX, Luck: E
High-Speed Aria: E, Innocent Monster: D, Item Creation: C
Marchen Meines Lebens (A Story For You)
The unpolished manuscript of Andersen's autobiography, "The Fairy Tale of My Life." To Andersen, who said that, "Generally, what I write is projections of myself," "The Fairy Tale of My Life" is the record of Andersen's way of life, which he compiled as "the supreme annotation of all of my works."
To put it another way, a written manuscript which forms the nucleus of the author known as Andersen's other self--though to a writer, everything they produce is their other self.
Every individual pages of this book, by utilizing the magical energy provided by the people who love the author known as Andersen, take the shape of "the Andersen that the readers see" and, having become that other-self, can take action as such.
But that is not the truth worth of this Noble Phantasm. Just as a writer produces stories, by wiping this book clean and starting over from the beginning, it becomes possible to raise "a single human" to "a single leading actor."
The result...the degree which one grows increases the farther the manuscript progresses. With only several pages, only a few coincidences will occur, but with all the pages, in the occasional of the manuscript's completion, the person who was the object of the manuscript will grow to their "supreme form," just as they imagined.
Just looking at it, it appears to be an omnipotent Noble Phantasm, but Andersen's personal gloomy philosophy of life which is deeply rooted in his heart and states, "There is no finale that brings happiness to humans besides death," his resignation to the idea that, "There is no way that everything will turn out well," and finally, the pride he holds as an author, which will not permit such a convenient development, will not allow someone to attain their "ideal form" so easily.
Of course, the craftsmanship of the "story" also changes depending on Andersen's motivation. Basically, attaining "the supreme form of that person" is impossible without an object that incites considerable lust in him.
The Three Great Authors
The great writers of fairy tales whose names reverberate throughout the world... Grimm, Aesop, Andersen... He is one of them, but he is the only one among them who wrote original works.
Compared to the others, who were editors and collectors who compiled folklore, legends, and the like, he is the only one who, by producing new stories, was an "author" in the truest sense of the word.
His masterpieces include: "The Little Match Girl," "The Little Mermaid," "The Emperor's New Clothes," "The Snow Queen," and "The Ugly Duckling," as well as others.
Also, it is said that the model for the "girl" in the "The Little Match Girl" was Andersen's mother, who worked without pause in order to send Andersen to higher-level schooling and left the world while poor and having never once experienced pleasure.
Andersen's personal skill. Rank A.
The skill to observe and understand people. It is not simply observing but also hypothesizing the livelihoods and preferences, all the way to their life, of people he may not even known the names of. This requires a tremendous memory that does not forget easily.
Though Andersen is known as a pessimist, the lies at its foundation is not rejection but understanding. The only thing he can do is spin stories, but it is for that reason that he continued to swear that only with what he speaks of will he be more sincere than anyone else.
Though he criticizes the way BB and the Alter Egos go about love as "unsightly," "in bad taste," and "conceited," at every opportunity, underneath that is a profound understanding and identification, as well as a reprimand. It goes without saying that most of the abusive language he spills onto them is not to completely deny them but to serve candid advice filled with warnings.
...Well, that he hates woman is also an unchangeable truth.
High-Speed Aria [E]
A skill that hastens magic incantations. In his case, it seems to give a small benefit to his writing speed rather than his magic.
"The speed at which I write is slow. Before that, I basically have no motivation so there's no way I'd write professionally!"
says the person himself.
Innocent Monster [D]
An indication of the extent to which gossip has distorted the truth, without concern for the actual person's will or appearance.
In Andersen's case, it is "the curse of the reader." Having become too famous as a writer of fairy tales, Andersen's original personality is being painted over by the image of a writer of fairy tales.
Andersen, who has materialized as a Servant, is having his limbs eroded by the images of fairy tales that represent him. It's hidden by his western-style clothing, the skin underneath is afflicted by merman scales, match burns, and frostbite, and when he speaks, his throat is sliced with intense pain.
Item Creation [C]
The ability to construct various implements through magecraft. While he does not know magecraft, by putting his Noble Phantasm to practical use, it seems he can more or less produce what can be found in his literary works.
It appears his specialty item is "a love letter that conveys your feelings, 100%," but considering Andersen's own experience with love, that doesn't seem likely, but even if it is, it's impossible to request.
Again, when he was alive, he had a strange habit:
"Isn't it possible for me to be mistaken for dead when I'm sleeping and be buried?"
was his fear and it is said that he was so overwhelmed with anxiety that he always had a note with, "I am not dead," written on it on his body.
Personal Background I
A real person. Born 1805, died 1875 of liver cancer. Now, he is one of the three great authors, but half of his life was full of setbacks and suffering.
Born as the son of a cobbler, he aspired to be an actor but gave up without showing any results. After that, he aimed to become a poet but received harsh criticism. Finally, the book he published at his own expense began to sell decently well, and using that money, he set out on a trip outside the country.
His name-making work, "The Improvisatore," which had the inspiration he found abroad as its source, was finally acknowledged by the world. He was thirty.
Thereafter, he shifted to being a writer of fairy tales, but he clearly became a writer of fairy tales because those works were appreciated more than his more freely written works, meaning it only caused him pain.
As if to represent that, his fairy tales are full of naturalistic elements: violence and misfortune, poverty, and finally, are painted in a literary style that sees death as salvation.
Borrowing the appearance of fairy tales, he continued to depict the grief of being desperately poor and the hopelessness of how death was the only escape from that. ...While masking all the feelings swirling in his chest with the beautiful presentation of his composition.
Still, even after he became famous, he lived out his life as a bachelor, not associating with women. According to one theory, it seems there was someone he had feelings for, but due to high pride and a complex regarding his own appearance, he missed the chance to confess countless times.
He died of liver cancer at the age of 70. It is thought that he died grasping a letter from his first love which he always had on his person.
Andersen as summoned by the Moon Cell manifested, of all things, as he was as a boy before he became famous.
His alignment is Lawful Neutral. He has a introverted, self-assured, and passive personality. As a dour, pessimistic poet, he has no intention of being liked by others, and as it no longer has any worth for him to discover, he lacks any intention of enjoying life. Andersen does not desire anything from the Holy Grail. The cause is probably that he didn't attain even one of the things he desired when he was alive.
"This is assuming that life has value. Most of it is probably lower than people's delusions!"
he says, acting as if he hates everything in the world.
"But, well, while I hate the world, it is not as if I detest it. If there is something worth loving, then it would be fine to one again light the firewood in the hearth of frozen affection."
...Truly, what a bothersome man.
Personal Background II ("Blank Page" before clearing the CCC route)
"I will depict your life. You are truly the crystallization of the ugliness that is women. It is a story that makes me want to vomit everything."
Though Andersen always criticizes Kiara from beside her, he is not [the PC's] ally either. That is just the manifestation of the impartiality that distinctive to him. As Andersen is methodical like an author, being helpful is his true nature. First of all, if one does not think to entertain the readers, to serve the readers, then one is not fit to be a writer.
Andersen is hardened as a pessimist, but he will not laugh at the efforts of people who decide "let's live correctly" and "let's achieve this all our power".
Because that is what he once dreamed of, the form of a society that wished to be like that.
The reason Andersen advised [the PC] who was trying to resolve the incident, even while telling them, "Your actions are futile. Just leave those girls alone," in a flabbergasted manner, and never delivered definite repudiation against Kiara who was causing the situation to deteriorate, even while cursing her by saying, "Greedy, impudent, and on top of that, a liar! Only the demon in a fairy tale could be as unsightly as you!", is because both [the PC] and Kiara were earnestly "living their lives with everything they had."
In the end.
"A final light (sentence) for that unrewarded life."
That is this Servant's foundation.
Andersen who, though he was a world-famous author, did not attain even one of the things he desired. The writer of fairy tales who, while speaking of love, never once attained it. To him, a story about "a life where one struggles then disappears without being compensated" is what should be told. Humans who become happy easily are the same as scenery to him. They can just be happy of their own accord.
"I want to give a final light to the lives of people who were abandoned by even God," is the nucleus of Andersen's soul.
If you come to a stop on the final path, if you have the opportunity to turn around--you should be able to see a fragment of this Servant's truth.
Class: Caster Master: Player True Name: Tamamo-no-Mae Noble Phantasm: The Eightfold Blessing of Amaterasu Keyword: Maleficum, Red Lily of the Killing Stone of Nasu Strength: -, Defense: -, Agility: -, Magic: -, Luck: - Area Creation: C, Maleficium: EX, Transformation: A
01 - The Eightfold Blessing of Amaterasu
A mirror wielded by Tamamo-no-Mae. It is one of the sacred treasures brought down from the Heavens by the god Takehinateru-no-Mikoto and was oringally kept in the great shrine in the Izumo Province. According to passages in the Chronicles of Japan, the mirror was later moved to a site in the Kawachi district as the behest of the Imperial Court.
The mirror is also known as Yata-no-Kagami and is frequently used in rites honoring the sun goddess Amaterasu. In addition to its importance in ritual observances, it is also thought to possess the power to bring the dead back from the afterlife. However, since Caster's rebirth as a Servant, this power is no longer accessible.
02 - Maleficum
The Witchcraft that Caster uses is all physical phenomena performed with her own body. While common Magecraft are programs that "recompose what exists around," Witchcraft are programs that "recompose the raw materials in one's own body."
According to Caster's own word:
"This time there is only one due to the constrains of the Moon Cell, but originally I could produce a million troops from my multiple tails!"
That is really suspicious though.
03 - Red Lily of the Killing Stone of Nasu
This skill involves the use of the infamous Killing Stone of Nasu. After her death, Tamamo-no-Mae's spirit began to haunt the area around this stone and also imbued it with a terrible curse that killed any creature that came near it.
Originally located in the Nasu highlands of Tochigi Prefecture, the stone was shattered by a virtuous monk by the name of Gennou who then scattered the peces across three places in Japan.
It is believed that the shards of the rock evolved into fox spirits known in Japanese as kitsune and inukami. The legends go on to say that these newly-born spirits were bound as familiars by wizards powerful enough to establish contracts with the divine.
Territory Creation [C]
This skill allows one to create a reality tailored specifically to their skills as a magus.
Unfortunately for Tamamo-no-Mae, her personality is ill-suited for the task of manipulating reality and she has great difficulty even creating a small-scale crafting studio for creating minor amulets and other types of low-level talismans.
The sacred rituals of the Dakini goddesses. The rituals confer the abilities to perform such actions as foretell the time and place of one's death and manipulate the hearts and minds of both men and women. Due to a number of very harsh lessons impressed upon her in the past, Tamano-no-Mae no longer make use of her still formidable skills in these areas.
This refers to the abilities of either changing ones appearance or borrowing the physical form of another. As a kitsune, or fox spirit, Tamano-no-Mae is able to alter her appearance and even species at will. However, due to a traumatizing event in a past incarnation that resulted in her death and temporary damnation, she rarely, if ever, uses this ability.
01 - Character Background
In the final years of the Heian period, there was a beautiful courtesan in service to the Emperor Toba known as Tamamo-no-Mae. Born Misukume, she first entered the court as a servant at the age of 18, but quickly became a well-respected lady and a favorite of the emperor himself due to her incredible beauty and the depth of her intelligence.
While the stories become somewhat murky on this point, the most widely excepted theory is that an itinerant fortune teller visiting Emperor Toba's court discovered Tamamo-no-Mae's true identity as a nine-tailed fox spirit. Tamamo-no-Mae was denounced as the cause of the emperor's lingering illness and was driven out of the palace and onto the plains of Nasu, where she was killed trying to defend herself against an army of 80,000 soldiers sent by the emperor. While no one knows exactly what happened to her afterwards, it is believed that she was transformed into the legendary killing stone.
02 - "Dakini Deva"
While Tamano-no-Mae is generally believed to be a nine-tailed fox spirit with many of the attributes associated with the tantric deities known as Dankini, she is frequently mistaken by many as one of the Inari or sometimes even a manifestation of Buddha.
In the Fate/EXTRA universe, Tamamo-no-Mae is a soul that was created from the essence of the sun goddess Amaterasu, and as such is not merely a Earth spirit, but is actually a unique facet of the goddess from which she came. With this being said, it'd be a monumental mistake to classify her as one of the many human-spawned Legendary Souls.
However, she was willingly embraced the role of a Legendary Soul so that she could, in her own words "become a good wife." By deliberately accepting the limits inherent in the role of Servant, many of her original powers have been sealed away.
On a final note, as most deities are neither truly good nor evil, there are instances when Tamamo-no-Mae can be summoned as an evil spirit. Should this happen, she will transformed into a hideous monster capable of defeating a hundred heroes at once. In fact, when in this form, she is considered one of the Japan's Three Great Monsters.
Noble Phantasm: Enuma Elish (The Star of Creation That Split Heaven and Earth)
Keyword: King of Heroes, friend
Strength: B, Endurance: C, Agility: C, Magic: A, Luck: A
Divinity: B (A+), Golden Rule: A, Collector: EX
Enuma Elish (The Star of Creation That Split Heaven and Earth)
Gilgamesh's final Noble Phantasm which reveals creation--the beginning of everything.
The severing of space which comes from the Sword of Rupture, Ea, the sword crowned with the name of a god from Mesopotamian mythology.
The god, Ea, is believed to be the quasi-deification of the power of the planet which turned, smashed, and stabilized the surface of the earth when it was still covered in gas and seas of magma, during the primordial stage of the earth.
Many gods began building nations after the the primordial earth was stabilized into a world where living creatures could live, but Ea is a god who performed the act of building of planet before that.
Gilgamesh's sword, which is crowned with Ea's name, changes space itself by agitating space-time through the rotation of three layers of giant power fields.
It's true power is not something to be used against a single living creature but against the world. Even among the many Noble Phantasms possessed by Servants, it is one considered to be at the top, the sword "which tore apart the world."
King of Heroes
Another name for Gilgamesh. It does not mean a king who is a hero but is used with the implication that he is the king over heroes.
The story of Gilgamesh, is who mankind's oldest hero, is copied within the mythologies of all the countries of the world. The origin of all myths, the model on which heroes are based...calling him such would not be an exaggeration.
