|Also known as:||Bluebeard|
|Appears in:|| Capsule Servant|
|Japanese VA:||Tsuruoka Satoshi|
|English VA:||Dan Woren|
|Character type:||Servant (Master: Uryuu Ryuunosuke)|
|Servant classes:||Caster, Saber, Lancer (F/AR), Berserker (F/AR), Rider (F/AR)|
|Place of Origin:||France|
|Likes:||Boyish girls, feminine boys|
|Talents:||Plotting events, producing things|
|Natural enemy:||Diarmuid Ua Duibhne, Lancelot|
|Image Color:||Muddy black|
Caster (キャスター, Kyasutā?) is the Caster-class Servant of Ryuunosuke Uryuu in the Fourth Holy Grail War of Fate/Zero. He is one of the Servants of the Protagonist of the Grand Order conflicts of Fate/Grand Order.
Caster's true identity is Gilles de Rais (ジル・ド・レイ, Jiru do Rei?), the version whose notoriety as "Bluebeard" (青髭, Ao hige?) normally overwhelms his heroic aspect. He was a French nobleman, ranked as a baron, and member of the military during the 15th century. He had a vast fortune, buying up many works of art, and it seemed to many that it would never deplete. His apex land holdings eventually exceeded those held by the Duke of Brittany and could be regarded as a threat to the king. He became a national hero during the Hundred Years War while serving under the Joan of Arc after helping to recapture Orleans, and he was given the highest honor with the title of Marshal of France. Both were present at the coronation ceremony of King Charles, decorated as saviors and national heroes, and it became a memory that forever encapsulated his glory that even his corruption could not overwhelm. Gilles viewed Joan as the basis for everything to him, his sole salvation and the proof that God existed, so his pious heart fell into despair after Joan was executed as a heretic.
Gilles wasted his seemingly endless fortune extremely quickly to the point where his public finances were almost entirely depleted, so he started to get involved with alchemy with his friend François Prelati, a cleric, to make up for the financial burdens. As he went into madness over the loss of Joan, he began to perform cruel deeds to prove that God is absent because he should punish such actions, losing sight of his monetary problems in dabbling in alchemy and instead concentrating on the aspect of the black magic of summoning demons. François was the primary magus in charge of the rituals, Gilles having no true knowledge of the craft and only acting as a patron. He started to abduct young boys from the area of his domain, raping and slaughtering them by the hundreds, which eventually made him the model for fairy tale "Bluebeard."
Despite the atrocities, others only feared that he would sell his domains to an enemy nation for the purpose of raising money, so they convicted and executed him for his blasphemy and cruel deeds only for the political pretenses of seizing his territory. Due to the nobles of the era disregarding the human rights of commoners, they felt the populations of their territories were no more than disposable livestock. They equated their slaughter to no more than animal abuse and would not have even dealt with Gilles had his land holdings not been so large and had he not been so recently wasteful. It could be said he who "couldn't help but hold suspicions against God exactly because he extolled God too much and infatuated himself with scornfully cursing God" was "finally destroyed without being judged by God."
A young face without a single crease yet. He has huge, rolling eyes and oily, glistening cheeks. Because he was originally a knight, he has a muscular build and is a very tall individual. Along with the deathly pallor of his face, he reminded Ryuunosuke of a painting from Munch. Those abnormally big eyes easily remind one of nocturnal animals.
His garments too were quite odd and were definitely queer. A luxurious robe of ancient design; sanguineous scarlet patterns adorned the pitch-black fabric. He donned an inky black cassock, and an evil aura reeled about it. Also, the patterns dyed crimson red on the cloth was as if stained with blood. His figure, tall enough to reach the clouds, was wrapped in a much-folded robe, decorated with luxurious latches made of precious metals; his whole style looks exactly like some "evil magician" from a manga. When silent, his features would look dreadful like the face of a corpse, but when smiling without any apparent maliciousness, he would seem as pure as a saint. He has a cracks on one of his hands. He usually has a scorn on his face, unless he's having fun torturing and killing people.
Caster is a troubled person, having lost the woman he admired. Like his Master, he is almost devoid of any morality, and has no interest in obtaining the Holy Grail until he meets Saber. Caster initially expresses an interest in Saber, appearing to be familiar with how she came to ruin at the end of her life. In truth, it is because he has mistaken her for Joan of Arc, whom he had been infatuated with when alive. Even after Saber reveals her true identity, Caster continues to delude himself, believing that her memories were warped by the trauma of her death. He even makes plans to capture Saber and force her to remember her 'true' past.