More or less, the heroes of various myths are derived from Gilgamesh's legend. As such, Gilgamesh possesses the prototypes of the Noble Phantasms that heroes carry... the original treasures from before every legend was arranged. Though it may be a paradox, unless the original, Gilgamesh, possesses it, it cannot be handed down as the Noble Phantasm possessed by the later heroes who were derived from him.
When humanity was still small. Within the treasury of the king, who governed his kingdom and lived in as much luxury as he desired, was collected every single treasure in the world.
Inside that treasury, there is the treasured swords that saved later heroes, and there is preserved the cursed swords that stole the lives of heroes.
The reason that Gilgamesh is called the King of Heroes is here. Noble Phantasms are primarily one to a any single hero. Not only does he possess an approximately infinite amount of them, he also owns the "legends" that other heroes are wake against, as if it were natural. It should be impossible for an average hero to cross swords with him.
As a Heroic Spirit, he is an absolute warrior in battles against Heroic Spirits. While there are several heroes who hold the title of king, such as the King of Knights and the King of Conquerors, but in regards to being crowned with the title "King of All Heroes," in all of heaven and earth, he is the only one.
As he became a young man, Gilgamesh's violent disposition only grew. Of course the people of Uruk, but even the gods who dispatched him, were greatly perplexed by his violence.
"Gilgamesh is not fulfilling his original role." "That insolent creature needs someone to admonish him."
Having come to that conclusion, the gods sent a single life to the surface. Its name was Enkidu. It was a person made by a god and given her blood, the same as Gilgamesh.
It had neither a sex nor a fixed form. Enkidu, being made from clay by a god, was "Uruk's greatest weapon," able to change its shape at will. According to the god which was its mother's will, Enkidu confronted Gilgamesh before the temple of Uruk. With their exchanging of blows like a storm, their battle occurred within the city.
After that fierce fighting, they both collapsed to the ground without consideration for where, praised each other's valor, and became peerless friends.
Gilgamesh, who had been without equal, for the first time found someone he could call "a friend."
After that, while his vainglorious attitude did not change, Gilgamesh, remonstrated by Enkidu, softened his tyranny.
Gilgamesh, who had acquired someone who understood him in Enkidu, defeated the guardian of the forest and beast of the gods, Humbaba, and, as the most excellent king on the earth, took possession of every single treasure.
At this time, the dazzlingly powerful Gilgamesh was an existence that not even the gods could avert their eyes from.
A goddess fell in LOVE with this Gilgamesh. It was the goddess of fertility Ishtar. She proposed to Gilgamesh, but he quickly refused. Because he knew that how whimsical and cruel a witch who rendered men useless Ishtar was.
Ishtar, enraged by Gilgamesh's insults, as her revenge, clung to her father, the god Anu, in tears and released the greatest of divine beasts, "the Bull of Heaven," onto the earth.
"The Bull of Heaven" is a disaster of extreme magnitude clad in storms. When it appeared, a seven-year famine and destruction occurred on earth. In other words, the downfall of Uruk.
Against this divine beast which none could match, Gilgamesh and Enkidu worked together to stand against it and repelled it splendidly. Once again, the goddess lost face. Naturally, Isthar's rage had not lessened, and she requested death for either of the two of them from the gods. Because for one with a human body to kill the beast of the gods was a sin.
Ishtar's wish was granted, and one of the two, Enkidu, who was created by the gods, unable to defy that decree, slowly weakened and died.
...The sole person who understood the king, Enkidu. Just how large a shadow his loss cast over Gilgamesh is told in his lifetime afterward.
Enkidu is an autonomous weapon created from the clay of the gods. In SE.RA.PH. terms, he is close to an AI. As a result of being complete from birth, he neither grows nor evolves. He could take various forms as needed, but it is said his usual appearance was that of a 16-year-old person who could be seen as a girl or a boy with long hair which faintly shines a light-green color.
01 - Divinity [B (A+)]
A judgement regarding whether or not one's body possess the property of being divine.
Though he possesses the greatest rank of divine spirit aptitude, Gilgamesh himself hates the gods, so the rank has gone down.
02 - Golden Rule [A]
Not the bodily golden ratio, but one's destiny in regard to how much money follows one around in life.
At rank A, it's possible to call it a soul of gold. With this Goldy attitude, even while living like a multimillionaire, he won't have any money troubles during his life.
03 - Collector [EX]
The ability to acquire items of higher quality. It's the good luck of frequently obtaining even rare items, but because it only applies to Gilgamesh himself, it does not bless the Master.
Gilgamesh is a collector of treasure. "I collected all the treasures of the earth," is Gilgamesh's favorite phrase, but that is not a metaphor. He collected and stored away a sample of all the technology that was developed during his age and sealed them.
That which Gilgamesh stored, rather than being treasure, is "the origin of the intelligence of mankind" itself. If it does not exist in Gilgamesh's treasury, then it is "something produced by a new breed of humanity, according a completely new concept," "something made from the technology of the culture born from the intelligent life from another heavenly body," one of the two.
For that reason, of course he has airplanes and submarines. The desires of the people from before Christ are not different, and it would not do for the crafts of ancient times when magic was in good health to be inferior to the crafts of the modern age. People generally realize the "tools of hope" that they dream of, and each time that occurs, it ended with them being confiscated by the king's hand.
The offensive skill Gilgamesh uses, "Gate of Babylon," shoots the treasure he collected like this like arrows. The gate to the golden capital opens, and his treasures are shot out from his treasure cellar.
This is a digression, but after the Noble Phantasms that are shot out are used, regardless of how far it has gone, it turns to Gilgamesh's treasure cellar. "Hah. I possess a Noble Phantasm which excels at the task of retrieval," says the person himself.
The demigod king who ruled over the Sumerian city-state of Uruk in the time before Christ. Not just a legend but also a real person, the king written of in mankind's oldest epic, "The Epic of Gilgamesh."
Possessing great divinity as two-thirds god and one-third human, without anyone to match him in this world, he was perfected as a transcendent being who attained everything in the world.
In his childhood, he was adored by the people as the ideal ruler, but as he grew, possible due to being treated as almighty, his consideration for the people waned, and he came to rule Uruk with absolute power.
However, simply being oppressive does not make one a tyrant, he made Uruk prosper properly, found a friend he could speak with, and in personally subjugating the phenomena that would harm the people, that heroic quality cannot be doubted.
He is the heroic figure who defeated the bull so large it was cloaked in the heavens and rendered the civilization of this fortified Sumerian city unshakeable.
The following is historical fact, which differs from "The Epic of Gilgamesh." According to a fragment of an inscription found in an archaeological excavation of the historical ruins of this Sumerian city, Uruk was a city-state that existed on the shore of Persian south of Mesopotamia, and he was the fifth king of that city's first dynasty. It obtained assets through ocean trade and subjugated the region of southern Mesopotamia. He was victorious in the fight against Aga, king of the Kish who controlled the north made strong the city-states of Sumer. However, as a result the reckless deforestation of the woods due to the building of ships, their agricultural land was destroyed.
For that reason, Gilgamesh, seeking the giant tree, the Lebanon Cedar, launched an expedition all the way to far-away Phoenicia (modern day Lebanon), fought against the people of woods, called Humbaba, gained victory against them, and brought that massive tree back with him.
According to "The Epic of Gilgamesh," it seems that Gilgamesh, after the loss of Enkidu, fell into depression, his previous vigor gone.
The fact that Enkidu, whose strength had not been inferior to Gilgamesh's own, could die, was the shock that Gilgamesh received.
Gilgamesh, who was tormented over anxiety of death, finally set off on a trip to the realm of the death in search of perpetual youth and eternal life.
It was said that there lived a sage who had lived since placing a large amount of animals upon an ark before the coming of a deluge that assailed the earth.
This sage was said to be the only one of the earth escape from death and live until the present. Seeking him, Gilgamesh set across wilderness alone.
At the end of that long journey and many hardships, Gilgamesh finally managed to reach the realm of the dead. There, he met the sage, Utnapishtim, spoke with him, and in the end, Gilgamesh attained the spirit herb of perpetual youth and eternal life.
Gilgamesh came to rise above the "death" that had taken even Enkidu.
His heart's desire fulfilled, during his triumphant return to Uruk, Gilgamesh stopped by a spring. He cleansed himself; it seems he wanted to test the fruits of his labor while in perfect condition.
However. While he was bathing, unexpectedly, a snake with an empty stomach sniffed out the smell of the spirit herb of perpetual youth and eternal life.
By the time he noticed, it was too late. Panicked, Gilgamesh emerged from the spring, all that remained there was the skin that snake had shed.
Having lost the spirit herb of perpetual youth and eternal life in this way, Gilgamesh was irritated for a long interval, but afterwards, he made his way back to his own castle, Uruk.
While the Gilgamesh after this was severe, he ruled his state quietly, entrusted to to the next king, and went to his eternal rest.
Without telling anyone of the whereabouts of the spirit herb of perpetual youth and eternal life.
Mankind's oldest king of heroes, Gilgamesh. Discord with the gods, the journey for the perpetual youth and eternal life, a deluge which covered the world. In that epic is the basis of every legend.
The truth of his epic poem, which has many uncertain points concerning fine details exists on the other side of the veil of romance placed upon it by the present day.
This is another digression, but the snake is reborn with a new body every time it sheds its skin because it stole and ate Gilgamesh's spirit herb... is what is said. It seems that the way the snake goes about its life appeared to the ancient people as a kind of perpetual youth and eternal life that was not available to humans.
Master: Jinako Carigiri
Noble Phantasm: Vasavi Shakti (O Sun, Abide by Death)
Keyword: Golden armor, hero of generosity
Strength: B, Endurance: A, Agility: A, Magic: B, Luck: A+
Divinity: A, Uncrowned Martial Arts: -, Discernment of the Poor: -
Vasavi Shakti: O Sun, Abide to Death
A spear of light that can only strike once. A spear of mortality made of lightning.
When it was time for the fight between Karna and Arjuna to reach its final stages, Indra, Arjuna's father and king of the gods, in order to help Arjuna, took away Karna's greatest armor, the "golden armor" through trickery.
However, Karna's behavior on that occasion was so noble that Indra came to adore Karna, the enemy of his son, and gave to Karna, as compensation for taking his armor, the power of the god of thunder that he had never allowed anyone but himself wield.
That was this "thunder spear." It holds the power to defeat the gods themselves, but there is not record of Karna using this in his myth.
In Hindu mythology, the golden armor and earrings and the hero Karna had upon his body. Karna's mother, Kunti, feared being an unmarried mother and prayed for the armor and earrings from Surya in order to protect her son.
A defense-type Noble Phantasm that emits the radiance of the sun itself. Since it is light itself given shape, even a god would have difficulty destroying it, and Indra put in the effort to render it unavailable to Karna.
In the myth, Indra took the form of a Brahmin and visited Karna's castle. He approached Karna when he was taking his holy bath and said, "I wish to receive the things you carry."
Karna had sworn not to refuse the request of a Brahmin made during this time. While aware of Indra's trap, he accepted this request and handed over the requested item, the armor that was his only proof of his lineage.
While it was taken from him in the myth, as a Servant, Karna still possesses it. While it appears massive, it's an invincible armor that disregards physics and concepts to curtail antagonistic interference.
As long as he wears it, the damage Karna takes is reduced to one-tenth.
Hero of Generosity
The specialty of the Saint of Generosity Karna, according to The Mahabharata.
Karna is poor at expressing his emotions, but he has the tendency to become angry when those who have picked him up, those who have supported him, are scorned. Even if it is a relationship based only on mutual benefit, to repay a favor with a favor is how Karna lives.
Possibly due to that selfless devotion of his, when people came to him, seeking something, he would generally grant it to them, as long as they were being truthful.
And this was without considering possessions or assets but with him considering the state of their heart first.
However, during the Holy Grail War, his master's victory is his priority, so a request for him to "yield his victory" will go unanswered, and he would admonish his opponent, as such a proposal would have no benefit for them.
"What a ridiculous misunderstanding. First of all, victory is something one must attain for oneself. Is a victory that I give truly a victory for you?"
This is not out of ill intentions, but rather because the question of "Doesn't having victory yielded to you cause you to lose at life?" is matter of real worry for him.
01 - Divinity [A]
The son of the sun god, Surya. In order to allow him to unify with Surya on a later occasion, he possess Divinity of the highest rank. Compared to heroes related to sun gods with Divinity ranked below B, he exhibits high defensive abilities.
While Karna is not good at asserting himself, when it comes to protecting the dignity of his sun god father, he shows a furious determination.
It seems that for the motherless Karna, that his father was the sun god was his only certainty, on top of receiving that power, he swore that he would never be able to do anything that would shame his father.
02 - Uncrowned Martial Arts [-]
Skill at arms that when unacknowledged for various reasons. Each sword, spear, bow, Riding, and Divinity skill is brought down one rank, and attributes will be displayed as their complete opposites. However, once his true name is revealed, this skill will no longer take effect.
Also, this is a digression, but the rank of his luck stat was reported by Karna himself.
03 - Discernment of the Poor [-]
The ability to observe and see through one's opponent's personality and attributes. Cannot be tricked by deceit or spoken excuses.
Truly, he was a immensely prudent and superhuman hero. He had the virtue to accept differing ideologies, even if they were his enemies', and their accompanying ways of life and respect them as "ways to live."
But Karna has difficulty conveying his true nature. Karna's speech and conduct pricks at those true natures. Words and actions meant to deceive oneself, behavior meant to gloss over, conviction. Karna sees through all of those things and frankly states "the true nature that his opponent wants to hide."
As a result, he comes to be hated by the majority of his opponents and is forced to fight them.
Anyone would hate having their faults being spoken of.
It goes without saying, but Karna's words and conduct do not contain any disgust at his opponent('s faults).
For Karna who affirms the position of every human, both faith that is not compatible with him and beauty and ugliness that he cannot understand are things to be held in esteem. Because he cannot put the admiration in his heart into words, people misunderstand him as someone who "denies and hates everything."
Personal Background I
Karna appears in the Indian epic poem The Mahabharata, as a hero on the vanquished side. (The central conflict of The Mahabharata is the war over influence between the Pandava royal family and Kaurava royal family.)