He enjoys offering his victims brief moments of respite, or even the hope of release or escape, before inflicting death through gruesome and horrific means. According to Caster, allowing his victims' hope will amplify the despair and terror upon their moment of death, a fact that he revels in.
Caster was summoned shortly before the Fourth Holy Grail War began. His Master was Ryuunosuke Uryuu, a serial killer who unwittingly performed a successful summoning ritual using the blood of a murdered family. Ryuunosuke lacked a cataylst so the Grail chose a servant with the closest personality to Ryuunosuke. He first introduces himself to his Master as Bluebeard.
It soon comes to the attention of Risei Kotomine, the Holy Grail War's regulator, that Caster is kidnapping children throughout Fuyuki (for use in his spells and for his Master's amusement), and that he and Uryū lack the discretion practiced by the other Master-Servant pairs. Fearing their actions might compromise Tokiomi Tohsaka's chances of winning the War, Risei suspends all fighting and offers a reward of extra Command Spells to the Master who dispatches Caster and Uryuu.
Using the captured children as hostages, Caster draws Saber out and traps her in battle with his seemingly infinite army of summoned monsters. He is defeated when Lancer intervenes, breaking through the monster horde with Saber's aid, and using Gáe Dearg to disable Prelati's Spellbook and dispel the summoned creatures. An enraged Caster then retreats.
When Caster and Ryuunosuke returned to their lair, they found that their work was destroyed by others. While Ryuunosuke cries, Caster comforts him but to his surprise Ryuunosuke claims that God punished them for having too much fun. Caster is surprised though, when he's asked about the existence of God, as he didn't believe his master to be spiritual. Ryuunosuke then shares his philosophy that God must be somewhat malicious to make the world with them in it, as he believes that God likely enjoys displays of violence, gore and evil actions. This firmly wins Caster over, as he hails Ryuunosuke as a brilliant philosopher and they resolve to perform a grand spectacle to amuse God.
In his second bid to capture Saber, Caster merges a horde of his monsters into an immense, Lovecraftian beast, with himself at its centre. Despite its vast strength and regenerative powers, it is ultimately defeated by Saber, who incinerates the beast with her anti-fortress Noble Phantasm, Excalibur. The light from Excalibur's blast causes Caster to recall memories from his past, before he began his forays into murder and the occult, back when he still served alongside Joan of Arc. This evokes tears and a measure of regret in Caster, moments before he is destroyed along with his monster. He was the second servant to die in the Fourth Grail War.
Einzbern Consultation RoomEdit
Caster gave Irisviel von Einzbern a mask of himself to her, saying it's not much as a present. Irisviel describes him as a polite gentlemen with glistening eyes. Caster pops up in the Einzbern Consultation Room and shocks Zecchan, Zecchan calls him a fish monster. Caster calls Zecchan a cute, adorable girl and asked if she wants to be sacrifice or tortured. He couldn't help himself from pulling a Cyrano de Bergerac upon feeling her throbbing flesh. He misses his conversation with Ryuunosuke as they could speak all night long about perspective of art.
His happiness was perfect as the Holy Grail War was filled with everything he ever wanted from the beginning to the end. He was content that he made a friend who understood him. He found hope when he recalls the light of Excalibur in his final moments. While Caster doesn't have any regrets but he does have a question that made him linger before merging with the Greater Grail. Caster says he cannot help but think how he was saved yet Joan wasn't. He shouted out that she was betrayed by God and the people. He wonders if she is suffering eternal pain from burning in the inferno by those in power. He decided that he cannot leave and is determined to return to the Holy Grail War to save her.
Irisviel unexpectedly pokes him in the eye to calm himself down and Caster recalls the past when Joan poked his bulging eyes. Irisviel tells Caster that she was saved and was acknowledged as a Saint and became a famous idol in all media. Irisviel hands over a bandanna with the Jeannite★President (ジャンヌナイト★団長, Jan'nunaito ★ danchō?) imprinted on it. Caster becomes the number one fan and the president of Joan's fan club group. Before he leaves, he thanks Zecchan and Irisviel and promises to reunite with Joan.
After Caster of Red shows Ruler illusions of her past through the use of First Folio, Caster changes to a different scene, a scene after her execution in her lifetime and therefore story. Caster of Red changes the scene to Gilles's castle, a scene which caused Ruler to think weird. Caster of Red shows Ruler with visions of Gilles de Rais's tale. Caster of Red changes his method and summons Gilles de Rais via his Noble Phantasm and the support of Hanging Gardens of Babylon and Assassin of Red, Caster of Red takes the soul of Gilles and given him a body. Ruler witnessed Gilles killing children but says it's just a hallucination. Caster of Red corrects Ruler saying it is actually real, Gilles is seen gripping onto a boy with silver hair. Gilles talks about how this happened to him because she abandoned him. After witnessing the atrocities Gilles had committed, Ruler started to break down. Gilles tell her that she's a saint who tried to treat everyone equally, even Pierre Cauchon. Gilles pointed out that she wasn't honest about her feelings for Sieg, Ruler denies it and says she only assisted him because he needed help. Gilles then says that Assassin of Black needed help and she killed her. He then adds that how it's obvious she loves him, that her universal love for humanity is just a lie. Ruler says that she doesn't love him because she doesn't have the right to love. After all she is the Maid of Orleans, Jeanne La Pucelle.
Caster of Red and Gilles both claps and tells her, she has done a good job. Caster of Red cancels the illusion and took her out so Shirou Kotomine could talk to her. However Gilles is still in the real world as well. They tell her that Sieg died fighting against Lancer of Red. Ruler uses her presence detection to confirm and finds that Saber of Black is gone. She starts crying saying because she got him into this mess she was really the one who killed him. Shirou comes in and talks about how he wants to give everyone Third Magic so they won't end up like Gilles who changed because she died. To prove that point Gilles changes into his form from Fate/Zero. Gilles talks about how the children can't be saved so he has to atone by saving the world.
Then Ruler and Gilles have a debate about saving the world. Ruler manages to convince Gilles to repent and aid her. However she has complete belief in him anyway. Gilles doesn't have a status as Ruler saw him with her True Name Discernment skill. Physically he's weaker than a Caster-Class servant and he's weaker than his counterpart in the Fourth Holy Grail War. Ruler gives Gilles her Flag to protect Sieg while she's casting her La Pucelle. Gilles uses this to protect both Ruler and Sieg against Shirou's meteors.
Fate/Grand Order Edit
Caster is an antagonist in the "Wicked Dragon Hundred Year War". He borrows the power of the Holy Grail to create Joan Alter. He summons various servants to face the Protagonist and Mashu. He summoned Berserker-Archer, Berserk-Assassin, Berserk-Lancer, Berserk-Rider and Berserk-Saber.
In Chibichuki!, Ryuunosuke and Caster was working on their art, Touko Aozaki altered Ryuunosuke's work on a whim. She recreated it into a Saber figure, Caster starts worshipping Touko as a "teacher" and Ryuunosuke calls it cool.
In Type-Moon's April Fools Day 2009, moon.cinemas.jp is a fake movie theater site listing a number of parody films. He was featured in Chariot Man: A True Tank Man (戦車男, Sensha Otoko?), a parody film of Densha Otoko. Caster plays the role of Sensha Otoko's Eirei Throne Channel internet friend with the nickname Danna (ダンナ, Dan'na?). He's known as criminal number 1. His role is expanded in TYPE-MOON 10th Anniversary Phantasm where he recently seemingly retired. He and the other Eirei Throne Channel suggested Sensha Otoko to buy a Saber figure for El-Melloi Girl. When Ryuunoksuke shows his new artwork, Danna seems dispassionate and compositing photos of Saber with Jeanne head gear. Ryuunoksuke accidently knocked over Danna's customed Jeanne figure with his artwork, Ryuunosuke sacrificed his artwork to save Danna's figure. However Danna dived and saved his artwork. He lectures Ryuunosuke as an artist and becomes passionate about creating new art.
In terms of Servants of the Caster class, Gilles is one of the weakest on record. Possessing very little ability in Magecraft himself, most of his power is derived from his Noble Phantasm, Prelati's Spellbook, which acts as a massive mana reserve and a guide for whatever spell he hopes to enact. Despite this however, due to the effects of the spellbook, he is capable of summoning near endless waves of demonic amphibious familiars without fatigue, making him a viable threat despite his failings.
Much like Assassin of the Fifth War, Caster is an aberration in the normal Servant summoning process who cannot be called a proper Heroic Spirit. He was never actually a practitioner of magecraft during life, and he only funded and participated in alchemical and Demon-summoning rituals lead by the magus François Prelati after his sanity was lost. Due to the massive mistakes Ryuunosuke made during the summoning ritual, he was placed into the Caster class container even though he is completely unsuited for it much like "Sasaki Kojirou" was placed into the unsuited Assassin class container. While his occult knowledge is terrifying, it is noted that Gilles has a good body build from his time as a knight, and he could potentially handle classes other than Caster if summoned properly. While he became a general, it can be said his money was his greatest asset rather than his martial prowess.