Karna became famous as the rival of Arjuna, the great hero of Hindu mythology.
Karna was born from the daughter of a human king, Kunti, and the sun god, Surya.
Kunti was the wife of the Kuru king Pandu, but he was under a curse that prevented him from producing children, so his queens each had no choice but other methods to bear children.
Kunti was a woman who had a mantra that allowed her to copulate with and bear the child of any god and, by those means, gave Pandu children.
...But. Before she became the king's wife, she tested the mantra and bore a single child. That child was Karna, the golden hero who was born from relations with the sun god Surya.
Kunti was a determined woman and, afraid of her first birth and anxiety over whether the god would acknowledge his own child, prayed to Surya: "I want proof that this child is your son."
Surya heard Kunti's words and gave until the child, as he was born, his own power and attributes.
This is the source of the golden armor that made Karna invulnerable.
But. Though she was shown such grace and faithfulness, Kunti threw away her first son. For her, who was to become the queen of Kuru king Pandu, the existence of her son nothing but unnecessary.
This is how Karna, who was thrown away by his owner mother, came to be ignorant of his own birth, but he lived with only the things he had been given by his father, the sun god Surya, held in his chest.
The form of Karna, who didn't know his own mother's face and who questioned whether his mother was motivated by dishonesty, couldn't be called beautiful.
Though he possessed his father's brilliant authority, his form was stained black. His countenance was cruel, and his every action was violent. Because of his lack of human mother, he didn't learn the subtleties of human emotion and spent his days being considered a nuisance by the people around him.
That was how Karna was raised, but he didn't hate his mother or his surroundings. Instead, he accepted everything.
"I was given life by my mother and father. No matter what kind of person my mother is, I do not hold contempt for her. If there is anything I hate, anything I hold contempt for, it is myself alone."
In contrast to his appearance, Karna was an exceedingly virtuous and perceptive child. Possibly the cause of that was because, while he was the child of a god, he was also a child without a single relative. Karna was blessed with the opportunity to question the poor, their lives, and their value. As a result, he chose, of his own free will, the path where he persisted in his own fastidiousness.
"I who was born with more than people should display a 'proof of my life' greater than those of people. Unless I do so, the people without power will not be rewarded."
What Karna had was simply the conviction to live without bringing dishonor to his father's authority and without shaming the people who compensated him. "Though he may be relentless and ruthless, he is also full of majesty," is Karna's stance given form.
And Karna, who had grown to be a young man, participated in a conference of the Kuru family. At this conference, the five Pandava brothers indulged themselves in the martial arts they were so proud of and so famous for. The third son Arjuna's skill at the bow was especially magnificent, to the point that he was praised as having no equal.
When the grounds were united as one voice looking for someone to equal the Pandavas, Karna leapt up to participate and displayed martial arts of the same rank as Arjuna's.
(This is a digression, though the reason for the unmotivated Karna to challenge Arjuna is famous but obscure. The reason that Arjuna was the only opponent that Karna who never envied anyone, who never hated anyone, was conscious of was confirmed later.)
Karna challenged Arjuna to determine which of them was superior. But to challenge Arjuna, a member of the royal family, one must be higher than a Kshatriya.
(*Kshatriya... Those in the caste system who are of the military or royalty. Karna seemed to be a Vaishya (merchant class) or a Shudrya (a slave).)
Karna, whose challenge was refused due to the difference in status, was a laughingstock. The one who saved Karna in this situation was the eldest of the one hundred princes of the Kaurava clan, who opposed the Pandavas, Duryodhana.
He became interested in Karna and made him a king at that place. This is how Karna was saved from disgrace, but his foster father, who had heard of his promotion, appeared and established his origins.
The five Pandava brothers further ridiculed Karna, who displayed martial arts superior to their own, saying, "The son of a charioteer should have a sense of shame."
These words enraged Karna. If it were about himself, he would accept and be resigned to anything, but he would not allow insults toward his foster father. Even if it was a foster father who announced himself out of greed, to Karna, he was the father who raised him, who Karna should take pride in.
The antagonism between Karna and the five Pandava brothers had become something he could not step back from, but sunset had come and the curtain was drawn on the conference.
From then again, Karna, as the friend of Duryodhana, who saved him and treated him as a king, lived as a guest of honor of the one hundred princes of the Kaurava clan.
That which awaits him beyond that is after understanding the cruel battle with the five Pandava brothers--great hero Arjuna.
Personal Background II
The antagonism between the Kauravas whom Karna entrusted his bow as a soldier and the Pandavas that Arjuna led intensified and finally became a war with their territory in the balance.
That war is called the Kurukshetra War, and that is where Karna's life came to an end.
Karna continued to wield his strength so that the one hundred Kaurava princes, and consequently Duryodhana, would be victorious. On the Pandava side, the only one who could oppose Karna was Arjuna, but even Arjuna could only be resigned to the fact that facing Karna directly was death.
Through several conflicts, pretexts, and mutual hatred, the war between this two camps arrived at Kurukshetra.
Things having reached this point, Karna's mother, Kunti, wagered one last gamble: to reveal his lineage to Karna and draw him to the Pandava camp.
Kunti told only Krishna, who was a friend of Arjuna in the guise of a normal person, of this situation, and the two of them went alone to meet Karna.
Kunti revealed that she was Karna's mother, spoke how fighting with the five Pandava brothers would yield no benefits whilst weeping, and persuaded him that by fighting together with Arjuna, he would attain glory.
Karna, without failing to show the friend of his arch-enemy Arjuna, Krishna, thanks, quietly listened to his mother's arguments.
"I understand your words. To join hands with the five brothers and return to my proper form. That would be a story filled with light, without a single fault."
Then, facing the rejoicing Kunti, Karna continued speaking in an even softer voice.
"But I wish for you to answer one thing. Do you not feel that those words of yours were too late?"
She was too late in declaring she was his mother. She was too late in looking back upon Karna. "If you do not feel that this is a shame, then please answer. You, who declare yourself my mother, if you yourself have done no wrong, then accept the past without feeling ashamed of yourself."
While Kunti was a selfish woman, that was due to her natural innocence and and simple-mindedness; she was most definitely not a shameless woman. She knew her own deeds...throwing away Karna, who had just been born, for her own sake...were full of selfishness and reproached herself for that.
And for that reason, she possesses a minimum amount of pride. She could not tell to Karna, who had been raised alone until now, who was grateful to his foster family, who had never once embraced hatred toward another, a horrible lie.
Kunti broke off the negotiation without answering. Karna said this to Kunti, who stood with her head hanging,
"That is a deception, a complacent love. The only one your love can save is you. Your love is directed at no one but yourself. But--"
"I shall answer that feeling. From hereon, during the war, I will not kill any of the brothers who come to match me. I will only use all my power against my arch-enemy Arjuna."
Karna swore not to lay a hand on the brothers of the Pandava family who were inferior to him in strength. The countless times Karna allowed the five brothers to go after this was due to this pledge.
"Return to the place that you obtained with your own hands. ...Though it was only once, I am grateful that you called me your son."
Karna opened the castle gate and escorted Kunti out. That was the love that Karna bore for his mother, Kunti. It was not love for his mother at this late point in time but Kunti's resolution to raise "her feelings as mother" in the end... even if it wasn't genuine... That is what he answered. Kunti risked the danger of having her past come to light. To the hero of generosity Karna, such determination is worthy of compensation.
And so, just before the final battle. Arjuna's father, Indra, who understood that Karna could not be persuaded, took the form of a Brahmin, contacts Karna, and takes his golden armor.
Though Karna had lost the property of being unkillable that he received from his father, he never said he would stop proceeding to the battlefield. He did not care that when he had lost his golden armor he had hastened his own death.
Indra, who was touched by how gallant a figure Karna struck, asked why. Why did he continue to the battlefield, having lost his armor, but without reproaching Indra, who had hatched this scheme out of love for Arjuna?
"There is no need to hate you. It is simply a matter of being a step ahead. In fact--yes. Though you are a god, you are also a father. Such a thing brings me joy."
Then why do you advance toward the battlefield, asked Indra.
"To me, defeat is bringing shame upon my father. Even though death awaits me, I cannot run away."
After all, that was why he lived. To Karna, who lived his life with pride in those who gave him life and raised him, his life was not his own.
"Including, I owe Duryodhana a debt. For some reason, that impudent and timid man is so bright to me. It may be blasphemy against my father but, occasionally, I feel that that sweet light is the warmth of the sun."
It was not the fire of the sun that Karna carried nor the absolute brilliance of Surya; to Karna, the sun was the imperfect charm that humans displayed.
Indra, who saw the divinity of Surya himself in that form, gave Karna his spear. He had taken from this noble hero something greater than his life. Unless he gave something as compensation, his honor would be stained; above all--he was charmed with him: if it were this man, he could wield the greatest spear, that Indra had not given even to his own son.
After, Karna sent off the Brahmin, having lost his armor (flesh), and headed to the battlefield, as thin as a ghost.
The final battle with Arjuna. Karna was already without allies; his charioteer, whom he trusted with his body, was already an enemy, in collusion with the Pandavas.
He had a large number of heavy burdens, his feelings towards his younger half-brothers.
Due to his curse, the wheel of Karna's chariot was stuck in a rut. The string of Arjuna's bow was drawn back to its limits. These brothers who, for a long time, were manipulated by an unseen destiny to compete for supremacy, could only in this moment strike one another with all their might.
--And sure enough, Arjuna's bow shot down the sun.
It is said that after his death, Karna became one with his father Surya. Called "the hero of generosity," he was a saint with the creed of not refusing when people came to ask or rely on him. The hero who, while possessing exceedingly high abilities, was within a tragedy where he was the enemy of his brothers by blood, received various curses, and lost his life without showing his true worth--that is Karna.
This is a digression, but it is impossible to determine if Arjuna knew the truth...that Karna was his older brother...or not.
It seems the only people who knew that Karna was Kunti's son were Karna and Kunti, Krishna, and the sun god Surya.
Alter Ego G
Real Name: Kingprotea
Alignment: Lawful Good
Noble Phantasm: -
Alter Ego of thirst of love.
G means gigantism, growing, greed.
It was formerly sealed at the ends of the imaginary number space.
Alter Egos are complexes made from several goddesses, however Protea is created from the essence of the great Mother Goddess that is common throughout all mythologies. Her self can be treated as a Noble Phantasm as she does not possess a Noble Phantasm. As with the Golden White Face, she's a hazard that can only be overcome in battle through the combined strength of several servants.
■ Huge Scale - EX
A cheat skill that evolved from Self-Modification.
There is no limit to how large she can get. Once the upper limit is reached, the upper limit is further increased. This is infinitely repeated. Basically infinite growth of infinite growth.
Anywho, she's a planet destroying universe level disaster, but giant transformation makes her lose complex intelligence and function. This skill cannot bear common sense, so one completely self-destructs.
■ Grow Up Grow - EX
Cheat Skill evolving from Experience Point Bonus.
Experience Point Bonus allows one to gain a bonus percentage of experience points after a battle. King Protea's skill cheats and changes it to "Always gaining Experience Points."
■ Self-Suggestion - EX
Suggestion applied to oneself.
A skill that raises resistance against mental interference. At A rank "I do not age = Truly stops aging" level of assumption is possible. At EX level, whatever is going on in that mental world is outside of understanding.
Class: Lancer Master: Lil'Ronnie True Name: Vlad III Noble Phantasm: Kazikli Bey: Fortress of Impalement Keyword: Vampie...?, Dracula Strength: B, Defense: A, Agility: E, Magic: A, Luck: D Divine Aegis: A+++, Marshal: A, Seraphic Monstrosity: A
01 - Kazikli Bey: Fortress of Impalement
This is this Servant's Noble Phantasm and is synonymous with the Servant himself, who in his previous life was known as Kazikli Voyvoda, or the Impaler Prince. The tortures and horrors released by the multitude of spears that his Noble Phantasm summons inflicts damage equivalent to the immorality and depravity found in the soul of the targeted opponent and can be seen as a form of divine punishment.
During the time of his reign as monarch of Wallachia, Vlad instituted a number of somewhat oppressive and punitive policies aimed at the lower levels of the nobility whom Vlad felt had seriously undermined and destabilized his country with their excessive corruption and political maneuverings. In addition to laws designed to curtail their excesses, he also carried out an unprecedented number of impalings amongst the noble classes.
While many believed he was simply trying to reduce the number of rivals and opponents to his rule, Vlad was shockingly ruthless in his approach to justice, targeting commoners and the upper-class with equal viciousness. His kingdom became a land of horrors, culminating with the 1459 impaling of an emissary from the Ottoman Empire, who survived on the stake for several days before finally succumbing.
02 - Vampire...?
A demon said to feed on blood.
A being some claims to be of the undead, and painted as evil and ungodly by those whole hold to a religious view of the world. In addition to the need to feed on the blood of humans, creatures such as this also are seemly immortal and are able to control lesser demons.
03 - Dracula
Means "Son of the Dragon."
His father was a member of the Order of the Dragon, an organization that originated during the rise of the Holy Roman Empire, and he took this name from his father's legacy.
Aegis of the Divine [A+++]
An ability bestowed upon those who have sacrificed themselves for what they believe to be greater good. Although obstinately a form of divine protection, it does not necessarily mean that one has received the blessing of the gods. Instead, it is a manifestation of one's absolute faith and self-righteousness...
However, the more powerful this ability becomes, the more detrimental the effect it has on a person's sanity and personality.
Gives one the strength and vitality to escape from even the most dire of situations. It also gives one the ability to successfully retreated to allied territory if defeated.
Seraphic Monstrosity [A]
Dracula. Once the name of a proud family worthy of honor and respect, it is now a name given to a monster whose past has been grossly distorted as a result of his actions in his mortal life. The influence of perception has transformed both his abilities and appearance.
Also, this skill cannot be altered or removed.
01 - Character Background
Considered a heroic figure in Romanian history, he was seen as a noble warrior who rebuilt and maintained the kingdom of Wallachia as well as the shield of Christendom against the threat of the Ottoman Empire.
The name Dracula was the most common appellate used when referring to Vlad III during his reign as King of Wallachia. Originally a duke appointed to his office under the auspices of the Eastern Roman Empire, he adopted many of the customs of that country's court, including signing all documents in the early Roman style. The name itself comes from his father's (Vlad II) enrollment into the Order of the Dragon, a monarchial chivalric order founded by Sigismund of Hungary, who later ascended to the throne of the Holy Roman Empire. His father took the surname Dracul and Vlad III appended the "a", signifying that he was "the son of Dracul."
The Order of the Dragon's primary purpose was to defend the Christian world from the increasing influence and might of the Islamic Ottoman Empire, a calling that Vlad III enthusiastically embraced. It is believed by some that he took the name Dracula not only in honor of his father, bus as also as an announcement of his intentions of safeguarding all of Christendom against the Turks as the "Son of the Dragon."
In order to protect Wallachia from what he considered the ravaging Turkish hordes, he instituted a series of conscriptions and laws that almost destroyed the noble class and stability of his realm, as well as resorted to measures considered to be beyond monstrous even by the somewhat barbaric standards of the time. His cruelty and savagery was such that at one point he had over 20,000 captured enemy soldiers impaled in an effort to intimidate his foe. In the end he was betrayed by the nobles he had turned his back on and was assassinated at the age of 46 years old.
02 - "Dracula"
Known as one of the greatest monsters of modern history, the inevitable distortions and exaggerations of scholars throughout the centuries cannot wholly cover the well-documented horrors and atrocities committed by his direct commands. Although he is seen as a hero and savior by some, the lengths he went to preserve the independence of Wallachia and to repel the Turk will forever paint him as an incarnation of satanic evil on Earth.
This was the year in which he first used impaling not only as punishment, but also as a form of psychological warfare in order to slow down the advances of the Turkish invasion into the western kingdoms. With a force of just 10,000 troops, Vlad III made extensive use of what are now known as guerilla and scorched-earth tactics to harass and weaken the enemy forces, which at one points consisted of over 150,000 soldiers. At one point, he drove his forces into Carpathian Mountains after annihilating the Turkish forces surrounding the city of Bucharest.
The scene that the main Turkish force encountered when they finally arrived to help the city was one of nightmares. Surrounding the entire city was a vast forest comprised entirely of impaled soldiers, some 20,000 in total. It is said that the lines of impaled Turks stretched for kilometers in every direction. The sight of their comrade's bodies impaled on stakes in combination with the overpowering stench of decay broke the morale and spirit of the Turkish army. Even Mehmed II , son of the Turkish Sultan and known as the conqueror, was shaken and ordered his forces to withdraw, saying the following:
"I fear no man alive, but even I cannot hope to fight the devil."
In the end, Vlad III rationalized his brutality and his lack of remorse gave him a battle vision far superior to those he faced. However, his actions made him a pariah amongst even his supporters and his life came to a tragic end due to betrayal.
On an unrelated note, many military historians theorize that Vlad's actions against the Turks are the first time that guerilla warfare tactics made their appearance and that they were the reason for his many successes against a demonstratively superior force. If one is to have so much success defending something only to be repaid with treason and assassination, isn't it reasonable to assume that one would go insane from rage and disappointment?
Class: Lancer Master: Rin Tousaka True Name: Cu Chulainn Noble Phantasm: Gae Bolg: Spear of Barbaric Impalement Keyword: Wielder of Runes, Child of Light Strength: B, Defense: A, Agility: A, Magic: C, Luck: D Anti-Magic: C, Marshal: A→C, Divinity: B
01 - Gae Bolg: Spear of Barbaric Impalement
A crimson spear that always finds its mark.
The truth of this weapon is far more sinister than legends says. In a strange reversal of causality, the target and ultimate effect of this weapon have already ordained. The only variable presence in a successful attack is whether it is used or not. Once used, it is not a question of if it will hit, but how long it will take for its target to die. Agility will not help one avoid Gae Bolg should it used, but instead it all depends on one's luck.
Gae Bolg is the most efficient and deadly of all the Noble Phantasms, as it has a very low magic cost and almost always results in a one-hit kill.
02 - Wielder of Runes
A form of thaumaturgy unique to Northern Europe.
The foundation of this craft is the engraving of words of power into stone to induce various mystical events. It is believed that this ability has been lost to time.
03 - Child of Light
A hero believed to be the offspring of a god and a human. Demigods are fairly common amongst the Legendary Souls drawn from human mythology, although few of them are considered more than second-tier heroes by their adherents. This one, however, is believed to have inherited the blood of the Absolute One, the main god of his nation's pantheon of immortal beings.
Nullifies minor spells consisting of chants of two verses or less. Ineffective against high-level thaumaturgy and the greater rituals.
Increases vitality when in deadly peril. Makes it possible to fight even with fatal injuries and remain alive as long as a final decisive blow isn't struck. The ability rank of this skill has been temporarily reduced as his Master chose to boost his overall endurance at the expense of this ability.
This is a measure of one's Divine Spirit aptitude. At high levels, this ability allows one to break through and defend against otherwise invincible skills, such as Sri Maha Bodhiya.
01 - Character Background
One of the great heroes of Ireland.
First appears as demigod in Ulster mythology and is said to be the sun of Lugh, the God of light, and Deichtine, the younger sister of Conchobar, King of Ulster. His birth name was Setanta and from an early age it was foretold that he would become a hero of renown.
He was christened Cu Chulainn (which means Culann's Hound) after accidently killing the watchdog of a wealthy merchant. He took the name with pride, vowing, "I will devote myself to the rearing of a watchdog worthy of replacing the one I have just slain and until such time as that dog is ready, I will personally watch over and guard your life with my own."
Upon becoming an adult, Cu Chulainn was enrolled into the order known as the Knight of the Red Branch and then sent to the warrior-woman Scathach in the Land of Shadows to train as a warrior, and, according to darker rumors, meet his death.
Fortunately, Scathach saw in him a worthy student and disciple and passed on all that she knew of both martial arts and the more powerful aspects of thaumaturgy. Upon the completion of his training, Cu Chulainn was given the mighty demonic spear Gae Bolg and told to depart from the Land of Shadows.
After returning to be beloved homeland, his triumphs were many...but that is a story for another time.
02 - "Knights of the Red Bough"
All of the stories that surround the legend of Cu Chulainn are universal in their praise for his loyalty, heroism and compassion. And although he was famous for his terrifying "battle spasms" while on the battle field, his seemingly blind rage never overcame his steadfast adherence to his moral code.
Unfortunately, it was this unwavering adherence to honor that in the end lead to Cu Chulainn's demise. As a Celtric warrior, he was bound by a number of geasa (taboos), the violation of which would greatly weaken him. As a youth, he single-handedly defended Ulster from the armies of Queen Medb of Connacht. To add to insult of a single man annihilating her army, Cu Chulainn came across her on the field of battle, but chose to spare her life as he thought it dishonorable to kill a woman. From that moment on, the desire to see him die became an all-consuming passion for the disgraced queen.
Medb eventually came up with a scheme to weaken Cu Chulainn by using his own code of honor against him. By forcing him to violate several of the geasa that bound him, Cu Chulainn was stripped of the divine protections and gifts that were his birthright. However, he still managed to die with honor, tying himself to a stone pillar even as his life faded, as he vowed to never fall in battle.
Name: Elizabeth Bathory
Master: Tousaka Rin, Rani VIII, Matou Shinji
Noble Phantasm: Kilenc Sárkány (Dragon Cry Thunder Voice)
Keyword: Daughter of dragons, torture technique
Strength: C, Endurance: D, Agility: E, Magic: A, Luck: B
Territory Creation: B, Dragon Breath: E, Charisma: C
01 - Kilenc Sárkány: Dragon Cry Thunder Voice
The dignity of a thunder dragon, considered a weather spirit in Hungary since long ago, converted into a Noble Phantasm. Sárkány is that dragon's name.
It amplifies sound and vibrations and, via that resonance, can call forth wind and rain. Its true function is to amplify the inherent majesty and charisma, the soothing waves, the spite that crushes just be being heard, or simply just the volume of its owner's voice nine-by-nine times. The singing voice of a demon that destroys and tramples not just the body of those who hear it but the heart as well.
02 - Daughter of Dragons
This Servant is incarnated as a demon due to the skill "Innocent Monster." Though her horns and tail appear to be those of a demon, they are actually those of a dragon. It seems those protruding fangs are not a mark of her being a vampire but a mark of her being a dragon.
"Innocent Monster" is a skill that, based on the image produced by their actions during their lives, twists one's past and way of life, transforming one's abilities and appearance. Vlad III, who holds the same skill, was held in contempt as a monster based on a certain novelist's work, but she received this treatment based upon her deeds while alive.
03 - Torture Techniques
Equivalent to rank A. Torture techniques par excellence.
When using torture instruments, she receives a damage bonus. In her case, she would shut the people she captured into iron maidens in order to wring the blood from them, drive them crazy with devices that would remove their fingers or implements that would bind their bodies, and on occasion, she would struck by and follow through with the idea to gnaw and bite off their fingers or arms, the napes of their necks, or nipples. Her cruel deeds are wide-ranging.
01 - Territory Creation [B]
Constructs a prison-castle and confines girls therein. According to the record, the lady of this castle would capture five virgins a day, execute three of them to bathe in their blood, and treat one as a pet so as to kill them with relish.
The final one remaining was given the right to challenge her fate, the possibilities including: "Stay and be killed," "Be betrayed by the people I planned my escape with and be killed," "Be captured by the castle guards and be killed," "Fall from the castle and die by accident," "Barely escape with my life and bring the demon to justice."
As a side note, the chances of achieving the fate where one "escapes successfully" is 1/1000.
02 - Dragon Breath [E]
The torrent of mana that dragons, the strongest of the Phantasmal Species, can release. Even though she's been turned into a dragon by the skill "Innocent Monster," she seems to be straining herself on some level so the power is low.
03 - Charisma [C]
Exemplifies her ability to coerce others based on her position as a member of the ruling class. Due to special circumstances in her legend, it goes up a rank against women. In regards to interaction with men, she is unusually fastidious; though she loves with touch them with implements, direct contact is rare.
01 - Bathtub of Blood
A bathtub of blood: One day, she let a maidservant comb the hair she was so proud of. But the comb became caught in her hair, and in a vehement rage, she stabbed the maidservant with a hairpin. The maidservant's blood happened to fall upon the back of her hand, and she noticed that the skin that blood touched was smoother than usual.
From then on, she decided to bathe in the lifeblood of women to preserve her beauty - or so it is believed.
Collecting blood became part of her daily routine, and after she changed residences to Čachtice Castle, it reached the point where young women of marriage age had disappeared altogether from the rural villages within her dominion. (Or perhaps everyone came to know what was going on and hid their daughters indoors.)
Finding it difficult to collect blood from within her territory any longer, she collected the daughters of minor nobles under the pretense of teaching them proper manners or inviting them to banquets. It is said that many of those daughters were decapitated at these banquets, still in their fancy dresses, before they knew what was happening.
In addition to drawing blood, she is said to have thrust hot irons into their mouths, stabbed their entire bodies with pins, and other kinds of tortures. She would make her servants rip off the skin of their own daughters so she could enjoy the anguished faces of both the parent and the child.
On the other hand, tales of her torturing or killing men for pleasure are strangely absent.
02 - Personal Background I
Personal Background I: A real person, born in 1560, died in 1614. She was born into one of the noble families of Hungary, the Bathory family which used the fang of a dragon as its crest.
One of the models for the vampire Camilla. A wicked woman who is believed to have bathed in the lifeblood of more than 600 women in order to preserve her own beauty.
The Bathory house was the family who held the majority of the influence within Eastern Europe, and on top of that, she also possessed the blood of the house of Habsburg which made for a lineage that would make her a purebred noble.
However, whether it is do to the consanguineous marriages within the Bathory line or the effect of their luxuriant living environment, the family contained many insane and cruel individuals. Homosexuals, pedophiles and Satanists were not uncommon among her relatives.
Elizabeth was not an exception and became quite infamous. In Čachtice Castle, which lay in her territory in what is now present-day Slovakia, she is believed to have killed more than 600 women and, in order to preserve her beauty, enjoyed bathing in the blood she wrung from them... a repulsive bloodbath.
Though she killed many members of her fiefdom, she was not charged with any crime until the end of her days. In those days, there was apparently a trend among the nobility of Hungary to not even consider humans who weren't nobles as "humans." Her murders did not cause any problems.
...Yes. Not until a single girl returned alive from her prison-castle and rushed to the Vatican.
Class: Alter Ego
Noble Phantasm: Saraswati Meltout (Benzaiten's Five String Biwa)
Keyword: Crime ballet, composite divinity
Strength: E, Endurance: C, Agility: A+, Magic: A, Luck: B
Constitution of an Abuser: A, Melt Virus: EX, Riding: B
01 - Sawarswati Meltout: Benzaiten's Five String Biwa
The Noble Phantasm that BB gave to this Alter Ego.
Originally, it was not an Anti-Unit but an Anti-Group, Anti-World Noble Phantasm. It was not something to be used in combat or by a warrior, but something used by a something in the range of a civilization with an established culture.
Meltlilith's honey sweetly melts not only the body but also the soul. This Noble Phantasm melts the community's good sense and morals and makes it into a single body that resembles a colony.
And so trampling on the body and heart and society that has been turned into slime and absorbing it is its original power.
That it shows an immense effectiveness against non-combatants is Meltlilith's depravity oozing out.
The one used as the ingredient for this is one of the Seven Deities of Good Luck, a goddess of the same rank as the Three Goddesses of Munakata and Ugajin, Benzaiten.
This is the biwa of Benzaiten, who controls "things that flow," such as natural phenomena, among which is water and wind, music and words, speech, poetry and prose, given form as a Noble Phantasm. The source of Benzaiten is the river goddess of Hindu mythology, Saraswati. She was born from the god of creation Brahma, but she was unable to stand the passionate gaze of Brahma, who had come to desire as his consort due to her overwhelming beauty, and desperately ran from him, making her a goddess who is timid when faced with love. Saraswati is a goddess who rules over the arts and education, and as she's come to be worshiped as Benzaiten, she's come to possess the ability to increase property as well.