He is also capable of keeping human beings in stasis with his magic, allowing his master to play with the victims organs as a musical instrument.
Creation and ConceptionEdit
Before Gilles de Rais was chosen for Fate/Zero. Gen Urobuchi had trouble thinking of a Caster-class Servant for the Fourth Holy Grail War, so he asked Kinoko Nasu if he can use a Chinese Xian. It was when Nasu explained the Western-only rule of the Fuyuki system. The inspiration for Gilles came to Urobuchi from the fact that many people, including himself, believed Saber's identity to be Joan of Arc. While he originally thought to tease the readers in the same manner with another woman who people would identify as Joan, he eventually came to the idea of using Gilles as a Servant.
Takashi Takeuchi likes drawing a character with such strong peculiarities. While he used to be good looking, he comments that Gilles must have "wet his eyebrowless, round, and cute eyes as he was adoring Joan." Urobuchi believes he is more the style of a creature than a Caster, and that he is at his height when he smiles.
Tsuruoka Satoshi (Voice actor of Gilles) claims he was inspired by kabuki and a mixture of big actresses and entertainers for his portrayal of Caster. When Ryuunosuke was shot in episode 14, Tsuruoka was overjoyed that he was able to feel, "Oh, no...Ryuunosuke..." That scene was original to the anime. Tsuruoka had recorded two versions after discussing the performance with Director Ei Aoki. One was an upbeat performance like, "But do not worry, Ryuunosuke!", while the other performance, "You have died and left me alone" was sadder, was said as if he was cradling Ryuunosuke. The former was chosen for the broadcast version, but at the end, he go, "Behold, Ryuunosuke!" As a performer, Tsuruoka was happy that he had realized that Ryuunosuke still existed somewhere inside his heart. According to Takumi Yamazaki (Voice actor of Kayneth) said whenever Tsuruoka talked, the temperature in the studio went up two degrees.
Atsuhi Ikariya was in charge of the character design for the anime version. He says that when he first read the original novel, he had difficulty designing the Caster team. He thought he was pretty emotionless at first. After listening to the characters' actor made him think more about them, he realized he was incredibly rich emotionally so he hastily change his drawing and got him more interested in the pair. He explained that Caster doesn't have eyebrows so it's hard to express his emotions. He plumped up the facial muscles in the area above his brow, so now his face can convey a wide range of expression. By changing the shape of his forehead to match his emotions, his facial expressions are made richer and more pronounced. His fishlike wall-eyes in particular are a standout trait.
Tsuruoka said he and Akira Ishida went to the café that Ufotable runs and he was shocked to see Ryuunosuke and Gilles were popular that characters like them were so well received. Tsuruoka thought the visual scene in episode 13 where Gilles and Ryuunosuke discussed about god was beautiful and he loved the light streaming down from heaven. That scene was a real positive moment for Satoshi Tsuruoka and Gilles. According to Tsuruoka, he considers the scene was so charming. Tsuruoka describes Gilles to be a slacker because he's always letting his hobbies get the better of him.
Akira Ishida (Voice actor of Ryuunosuke) said he has a mixed feeling over the fact that a character like him is well received. Ishida thought it was fascinating how Caster who doubts god's existence and Ryuunosuke, who is a believer, mesh so well together somehow. Ishida believe that Gilles and Ryuunosuke need to apply themselves in order to win the Holy Grail War and that they might win if they had gone-all-out.
Takeuchi joked about Caster and Ryuunosuke ought to get married already.
- In the Type-Moon's 10th Anniversary Character Poll, Caster was ranked 47th.
- ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14
 Fate/Zero material - Servant Status Caster: p.020-021
Master: Ryuunosuke Uryuu
True Name: Gille de Rais
Alignment: Chaotic Evil
Noble Phantasm: A+
■ Territory Creation: B
■ Item Construction: -
■ Mental Pollution: A
■ Eye for Art: E-
■ Prelati's Spellbook: Text of the Sunken Spiraled City
Type: Anti-Army Noble Phantasm
Maximum number of targets:100 People
- ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11
 Fate/Zero material - Characters: Gilles de Rais, p.058-061
Gilles de Rais
Height: 196 cm
Weight: 70 kg
Blood type: Unknown
Image color: Muddy black
Talents: Plotting events, producing things
Things he likes: Boyish girls, feminine boys
Things he hates: Politics, accounting
Worst enemy: Diarmuid Ua Duibhne, Lancelot
A smiling face! This smile is truly Gilles at his height! [Gen Urobuchi]
Comment for Gilles de Rais
Takeuchi: He is a fairly troubled character Drawing this character with such strong peculiarities is fun.