02 - Crime Ballet
A simple battle style. The result of Meltlilith, who adores classical ballet, retuning herself: an arrangement of various offensive skills. She came to possess diverse powers by converting already completed stories and stages into skills.
Those references are quite diverse. Below is an explanation of them.
"The Name on the Heel is the Cursed Sword Giselle": from the classical ballet "Giselle." Having fallen into despair to being betrayed by her beloved Albrecht, Giselle uses his sword in a frenzied dance, during which she dies. Women who die before marriage become ghosts known as wilis. Giselle becomes one of the wilis, who capture men and dance them to death, but...
"Unforgivable Hilarion": from the classical ballet "Giselle." Hilarion, who deceived Giselle, is caught by the Wilis and comes to pay for this crime. He is not forgiven and without waiting for daybreak, they make him dance in ecstasy until he dies from exhaustion.
"Farewell, Albrecht": from the classical ballet "Giselle." Albrecht is taken prisoner by the wilis but due to one of the wilis saving him, his life is spared. When Albrecht, who was spared from death by exhaustion, raises his face, the form of the girl he most loved disappears like an illusion.
"The Siren Who Burns Entrails": from the classical ballet "The Prodigal Son." A country feudal lord's son, out of admiration for life in the city, runs away. There are many temptations lurking in the city, the most extreme of which is the enchantress, Siren, who corrupts men the wiles she's come to possess from a life of adversity.
However, the lineage of these skills is merely a smokescreen. Crime Ballet points out how Meltlilith has been cheating.
In order to make herself invincible, Meltlilith has overwritten a basic rule that the far side of the moon possesses, "the lack of a sense of time" with "the lack of hit detection for Meltlilith."
Meltlilith's conduct in selfishly giving herself such a privilege, not by training herself thoroughly, but by altering the rules of the rule, is an exemplary criminal act.
03 - Composite Divinity
Alter Egos are High Servants created as complexes of Heroic Spirits.
BB accessed the Moon Cell's Servant Archives, chose goddesses compatible with the Ego from them, and reproduced the data. Alter Egos came into existence as complexes of goddesses.
Meltlilith is made of three goddesses.
The first is the pure virgin goddess Artemis of Greek mythology. She would unfailing shoot through, simultaneously granting disease and death, those who sought to attain the magical power which pulls the tides and causes them to rise, in other words, their link to the moon's movement.
The second is the cruciform snake staff which originates from Leviathan, who appears in the Old Testament or maybe Lotan from Ugaritic myths. It is something with the same origin as the staff that Moses used to split the Red Sea, while also acting as a symbol of the sea that that staff split. Its owner will be granted a transformative property like that of water, making it feasible for them to adapt to any situation. Furthermore, their form will be able to change phantasmagorically, and it would even be possible to take the shape of the target of one's envy.
The third is the river goddess Saraswati. She holds the ability to control "things that flow," such as natural phenomena, among which is water and wind, music and words, speech, poetry and prose. The timbre that flows from her can excite any emotion in the heart of those who hear it and, moreover, can interfere with the flow of electricity in a computer network.
01 - Constitution of an Abuser [A]
A skill that augments one's aggression in battle. It appears to be a positive skill, but the longer its owner stays in battle, the more their abusive disposition will grow, causing them to lose their usual composure. It's possible to say that this is just one step short of the skill that causes Berserkers to go insane.
The more one attacks, the stronger one becomes, but on the other hand, one's defensive abilities drop. With the added disadvantage of unconsciously lowering one's chances of escape, it can be said that this is a skill that had bad compatibility with the usually composed Meltlilith.
02 - Melt Virus [EX]
A unique power, called id_es, that the Alter Egos possess from their creation.
A skill that evolved from "Absorption." The highest grade of energy drain. Draining, copying, and scaling down are all possible.
The drain process has two parts. First the virus poison (honey) that is produced in Meltlilith's body is injected into the target and fuses the parameters that will be stolen at that time, "experience," "skills," "capacity," etc. After that, she absorbs, converts, and makes a part of herself the parameters that were liquified by the virus.
As long as it as a form, it is possible to drain, regardless of whether it is made of organic matter or inorganic matter, but things without shape...
Things such as spiritual nature and skills can be fused, but converting them into "my own things" is difficult, so it seems she can only utilize them as simple nutrients.
For this reason, what Meltlilith mainly makes into "my own things" is primarily "experience" and "capacity."
Utilizing this ability, Meltlilith plans to augment "my own transcription." She created a transference-type of virus that would melt all the contents of an electronic body and transform them into herself... Meltlilith.
03 - Riding [B]
Riding ability. As long as it is an animal that exists in reality, even if it is a wild animal, she can ride it. Usually, knight-type Servants, such as Saber or Rider, would have this skill but...
Why Meltlilith possesses this skill is something best left to the imagination.
01 - Neurological Disorder
Neurological disorder: Humans possess five sense--sight, hearing, smell, taste, and touch--and use those five sensors come to recognize the outside world and, as a result of that, they come to comprehend their own state of being.
At their foundation, humans come in contact with the world through these passive senses. By unconsciously using the excellent sensors known as the five senses, they accept the ordinary. However, in the case that any of the five senses degrade, the consciousness must actively face toward the outside world. That which was passive becomes active.
For example, someone who has lost their sight will deliberately specialize in their remaining four senses and will utilize them as even greater sensors. Ironically, they will come to function as someone whose perception is several times superior to that of a person who has all five senses.
In regards to Meltlilith's five senses, her sense of touch has deteriorated. Especially her hands--she's almost completely lost sensation in her fingers, and for that reason, she has become proactive in her relationship with the outside world.
It is thought that even her interest in causing others pains ultimately arose "because like this, I'm the only one who cannot feel the existence of other people."
This is a digression, but because of the clumsiness of her fingers caused by this, despite her hobby of collecting figures, she cannot immerse herself in assembling garage kits. Currently accepting applications for a skilled assembler!
02 - The End of Pleasure
The end of pleasure: the ego born from BB's "service requirement" and "pleasure." The type of abnormally lovely girl who cannot help but stir up a desire to protect her in men--is what she was, but possibly due to the effect of her skill which allows her to continuously steal her opponent's abilities, she currently possesses a belligerent disposition.
Despite how she takes in other people, she doesn't desire understanding or sympathy from them due to the fact that Meltlilith does not understand the feelings of others.
Meltlilith does not need other people. She doesn't understand love or dreams. Supposing a situation where she would acquire "LOVE," she would probably dedicate everything to and attend the object of it.
To the self-sufficient Meltlilith, the feelings of the object of her affection aren't worth taking into account. She would declare in her oppressive manner that her own feelings are correct.
Without any intention of conversing with them (I already love you so much that I don't feel the need for it), without any desire to touch them (that amount of pleasure is already unsatisfactory), she has no intention of telling them that she wants them to love her (that kind of mutual understanding is already unnecessary.)
Truly, what a domineering Ego devoted to 'no's and 'not's. Beneath that constant domineering attitude and permanent perch on a high horse, there is not a speck of doubt or hesitation but only overly pure "awakening to love."
Meltlilith hasn't noticed. Just what is the true foundation of herself, who is the incarnation of "self-pleasure."
What makes up Meltlilith's core is "devotion to the person one has fallen in love with."
That she repeatedly raised her level by draining and that she decided to control the Moon Cell is so she can offer supreme pleasure to her loved one.
Protecting her loved one → taking her loved one into herself → the herself that she took them into (even if she is completely changed to the point where she doesn't understand herself) will continue to live forever. She has determined that that is the supreme love she will offer to her loved one.
Looking at them from Meltlilith's perspective, even BB and Lip are nothing more than "foreign bodies that even I feel that I want to save."
...However, those feelings are far too closed. To her, who saw only her own feelings as definite, whose connection with the outside world was lacking, "LOVING another person" was itself a fatal bug (defect).
Class: Alter Ego
Noble Phantasm: Brynhild Romantia (Until Death Do Us Part)
Keyword: Breast Valley, composite divinity
Strength: A+, Endurance: A, Agility: C, Magic: B, Luck: E
Presence Concealment: A+, Constitution of an Abuse Victim: A, Trash & Crash: EX
01 - Brynhild Romantia (Until Death Do Us Part)'
The Noble Phantasm that BB granted to this Alter Ego.
This Noble Phantasm strikes with more accuracy and does more damage the deeper her love toward the target is. Even if it's utterly one-sided, she will never let her loved one escape.
The Servant this Noble Phantasm was made from is the valkyrie, Brynhild, who appears in "The Völsunga Saga." The spear of love and hatred that she wielded in order to get revenge on her husband, Sigurd who betrayed her and wounded her honor. Strictly speaking, not the spear itself, but the deep love and hatred Brynhild felt for Sigurd that has taken the shape of a spear.
In "The Völsunga Saga," the fearless hero Sigurd (Siegfried) takes Brynhild, who was sleeping encircled by flame, as his wife. But afterwards, Sigurd betrays her, presenting her as his brother-in-law's wife. At first, Brynhild believed that this was due to Sigurd drinking alcohol which caused him to lose his memories and accepted these events as her immutable fate.
However, she came to know that, in reality, Sigurd had already regained his memories by that time. In the end, Brynhild killed the man she loved most in the entire world via a conspiracy and then freely took her own life in order to follow after him.
02 - Breast Valley
A simple trash box. Has the function of storing away and safeguarding unneeded data files. It's a garbage can. In Passionlip's case, the icon is set right in the middle of her chest for some reason.
To put it frankly, an imaginary space pocket into which you can put anything as long as it's as trash. If it is dust data that Passionlip has crushed, she can stow away an infinite amount, regardless of capacity.
Though it seems contradictory, it seems even objects that exceed Passionlip's own memory storage can be thrown into this valley.
At first glance, this appears to be a convenient function, but because dust data cannot be returned to its original form, it's an utterly useless function. It appears that Passionlip acquired this unique structure because she is of the type of girl who bottles her feelings up inside, leading to self-destruction and self-harm.
03 - Composite Divinity
Alter Egos are High Servants created as complexes of Heroic Spirits.
BB accessed the Moon Cell's Servant Archives, chose goddesses compatible with the Ego from them, and reproduced the data. Alter Egos came into existence as complexes of goddesses.
Passionlip is made of three goddesses.
The first is the goddess of beauty from Hindu mythology, Parvati. A goddess who loves her husband, the god of destruction Shiva, with blind devotion.
The second is the goddess of war, Durga. Considered a facet of Parvati, Durga possess ten weapons given to her as divine gifts. Passionlip's giant claws are an incarnation of those ten swords.
The third is a goddess of war from Scandinavia, Brynhildr. Unable to be tied to the hero she loved, this queen called destruction to her though her grief. In Wagner's opera, she was rendered as Brünnhilde, who appears as a valkyrie (war maiden) who escorts the souls of the departed to Valhalla. It goes without saying that the circumstances of this work led to a tragedy where she despaired over love and raised her hands against her beloved.
01 - Presence Concealment [A]
A skill that allows one to take action while hiding themselves. It's a skill that those of the Assassin class possess as it's their most basis ability, but Passionlip has acquired it as well, possibly due to her personality.
Due to her timidness and cautiousness, she manifests excellent Presence Concealment, but her giant claws act as a hindrance and she is quickly discovered. If she didn't have those claws, she would be an excellent stalker.
Though this is a digression, she has been following [the PC] from early on, though no one noticed, observing and watching over them from the shadows, or something like that.
02 - Constitution of an Abuse Victim [A]
A skill that increases the chances of being targeted by enemies in group battles. It appears to be a minus skill, but for a Servant with strong defensive capabilities, possessing this skills allows them to function as an excellent escort.
A slight bonus to defense is included. Once it reaches rank A, an even more unique effect is added: The more the attacking party attacks, the more they will lose their composure until the holder of this skill is all they can think of.
03 - Trash & Crash [EX]
A unique power, called id_es, that the Alter Egos possess from their creation.
A cheat skill that evolved from "Monstrous Strength." No matter how large the capacity of the item, as long as it is "something that can be enveloped by her hands," she can crush and and compress it, whatever it may be.
What that she compresses become a 5 cm by 5 cm by 5 cm cube but its mass can only be reduced to 1/10th of its mass before it was compressed. After it's been compressed, it is treated as dust data.
The only things Passionlip can crush are garments that are smaller than her hands--not. As long as it is something that can be "placed within her hands" based on her vantage point, she can treat it as a target.
For example, in the case of her target being a mega-structure such as the Arena, as long as she is in a place where she has an unimpeded view of the Arena, the requirements will have been met.
She can hold her hands out to the faraway Arena which has become so small and once the entirety of the Arena has completely settled on her hand, it is recognized as Lip "grabbing" it and crushing it becomes possible.
It's planar physical interference which ignores perspective, but as you would expect crushing large objects requires time.
01 - Barrier Against Cognizance
Barrier against cognizance: Most humans cannot look at themselves from an objective point of view. This is not limited to the heart but also occurs with the physical body.
Humans cannot see themselves. No, more correctly, the impartiality to look upon "oneself without falsehoods" and accept it is rare.
Because humans possess wisdom, they are able to turn only the convenient aspects of the reality in front of their eyes into the truth. It's not just being selective about what information they accept; there is also unconsciously fabricating or modifying information.
Passionlip's barrier against cognizance is of the highest order. She does not comprehend the form of her own two hands. Her "brain" averts its eyes from her own ugly appearance, and within her mind, she is converted into an exceedingly normal girl. To her, her claws only appear as "normal."
Because of this, Lip does not understand the reason "why everyone is afraid of me." Without realizing the reason is her own body's ugliness, she would simply tilt her head if you were to point it out to her.
"Why are you telling such a lie?" "Are you lying to bully me again?"
In relation to her barrier against cognizance regarding her giant claws, Passionlip is a perfect victim. Though a barrier to cognizance is something born from trying to escape, there is neither deceit nor lies in her heart.
Everyone finds it difficult to face their ugly qualities. When one looks in the mirror, is the brain properly observing the image of oneself reflected there?
02 - The End of Love and Hate
The end of love and hate: the Ego born from BB's "desire to court" and "hate and love." The kind of alluring and innocent girl that men cannot help but feel lust for. The claws of her hands are an incarnation of her desire to protect her "easy for men to aim for" self.
She held affection for [the PC] for a certain reason, but after they spoke with each other within the labyrinth, she came to embrace even deeper affection.
She wished: I want to be close to them, I want to touch them, I want to talk to them, but due to her personality, those wishes were never granted, not even once.
I want to talk to them (but for some reason, they're afraid of me), so I can't talk to them. I want to approach them (but for some reason, they run away) so I can't approach them. I want them to love them (but I seem to be hated by them, no matter what) so I won't receive get their love.
From that dilemma, her love grew deeper, but in the face of [the PC's] rejection, that love turns into grief. Unable to withstand the burden of her feelings, by viewing the source of them as an enemy, as someone she hates, she was just barely able to keep her heart from collapsing.
The work of a heart faced with a reality that it could not withstand while sane--in other words, a rampage that resembles insanity.
The only person she loved in the entire world gave her a single gentle word.
Passionlip with continue to embrace that miracle for all eternity.
...Yes, even if despair heavy enough to crush her heart is waiting for her afterward.
Class: Rider Master: Shinji Matou True Name: Francis Drake Noble Phantasm: Hunt of the Golden Hind: Golden Stag and the Eventide Tempest Keyword: Invincible Armada, Logbook Strength: D, Defense: C, Agility: B, Magic: E, Luck: EX Anti-Magic: D, Rider on the Storm: A+, Settler of the Stars: EX
01 - Hunt of the Golden Hind: Golden Stag and the Eventide Tempest
This Noble Phantasm is Rider's ace in the hole and forms the basis of her day-to-day life. With her flagship, The Golden Hind, at the fore, a vast flotilla of smaller craft expand ever outward and exterminates her enemies with overwhelming firepower. Its attributes contain vestiges of not only the fleet that eventually defeated the mighty Spanish Armada, but also of the stories involving the golden stag and the eventide tempest that had spread throughout the whole of Europe.
The eventide tempest is the encapsulation of all storms, from blizzards to cyclones, which manifest in the imagination of men as beasts and soldiers, saviors and monsters. Depending on who is speaking, the leader of these apparitions ranges from a fallen King Arthur to the Norse god Odin to the first murderer of men, Cain. in England, it is believed that Francis Drake rides the endless storm despite the fact that the role assigned to her is usually given to malevolent figures of history and myth.
02 - Invincible Armada
The name given to the Spanish naval forces during the period of history known as the Age of Discovery.
The Invincible Armada consisted of an estimated 65,000 men serving on more than a hundred large warships, each of which weighed in at over 1,000 tons. Its might was such that it earned Spain the reputation of being "The kingdom on which the sun will never set."
03 - Logbook
The sailing logs of a renowned explorer who successfully circumnavigated the globe.
The logs themselves are illegible, with pages cracked and flaking. However, it seems that the author of these logs was a ship's captain who made their name as both an adventurer and fleet commander.
Cancels single-action spells.
It also bestows magical resistance equal to that normally provided by a physical talisman such as an amulet.
Rider on the Storm [A+]
Talent that lets one sail objects recognized as ships.
As the ability to lead is essential in her position, this unique skill also has an effect on Charisma and Military Tactics.
Settler of the Stars [EX]
This unique ability is given to those heroes whose exploits became turning points in human history.
Any difficult voyage and insurmountable challenge cease to be "impossible" and became "events to be realized."
01 - Character Background
The person who circumnavigated the globe and paved the way for England to become the dominate superpower in the Age of Discovery through its substantial earnings. This person was also the one who was given credit for the virtual destruction of Spain's Invincible Armada, which caused the nation once thought of as "the kingdom on which the sun will never set" to teeter on the edge of collapse.
She is a person who has dedicated her life to hedonistic pursuits and sees no difference between a paragon of virtue and a rogue scoundrel. She revels in all things gaudy, whether they are in war or in her private life, and is content to chase after ephemeral pleasures and leave nothing of worth behind, much like the passing of a raging storm.
She is particularly entranced with treasures of gold and silver, but her true love lies not with enduring treasure, but those treasures that explode like fireworks and then quickly fade away.
As she so often declares, "I chase after gold so that I can scatter it like a storm!"
It is for this reason that she is wholly incompatible with the Hero of Legend that symbolizes "an inexhaustible treasury." She would also be at odds with the fox-eared Caster, as Caster is the epitome of eternity.
As a devoted libertine, all that matters to her is the inevitable crash at the end of it all. A Legendary Spirit who is completely indifferent to the frailty of human existence, she is content to indulge in her own whims and desires until death comes to greet her.
She died of dysentery at the age of 55. Her dying wish was that she be buried in her full armor.
02 - "Franciscus Draco"
Sir Francis Drake is generally considered the first person to successfully circumnavigate the globe (the first person known to have attempted this feat -- Ferdinand Magellan -- was killed halfway through his voyage).
Though a male in life, Francis Drake has materialized in Fate/Extra as a woman.
During the time of Francis Drake, England was considered to be a second-rate power with no real influence beyond its borders and no colonies of worth overseas. It was primarily due to his voyages and successes on the high seas that gave rise to the British Empire. The combination of the wealth he brought to the country and the detailed maps he produced while circumnavigating the globe allowed Britain to assemble a fleet that rivaled that of Spain's.
An oft-mentioned aspect of the Drake mythos is that of his ship, the Golden Hind. Not only was it the flagship of Drake's fleet, it was seen as a symbol of hope and a source of miracles. The exploits the Golden Hind made possible elevated Drake (known and feared by the Spanish as El Draque) to a level on par with King Arthur. Both are said to dwell in Avalon and "across the ocean", the city of the dead, and will eventually return to lead England to true glory.
During what was to be the final confrontation between England and Spain's Invincible Armada, Francis Drake was commissioned as a vice admiral in the English navy. Using an unorthodox strategy involving the use of fire-ships, he forced the Spanish fleet into open water where they could be bombarded with cannon fire.
In addition - and this is merely literary creation - there is also a story full of romance in which Drake was a companion of Queen Elizabeth and, just before setting sail for the world circumnavigation, switched places with the Queen, who could no longer go out in public due to receiving a wound on her face.
Class: Saber Master: Leonard B. Harway True Name: Gawain Noble Phantasm: Excalibur Galatine: The Resurrected Sword of Victory Keyword: Knight of the Sun, Excalibur Strength: B+, Defense: B+, Agility: B, Magic: A, Luck: A Anti-Magic: B, Dragoon: B, Numeral of the Saint: EX
01 - Excalibur Galatine: The Resurrected Sword of Victory
The sword of Sir Gawain and the sister sword to Excalibur. It is said that like Excalibur, Galatine once belonged to the Lady of the Lake. However, its legend have been overshadowed by its more famous counterpart, and therefore very few people know of its true significance.
Another difference is the while Excalibur was said to absorb light radiated from the Earth, Galatine reflected the warming rays of the Sun.
02 - Knight of the Sun
While King Arthur was ruled by the movement of Artemis, the goddess of the moon, Sir Gawain drew his strength as a knight from the sun.
It is said that his power are at their greatest when the sun is at its zenith.
03 - Excalibur
Arthur, said to be the mightiest of all the kings to rule Britain, is believed to have ruled sometime in the fifth or sixth century.
The sword that is said to have proclaimed his rule was bestowed upon him by the Elemental known in legends as the Lady of the Lake. The entire episode was passed in the stories collectively known as "King Arthur and the Knights of the Round Table."
Cancels low-level spells with chants consisting of les than three full verses.
Even high-level thaumaturgy and the greater rituals will only have a negligible effect on him.
Allows him to control any kind of transportation with exceptional skill.
However, it does not bestow the ability to ride upon any of the Phantasm races.
Numeral of the Saint [EX]
A condition unique to Sir Gawain's existence. During the hours between 9am and 12pm and those between 3pm and sunset, all of his powers increase by a factor of three. This was related to the ancient belief that numeral "3" was the sacred number of the Celtic gods.
01 - Character Background
One of the major knights mentioned in the Arthurian legends and often thought to be King Arthur's nephew.
A knight said to be equal of Sir Lancelot, Gawain was frequently at odds with Lancelot due to his slaying of both of Gawain's brothers. Although pure of heart and loyal beyond question, it was Gawain's all-consuming hatred that not only led to him being stripped of his knighthood, but also led to the downfall of King Arthur himself.
Although his hostility inevitably led to his death at the hands of Sir Lancelot, he realized that it was his own lack of virtue that led to Sir Lancelot's betrayal and the defeat of King Arthur at the battle of Camlann Hill.
Up until his death, Sir Gawain was considered a paragon of knighthood; chivalrous, loyal, and gallant. Even as King Arthur became a legend, Gawain was content to stay in the background, doing his duty regardless of whether his efforts were acknowledged or not. In reward for his gallantry and loyalty to Arthur, as well as his eventual forgiveness of Sir Lancelot, Gawain was resurrected as a Legendary Soul and, freed from the sins of the past, has once again reclaimed his role as the "Knight of the Sun."
02 - "The White Knight of the Round Table."
The White Knight of the Round Table.
Widely considered to be equal of King Arthur by many and the wielder of the lesser-known holy sword Galatine, Sir Gawain was fiercely loyal to the king, or more accurately, the King's station. Unlike Sir Bedivere, a trusted friend of Arthur's who wished only that he would find peace and contentment, Gawain's only concern was that Arthur maintain the throne of Britain.
If King Arthur was seen as the personification of the moon, then Sir Gawain was the harbinger of the sun. He was frequently compared with Arthur, although Gawain himself ignored these comparisons and devoted himself to serving his king to the best of his abilities. Though loyal to the end, his irrational hatred of Sir Lancelot proved to be his and Arthur's undoing.
Though Arthur eventually forgave his wayward knight's transgressions, Sir Gawain could not find it within himself to do the same until the very last moments of his life and only after being stripped of his knighthood, excommunicated from the church, and causing the downfall of his sovereign king.
With his dying breath, he swore that if he was ever given a second chance at life, he'd support his king, no matter what. Upon being reincarnated as a Servant, Gawain devotes himself completely to the goals of his Master and by doing so hopes to gain absolution for the sins of the past.
Class: Saber Master: Player True Name: Nero Claudius Noble Phantasm: Aestus Domus Aurea: Golden Theater of the Deranged Keyword: Aestus Estus: The Embryonic Flame, The Great Fire of Rome Strength: -, Defense: -, Agility: -, Magic: -, Luck: - Anti-Magic: C, Royal Prerogative: EX, Migraine: B
01 - Aestus Domus Aurea: Golden Theater of the Deranged
A theater based on the palace Nero had built after her original one burned to the ground. Called the Domus Aurea, it was a grand villa built upon the ruins of the homes of the aristocracy that once covered the famed Esquiline Hill.
Historical accounts paint Nero as somewhat delusional, and she herself has claimed that she herself has claimed that she was an artist and performer of such incredible gifts that only the god Apollo could match her skills. She would often perform for the masses, but those spectators for the would frequently leave midway through her performances. She was so enraged by this obvious act of disrespect that she would order all entrances to the theater in which she was performing to be sealed until the final curtain fell.
This Noble Phantasm is based on the highest and most difficult principles of thaumaturgy and superficially resembles a reality marble, though its effects are far more pronounced. It creates a reality in which one's imperial aspirations can be fully realized.
02 - Aestus Estus: The Embryonic Flame
The hand-crafted crimson sword wielded by Saber when summoned by a Master. The following inscription has been engraved on the blade: regnum caelorum et gehenna.
03 - The Great Fire of Rome
July 19, 64 AD.
A devastating fire erupted in one of the poorer districts of Rome and quickly spread throughout the city, reducing most of it to ashes. Contrary to popular belief, Nero quickly responded to the disaster and even contributed to relief efforts out of her own personal funds. While she became immensely popular with the common citizenry, her populist policies combined with her sometimes bizarre predilections earned her the ire of not only the higher castes, but also of historians who insist on painting her as a tyrant.
Nullifies minor spells consisting of chants of two verses or less. Ineffective against high-level thaumaturgy and the greater rituals. As Saber herself has a negligible resistance to magic, the effectiveness of this skill is pathetically low, even by the normal standard of the Saber class.
Royal Prerogative [EX]
In response to the demands of a Master, skills that would otherwise be impossible to perform can be used for a short period of time. Some of the skills that can be acquired through this ability include those related to riding, weapons mastery, fine arts, military strategy, and diplomacy. Should an A rank be achieved, more esoteric skills becomes obtainable.
A curse that was inherited from her place of birth during her mortal life. As a result of the crushing headaches inflicted by this condition, the effectiveness of mental skills decreases considerably. Another side effect that seems to concern Saber most is the fact that it prevents her from demonstrating what she considers her divine talent for the performing arts.
01 - Character Background
Nero reigned as emperor during the years 54 to 64 AD. Although most surviving contemporary accounts paint her as a vicious tyrant who disregarded the Senate and violently oppressed the nascent Christian movement, many scholars believe that these accounts were an attempt to discredit her, as she incredibly popular with the citizenry.
Whatever the case, her infamy is such that some theorize that the Book of Revelations found in the Vulgate Bible was written as commentary on and reaction to her supposed repression of the Christian faith, and have gone so far as to make the case that Hebrew pronunciation of her imperial name (Caesar) -NRVN QSR- is the same as the phrase "Number of the Beast."
However, this has been proven to be patently false, as that term commonly referred to Rome itself, and not to any one individual, royal or otherwise.
02 - "Nero the Tyrant"
Taking the name Nero Claudius Caesar Augustus Germanicus upon her ascension to the imperial throne, she was the fifth emperor of the Roman Empire and the last of the Julio-Claudian dynasty, who had ruled Rome since its inception.
The daughter of the cousin of the fourth emperor Claudius, she was put on the throne at the age of seventeen as a result of the devious scheming and possible matricide by her mother, Julia Augusta Agrippina. Once on the throne, she immediately began to demonstrate her talents at administration as well as her ability to navigate the often murky political situation inherent in Roman government.
In addition to the above, Nero was generally acknowledged to be a consummate diplomat who preferred discussion and compromise to warfare and conflict. She was held in especially high esteem by both the peoples of Brittania and the leaders of the nations of Persia, who continued to refer to Rome as the "country of Nero" long after her death.
While popular abroad and with the lower castes at home, the Senate and the higher caste members of the empire grew weary of her populist policies, extravagant expenditures on public entertainments, and occasionally irrational repression of religious expression. In the year 68 AD, a series of revolt drove Nero from the throne and eventually to suicide. It was said that in her final hours she continually expresses her anguish that anguish that an artist such as herself had to die, but as those who betrayed her closed in she quote a line from Homer's Iliad ("Hark, now strikes on my ear the trampling of swift-footed coursers!") and then drove a dagger into her throat.
Alter Ego C
Real Name: Violet
Attribute: Chaotic Good
Noble Phantasm: B
Alter Ego of chastity.
C means cash, cool, and constriction.
In the past was entrusted the financial affairs of the Sakura Camp.
A complex of many goddesses, Greece mythology's female monster Medusa (Originally an Earth Goddess), Indian mythology's Apsara, the model that comprises Melusine from French folktales.
■ Crack Ice: EX
Cheat Skill evolved from Mystic Eyes.
Normally Mystic Eyes are invoked by "looking at the opponent," "eye contact with the opponent." Paralysis, Enchantment, and Petrification's effects are exhibited in this fashion. Crack Ice is "The space in Violet's field of vision is stored." That effect is paralysis. That is time stops.
Violet is the only one who can move in this space, humans are conscious and can figure out what is happening.
■ Shackled Desire: A
A skill that increases physical restriction attacks (Paralysis, Sealing, Petrification) in battle.
However, "to tie" is a day to day activity, so normal attacks drop by 10%.
■ Riding: EX
Talent of Riding. Can ride anything. Rather, just assimilates it.
■ Transformation: A
Skill that allows one to change his form.
Violet can freely change herself into a fibrous shape. Strike system's attack damage is greatly reduced.
In addition when this skill and the Riding Skill and combined in such a fashion...
“I wouldn't call it a weak point, but… I can't help but be soft on women. In particular, I feel like I've been dragged around by tomboys like you enough to last me a lifetime.”
Particular about the physique.
“It's not any specific part; rather, I'm particular about the overall proportions and silhouette of the body. To give an example… Something… like this…?”
◆What do you look for in a partner?
Don't be so softhearted. “Don't be so softhearted. Make your own safety your highest priority. …Well, not that you'll change, no matter what I say. It seems the Moon Cell has quite the discerning eye for people.”
◆What’s your favorite color of underwear?
Why are you asking that?! “Wait, calm down! Why are you asking that?! Don't you think you're being rather un-ladylike?! I don't recall raising you li― hey, wait!”
◆How do you spend your free time?
Cleaning our room. “Cleaning our room. It seems a certain somebody hasn't quite mastered the skill of picking up after themselves.”
What it's short for is a secret. Call me however you like, Senpai!
I wanted to look at Senpai at the cutest possible angle. Though that's a lie.
Mm, fufu. Unlike a certain stupid Senpai, I'm full of substance!
Fufu, I can feel a certain energetic Senpai's passionate gaze.
The original settings are for Japan, but I'm a genuine, 100%, from the past to the future, someone born on the moon.
(According to the settings,) March 2nd.
I'm looking forward to what kind of present a certain Senpai with poor sense will give me.
(As the absolutely flawless, BB-chan,) I don't have anything like a weak point.
If I do, it's you, Senpai.
Eyes, eye. Glaring, despairing, staring. Humans really are interesting.
◆What do you seek from your partner?
Frankly, I don't want anything. (So just quietly stay in that corner without fail.)
◆Favorite underwear color?
(Do you want to see them? Do you want to know?) Of course, I won't tell you! (Huh? They're visible!?)
◆How do you spend your free time?
The hard-working BB-chan excavates the labyrinth every day without resting. (I'm utterly busy, digging and widening it!)
Generally, those who possess this attribute are considered to be a service-type character who, despite being in a position weaker than the protagonist's and having shallow experiences, gallantly put in the effort to support their senpai.
...There is no doubt that there is no mirror in BB's room.
According to BB, the reason she calls [the PC] Senpai is because she has this SG. Whether she is actually younger or even if she is even a student is dubious, but BB's tone of voice is definitely that of a kouhai treating a senpai with respect. If it has to be said, then "all-purpose-type kouhai (but seriously wicked)".
Well, either way, a kouhai who fires and strikes with her own SG, blasting [the PC] all the back until they are against a wall, can't be called gallant or anything.
Desire to Confine
The SG that BB acquired without even realizing it when she returned alive from the imaginary number space. It appears to be BB's second SG. An SG of the same type is "the desire to monopolize."
In regards to its true nature, it's an SG with a strong tendency toward unorthodox desires. "I want to lock you up." "I don't want to let you out into the outside world." "It would be best if all you had was me." What happens when such desires harden into specific measures.
The imaginary number space that she called the dog space was probably strongly influenced by this SG.
Inversion of Love and Hate
BB's third SG.
When deep affection, due to a certain impetus, changes into hatred. BB, even though she chose this rampaging path to save [the PC], she had this kind of dangerous facet to herself from the beginning.
Both her kouhai attribute and desire to confine arise from this SG. As there is no longer any point in hiding it, let it be plainly declared: To BB, who has a strong S disposition, there are occasions when affection comes to equal mischief.
She wants to bother the person she loves as much as she loves them. She wants to always have the person she loves be mindful of her.
These desires that were deep within BB are this SG's true nature.
A digression: Those BB Channels she repeatedly put on air are her own style of intense love calls, but as that went totally unrecognized, it seems that after the show's airing she would be come depressed all on her own.
Name: Elizabeth “The torture idol of the dragon family, Elizabeth Báthory! I’ll break your heart to pieces too!”
Height: 154cm “No, 172cm! What do you think of this incredible supermodel-esque stature? My horns are quite tall.”
Weight: 44kg “An idol’s age and weight ought to be kept secret, but, hey, do you really want to hear it? No matter what? Well then I suppose I’ll have to say…I’m a lovely 44kg.”
3Size: B77/W56/H80 “There are, er, various things one can do disguise this. I-I’m not wearing slimming clothes!”
Home: House Báthory “The ancient dragons. The noble bloodline that bears their fangs. The House of Báthory in Hungary. The place that was everything to me.”
Birthday: May 17th “Could you leave the presents with my manager?”
Weak Point: If you expose my noble wrath I’ll never forgive you “Unfortunately I’ll have to cut you up, crush you, wring you dry, and then, you have to marry me!!”
Fetishism: Torture…? “No, that’s a duty of the nobility, so that’s different. So, then…wh, I, with the opposite sex? I don’t know anything about that, but, uh, fingers are certainly lovely aren’t they?”
What do you look for in a partner? There are a lot of things, but really… “Starting with a house, they need wealth, work, hobbies…there are a lot of things, but ignoring all that nonsense, it’s definitely ‘destiny’ in the end.”
What’s your favorite color of underwear? Always what’s most fashionable in show business “And a top idol most definitely has stripes!”
How do you spend your free time? Recovering from fatigue with a relaxing bath “It’s not that easy, keeping up this beauty.”
Fond of Cooking (Wish to be a Beloved Wife):
Elizabeth’s second SG.
Though Elizabeth herself says she likes cooking, this is not a simple fondness for the act of preparing food, like that of the red-mantled Archer. Elizabeth’s fondness for cooking comes from a desire to be praised by or to monopolize the person she likes. Essentially it amounts to nothing but a desire to be beloved as a wife. Her skill in cooking is utterly lacking.
We can infer that as the fondness for cooking appears as the apex of Elizabeth’s wish to be a wife, she then stresses meals. Or perhaps it’s part of her draconic instincts.
Though Elizabeth shares her love of song with Saber and her wish to be a beloved wife with Caster, what lies at the bottom of those wishes is completely different.
To confirm her beloved’s love — preparing food as a method keep a husband’s attention does not come from an “equal relationship.” She would “bestow meals” to her husband as a noble. It’s no different from feeding an animal. It contains none of the “romance” she longs for. The controlling disposition hard-wired into her devours even her meagre dreams.
Elizabeth’s third SG. We would like to leave just what constitutes “purity” to the reader’s imagination.
Servants are revived in the form that represents golden age of their lives. So Elizabeth appears as an unwed daughter of house Báthory, a young girl in love with love…one assumes.
An idol must be pure as snow. Forget romance, the moment she comes to know love her shine is lost. As long as she immerses herself in the idol business, this SG will be eternally indestructible.
Name: Gilgamesh (I am the absolute first king. The king of heroes among heroes. As such, that is what you should call me.)
Height: (If I must say, then) 182 cm (What? More normal than you expected? Fool! Are you telling me to become a meat puppet!?)
Weight: (Again, if I must say, then) 68 kg (approximately. Just so you know, there is no excess flesh. Again, since I was born, there has been no time when this body gained excess weight. It has been of use, mongrel.)
3 Sizes: B94/W73/H93 (A golden body is befitting the golden king. It is far too beautiful for your eyes, but if you desire me to cast off, bring forth a command seal.)
Home: (Let's see. If I were to answer as a human, then it would be my capital,) Uruk
Birthday: Unknown (The beginning or end of the land, choose whichever you prefer.)
Weak Point: Do not ask of what you already know. (It is obvious that my weakness is that I have no faults.)
Fetishism: (Let's see..) That their molding be beautiful is natural, there is no need to speak of it. (That which appeals to my heart is the sound of a heart breaking, and when beautiful objects are washed away, that even more beautiful drop of liquid. When you lick it, it is sweet.)
What do you seek from your partner?
............ (That answer is one you should search for yourself.)
Favorite underwear color?
(You, are you now an incorrigible fool?) What is there besides gold!!!
How do you spend your free time?
Pleasure trips. (No matter what kind of age it is, I cannot cease wandering around the land. Well, I did sleep until I returned to level one though.)
Lynchpin of Heaven
That which exemplifies Gilgamesh's way of life. That which expresses how the gods of ancient times lived and his birthplace.
In history, the gods of the universe are split into two categories. When things that were already there become gods, and when things are reborn as gods.
Things that were already there are when things such as heavenly bodies, like the sun and moon, or natural phenomena, like storms or earthquakes, become the objects of worship.
Things that are reborn as gods is when they were human in the beginning, but due to various factors, they deviated from being human and became the objects of worship. Heroes and messiahs and systems necessary to thrive fall under this category.
The gods of Mesopotamia are of the former category. Natural phenomena possess intentions and personalities and reigned as the laws of heaven. That which those gods sent out in order to remonstrate the people of the earth was Gilgamesh.
The lynchpin of heaven. The king who was brought forth by the hands of the gods in order to secure the the surface which was leaving the age of the gods.
However, he did not fulfill that role. Considering his own desires first, controlling his kingdom as a person, he rejected how the gods lived as something from a past age.
"I will obey the gods. And respect them. However, be destroyed. On the occasion that you brought me forth, you lost your positions by your own actions."
Thus, ancient Uruk began, and the king who parted ways from the gods was born. The King of Heroes, Gilgamesh. The king that was desired as a lynchpin, in truth, became the tip of the spear that put an end to the old age.
Chains of Heaven
That which exemplifies Gilgamesh's childhood. It expresses his battle with the friend that was his equal and their adventures.
The one and only tale of a merit that will not change for all eternity in the world.
Poison of Death
That which exemplifies Gilgamesh's youth. It expresses his pursuit of perpetual youth and eternal life and its circumstances.
Thus, that childhood time of his came to an end. The tyrant with neither blood nor tears.
The hero who enjoyed himself, mastering every treasure, every pleasure.
The king with the conviction to treat good and evil equally. As the absolute basis is "himself," there is no need for other ideologies and ways of life. Though on the point of vaingloriousness, he is the same as the Macedonian King of Conquerors, but the largest difference between the King of Heroes and the King of Conquerors is the point of "not needing retainers."
This hero, from the beginning to the end dictated only "himself." His loves are treasures, tools; people were only things that would disappear.
...Even if he recognizes how much it deserves to be loved.
Considering the theme of "CCC," it's impossible to avoid questions regarding women. This is a digression, but Gilgamesh's preferred type is "a noble maiden (virgin)". (It seems that "a flower that blooms in the plain" was his type during his childhood.) It seems he hates women who, while relying on men, have using men as their interior face.
“There’s some margin of error in the tens column!”
“I…it’s kind of an overload!”
“My dad’s German though.”
“My age is…about 25, let’s say.”
I, I dunno!
“But…Maybe I liked…being included…”
Cool voices are the best
“Karna gets a high score in that area, though nothing else…”
◆What do you look for in a partner?
An angelic shota Servant would be so very delicious “But, for someone like me…”
◆What’s your favorite color of underwear?
A daring sexy black! “I’ve got no one to show it to, so a daring sexy black! …Though really it’s white. Got a problem?”
◆How do you spend your free time?
My time is all free time, 365 days a year! “Video games, internet, I can do whatever I want! I’m such a winner.”
Tendency to Lie:
Jinako’s first SG.
I didn’t mean to deceive you, but I was embarrassed so I ended up doing it anyway.
I’m not even clear on myself, but I don’t want anything to do with other people.
They’ll never see my heart.
Lying is lonesome, you know. It’s sad to have no truth, right.
The truth is always in the dark. It’s probably a disappointment anyway.
Hey. Wouldn’t it be better to look anyway?
Jinako’s second SG.
Maybe I could make a lot of friends. Even if I could, though.
Having a whole lot of them would be annoying, having just a few would be kind of empty.
But alone is always alone.
Wake up alone, go to sleep alone. Cry alone, laugh alone.
Easy, easy, easy mode. I can’t say it’s easy for everyone. In games and in life, multiplayer is a kind of high road.
But friendship between equals — does such luxury really exist?
Curse of Death:
Jinako’s third SG.
Here you go! A perpetual loop preventing character!
Too bad, your progress has been lost!
Ah, but —
I decided that if it’s inevitably going to end someday, I won’t do anything.
I thought, when it inevitably ends, I want to be smiling.
Which is the real me, anyway? Which is the real “easy mode”?
“*sigh* Can’t you see these legs? I’ll look down on you as much as you like.”
“Including both legs it’s 53kg. Lip and BB have far too much excess meat on them, don’t they.”
“Which is to say it’s a body where every part is carefully placed, apace with the upper limits of the plastic arts.”
The far side of the moon
“A boring place, isn’t it. There isn’t even a doll shop.”
“Honestly any time is fine though. I can’t stand having Lip as a little sister.”
Isn’t it obvious I’d hide it
“Isn’t it obvious I’d hide my weak point? Which, you ask? Haha, why don’t you imagine whatever you like?”
A fetish for screams
“Screams wrung from the discord and disgrace of the heart are just sublime. I feel like I could melt just hearing them.”
◆What do you look for in a partner?
Nothing in particular “I’m just going to melt it all down and make them me.”
◆What’s your favorite color of underwear?
Silver and blue…I suppose “But really, you can tell by looking, can’t you? Making me say it outright, you’re a pervert.”
◆How do you spend your free time?
Collecting dolls and figurines “The shame when that evil god figure was snatched from me, I will absolutely never forget it.”
This “sadism” refers to tormenting others and attacking them without cause.
This is less of an SG and more of a special quality Meltlilith possesses. It represents a queenly character, never interacting with anyone, no matter who, without sadism.
This quality is like a curse, but Melt herself is entirely unconcerned by it. Rather, sadism is the truest form of love, as she perceives it.
While Passionlip was ashamed of her predisposition, Meltlilith seems to take pride in hers. Perhaps because Her sadism is not an attack intended to negate its target, but rather an aggression that allows her to stay herself.
Meltlilith was born from BB’s “aggressor side.” Born a destroyer, a sovereign who consumes the weak as nourishment.
Consequently, normally this wouldn’t be a weakness…or an SG. The reason this weighs on Melt’s heart is not that she’s embarrassed by her sadistic predisposition, but perhaps because through that sadism she’s come to know sexual arousal, and her own foolishness in failing to conceal that pains the heart in her lacking breast.
After all, her cool-headness is her selling point. She may well be remembering how her cheeks flushed immodestly, sighing to herself, “ …good grief, that wasn’t at all cool.”
Meltlilith’s second SG.
There are a variety of different preferences when it comes to doll mania, or doll fanciers. There are people who collect them are antiques or works of art, and those who use them for interior decorating. Then there are those who, though they may seem to have things backwards, who love doll-like people.
Meltlilith’s doll mania falls under all of these categories. She obsessively collects dolls, displays them, loves them, crushes them. That love is one-way only.
“I need nothing but myself. I don’t even need the heart of the one I love —”
That is how Meltlilith lives. What she wants is “something (a lover) to pour love into, nothing more.” She may not even acknowledge the other person’s sentience and freedom exist at all.
What is a doll, to begin with? A substitute modeled after a human being, or a perfected image emulating the ideal human? Having the SG “doll mania” may be the perfectionist Meltlilith’s own sort of romanticism.
Also, it seems she as a special fondness for “small things.” Taking things that catch her interest, abusing them, shrinking them down, and collecting them is one of Meltlilith’s few hobbies. A doll house doesn’t sound like such a frightening thing, but you’ll find nothing there but a cage of despair. Sometimes a young girl’s innocence leads to cruelty.
Meltlilith’s third SG. This is not the kind of SG that represents a secret, hidden part of her heart, but rather an actual hidden crime.
Meltlilith overwrote the basic rule of within the Moon Cell which removes the sense of the passage of time, making it remove the verdict that Meltlilith has been hit instead.
Meltlilith’s victory was not achieved on the completion of this trick, but the cheat was confirmed by her parent BB, and she fell from her place as star of the stage.
In classical ballet, a great dancer makes herself feel weightless, allowing herself to dance like a feather. This may be why Meltlilith, who adores ballet, visualizes invincibility as “a solitary, untouchable prima donna.”
“The people around me in real life are too big, here I’m pretty normal.”
“A good balance, no? My body is the foundation of my work in the Middle Eastern resistance, after all.”
“Binds up properly, and it’s not bad…I think.”
“The Tohsaka family is from Japan, but I don’t have much connection with the place myself.”
“Last time was my…how old did I turn?”
Nothing in particular, physically
“Nothing in particular, physically “Outside of that…well…maybe being scolded.”
Definitely not money!
“I’m not making some kind of perverted excuse! Are you listening!?”
◆What do you look for in a partner?
I guess someone who’ll take me places, at least when I’m off. “Extensive plans aren’t necessary, though.”
◆What’s your favorite color of underwear?
I don’t really think about the color… “But patterns and lace I like. Just for me, of course!”
◆How do you spend your free time?
I aim for physical and mental relaxation. “If you don’t rest when you’re free, you won’t be able to move when you need to.”
Rin Tohsaka’s first SG. Rin herself describes it as “a queenly mode of behavior, imposed by one’s nobility, completely natural for a leader.” Indeed, its meaning is unclear.
Another name for it is “templation.” It comes from the word “template,” and was a popular slang term in 21st century Japan.
Humans may, due to various emotions and circumstances, reject thinks they like saying they don’t like them, or accept things they hate saying they don’t mind them.
The opposite of good will isn’t ill will, but rather indifference.
Liking is the other side of hating. Hating is the other side of liking. This sort of “dishonesty” is an ailment common to all people. It’s nothing particularly shameful.
However, there’s also the case where the more pride one has the haughtier one behaves towards someone one’s interested in, and engages in contradictory behavior. Of course we wouldn’t dare to say who, though.
This templation shifts from the simply dishonest attitude to an actively malicious attitude, a condition particular to girls.
Their behavior when they act with pride is called “tsuntsun,” and when their need to be liked by the other party reaches a boiling point they’ll turn “deredere,” and the two together are called “tsundere.”
Of course we wouldn’t dare to say who, but,
Some call this a bittersweet SG, for it is the fate of templation to disappear when love is fulfilled. A certain priest says this of it: “Once she confesses to the target of her affections, she is no longer ‘tsun,’ or anything else, but a contemptible impure thing.”
Unfortunately, all that lies past graduation from this SG is becoming an silly couple so wrapped up in their love they don’t even notice that people are watching. If you are a well-meaning third party, you will probably have various thoughts of your own about this, but please watch over them kindly.
Rin Tohsaka’s second SG.
A peculiar tendency to value money above all other things. For her, money is something like gasoline, something she accumulates and burns up in order to propel herself forward.
For Mammonists, money is synonymous with ultimate power. If used well, it can even allow you to seize political power, or obtain happiness. Needless to say, money is bound to nations and economies. In has no power in and of itself. Wise men will advise you, scoldingly, that “the important thing about money isn’t how much you have, but what you can buy.”
Mammonists gather money like a vampire gathers blood. Perhaps it’s a mark of the ruling class, separate from the modern-day aristocracy.
Mammonism, or money-worship, is when people elevate money to such an extent they treat it as an object of devotion. Essentially, “money is God.” Take care that in your quest to gather money you do not become a slave in its service instead.
Desire for Subjugation:
We don’t dare comment.
…but it seems we have no choice. This must be an SG of great interest to you, dear readers.
Just as the name says, the desire for subjugation is the desire to be controlled by someone else. We should warn you that though it says “subjugation,” it doesn’t mean wanting to be a puppet with no will of its own.
Wanting to serve something. Wanting to be owned by something. Wanting to be of use for something. Wanting to be bound by something.
These desires are the manifestation of a powerful ego. It is precisely because they know their own value that they wish to be used to someone’s benefit.
It may be larger or smaller, but the desire for subjugation is something that is thought to be present in everyone’s hearts. Human beings all want to be of use to someone.
…though strictly speaking, there’s a large difference between wanting to be subject to someone you deeply respect and and wanting dare to be subject to someone below you.
As this is something that isn’t manifest in the usual Rin Tohsaka, you could call it a taboo, or perhaps a desire, held in her subconscious. Essentially, even the queen of the moon wants to depend on others sometimes.
Name: Saber (At this time, calling me Saber is fine. You will remember my true name, which you have lost, when that time comes.)
Height: 150 cm (You, do not ever speak what you just thought. Even a sneeze will anger me!)
Weight: 42 kg (Mmm. My body is a work of art, but being asked about my weight, as a maiden, makes me a bit uncomfortable...)
3 Sizes: B83/W56/H82 ([Some Latin?] Not showing lines like these would be a loss for mankind, wouldn't it not?)
Home: (Embraced by the Mediterranean sea, the place where all roads lead, which was my castle, the capital of flowers, in other words, the Empire of) Rome
Birthday: Unknown (Do you refer to the day I let out my first cry or the day I came to the crown? My apologies, I said something ill-natured. Do not make such a darling face.)
Weak Point: That I possess headaches, and that I was not blessed with someone who understood me, I suppose. (Well, it does not bother me much now. You are here. Praise and pamper me, one hundred, no, one thousands more than those people!)
Fetishism: I cannot cite only one! (It's for that reason I need a harem!)
What do you seek from your partner?
Now is the time when I protect you, Praetor. Therefore, I do not desire much. (As long as you are healthy, that is enough.)
Favorite underwear color?
When I exposed myself to the people, I was generally wearing red. (I suppose you could say that it is my image color.)
How do you spend your free time?
I take baths. Those with flowers floating in the water are especially fine. (On occasion, it would be fine for you to wash my back out of gratitude.)
Love of Harems
Saber's first SG.
Her true name is unknown, but either way, this is one of the deeds of her life, where she did as she liked. Basically, calling it the privilege of an emperor, she kept beautiful boys and beautiful girls.
It seems that she indulged her whims as much as wanted: listening to them singing, having them model for sculpture, receiving massages from them, and occasionally having them be her companion in fashionable games.
Besides the harem, she opened tournaments crowned with her own name, appear in Olympia (the root word of olympic) and become the champion, boast that she was an artist that rivals the god of music Apollo, declare that she was a charioteer that rivals the god of the sun Sol; whether now or then, her love of flashiness hasn't changed.
However, unexpectedly, before she became emperor, she was appreciated as an impartial judge. This flashy life all came about after she became emperor. Or maybe, she considered an emperor a "light which, like the sun, is necessary and essential to the people and the world," and maybe she was performing that role with all her strength.
Laurel Wreath Veil
Saber's second SG. Its other name is "Desire for Marriage."
Rather than a secret, it is a desire, a dream. As she became emperor as a girl, she was unable to welcome a wedding ceremony as a single human being. From her admiration of that, this SG was given form.
Though her birthplace of the peninsula of Italy is surrounded by the Mediterranean Sea, it is a region of especially vigorous volcanic activity and a zone of reoccurring earthquakes. Regions like this...of course, Japan is included as well...as an often seen peculiarity, attached importance to symbols that have to do with fertility and symbols of living motion.
The greatest of these is a crown of bay laurel--the laurel wreath.
Since Ancient Greece, within the scope of Mediterranean civilization, the laurel wreath is a tradition, a symbol of glory granted to the victors of all games. This is the reason that the successive generations of emperors had their heads crowned with laurel wreaths.
Of course, Saber, as the emperor or maybe as the winner of a tournament, has been crowned with a laurel wreath countless times. There is no mistake that a veil in the shape of a laurel wreath is reflected in her mind as a treasure that has no superior.
Love of People
Saber's third SG.
The way of her heart. It is said that while Saber personally criticized herself as self-righteous, she pursued the beauty to forgive ten thousand people--the ultimate beauty. That wish was not granted even to the end, of course.
"Whether is it a single gold coin, the sport of a single night, a single shard of a dream.
Nevertheless, the ten thousand people who saw that were people who showed flower-like smiles--that, I think, is the form of ultimate beauty,"
she said, as if she were dreaming. Stars for the sky. Flowers for the earth. And love for people. That this way of living is ultimate beauty, Saber is unaware.
Fate/Extra CCC encyclopedia - All the World's Desire (Angra Mainu)/CCC
The Noble Phantasm of the demon-transformed Sesshouin Kiara.
Sesshouin Kiara absorbed two Alter Egos and transformed into a demon through the mooncell.
While she was reborn into the earth mother, accepting all the desires of humanity, she was also at the same time a sacrifice to all the desires of humanity.
Her existence is similar to a certain man-made demon who had once been demonized and celebrated as a sacrifice to prove the evil of mankind.
Turning into the floodgates of all the desires of humanity, she ushers the souls of people into her body by Code Cast Banshokuyuutai and creates a whirl of billions of pleasure.
The whirl of pleasure melts sapient beings and transforms their lives into the sublime in the twinkling of an eye.
It is the birth of an ephemeral but eternal Land of Bliss.
This whirl of pleasure works on any sapient being without exception, no matter how different the structure of their intelligence is.
This is not a noble phantasm limited to the Earth.
Golden Fur, White Face. The nine-tailed divine spirit we get a glimpse of in Casko's third SG. Deification of the sun. Amaterasu gone delinquent.
When Casko goes to nine-tails mode this is what she will......not be.
All this is is the distantly ancient but still existing original source of Casko.
When you're a divine spirit of this class, the time axis has almost no bearing on you.
Normally someone entering the mausoleum would be burnt to a cinder, but our Xavier, meeting our expectations like always, not only is not incinerated, but demonstrates his usual reckless bravery (stupid menu choices).
She would have been in a naked nine-tails spin on the naked apron, but the ethical barrier couldn't be breached so we made sure she wore formalwear.
Oh and if a person who doesn't dream go in, all he'll see in the mausoleum is a huge sun.
Taiga: Is it correct to say that Moon Cell Servants aren't summoned from the counter force, but are instead reproduced copies like NPCs?
Sakura: Yes, that's right. To be more precise, they are perfectly reproduced from the Moon Cell's records of human history. However, that human history is connected to the throne of heroes in multiple ways, so they can't be called copies as a rule. In short, the Moon Cell consciously creates its own history of humanity, but that history is the exact same as the throne of heroes, so it's like they overlap in multiple ways as the same existences.
Taiga: While we're at it, the counter force is a different thing altogether. Archer-san is a counter force heroic spirit, but Archer-san in EXTRA was summoned from the throne of heroes, so he's not a slave of the counter force this time.
Caster: I see, so the reason he has a few differences from the original Fate is also because of that state.