Urobuchi: Already, he's more in the style of a creature than a Caster. He used to be such a good-looking guy... but what's really terrifying is his occult knowledge.
Takeuchi: I don't think he's that good-looking, but he does have an awfully pretty expression (laugh). Because he's a knight, his body build is also pretty good, so he has the possibility of being summoned as a class other than Caster, huh?
Urobuchi: Well, his summoning as a Caster is already against the rules. Though he ended up becoming a general, his most awesome asses wasn't his martial might but his money, right~?
Because he is a knight, his body build is pretty good. [Takeuchi]
Gilles in the past. He must have wet his eyebrowless, round and cute eyes as he was adoring Jeanne. [Takeuchi]
Comment for Gilgamesh
- ↑ 3.0 3.1 3.2 Fate/Zero Anime Visual Guide I - Caster entry, p.024
- ↑ 4.0 4.1 4.2 4.3 4.4 4.5
 Fate/Grand Order - Saber Profile [T]
Gilles de Rais - Saber
Illustrator and Voice actor
Voice Actor: Tsuruoka Satoshi
Noble Phantasm: B
Military Tactics C
Golden Rule B
Magic Resistance B
Mad Enhancement EX
Saint War Order: The Rally to Meet Under the Holy Flag
Type: Anti Unit
A French noble and military man. During the Hundred Years War, he recaptured Orleans together with the holy woman, Jeanne D'arc, and was extolled as a hero.
With a honest and valorous personality, he was given the highest honor as a military man - the title of marshal.
Level 1 Bond
Alignment: Lawful Good Gender: Male
A somewhat skinny lady-killer. At the times when his tension was still low.
Level 2 Bond
A lover of art, it has been said that Gilles de Rais bought up all sorts of work of arts by means of his vast fortune.
A fortune that many thought would never run out, but he wasted it in a blink of an eye.
--Bluebeard. Later he would be given such a name.
Level 3 Bond
For Gilles de Rais, the holy woman Jeanne D'arc was everything.
One could say that she herself was the sole salvation in this depraved reality and, at the same, time the proof of God's existence for Gilles.
Level 4 Bond
Reality is bitter. The time to fall in darkness has come.
Level 5 Bond
The past shall never change. Regardless how much of an outstanding military man he is, it does not change the fact he is also a serial killer.
However, even still he must continue to seek redemption forever.
In most Holy Grail Wars, Gilles is summoned not as a Saber, but as a Caster. This is probably caused by how his bad name as Bluebeard is more well-known around the world.
ジル・ド・レェ - セイバー
- ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7
 Fate/Grand Order - Caster Profile [T]
Gilles de Rais - Caster
Illustrator and Voice actor
Voice Actor: Tsuruoka Satoshi
Noble Phantasm: A+
Mental Pollution: A
Eye for Art: E-
Territory Creation: B
Prelati's Spellbook: Textbook of the Spiral Sunken Castle
A French noble from the 15th Century. Having repeatedly committed the deed of abducting young boys from the vicinity of his domains and then disgracing・slaughtering them one after the other, things reached the point in which he became known as the model for the later fairytale "Bluebeard".
Level 1 Bond
Source: Historical fact
Alignment: Chaotic Evil Gender: Male
A holy monster that sought for God more than anyone else.
Level 2 Bond
He was once the owner of a highly pious heart, he fell of deep despair and lost sight of God after Jeanne D'arc was executed as a heretic. His cruel deeds were also a means to prove the absence of God (who supposedly punished such vices).
Level 3 Bond
"Textbook of the Spiral Sunken Castle"
Rank: A+ Type: Anti-Army
A grimoire which in itself is equipped with a magic reactor.
It summons monsters from another world in an inexhaustible supply.
Gilles de Rais is not a legitimate magus himself and has no groundings in magecraft, but in exchange this grimoire can exercise magecraft.
Level 4 Bond
At first, Gilles got involved in alchemy along with his friend, the cleric François Prelati, in order to cover up for financial difficulties, but at some point he lost sight of the original purpose and began to concentrate on summoning of demons.
Level 5 Bond
As others began fearing that he would sell over his domains to an enemy nation in order to raise money, as an excuse for the seizure of his territory, Gilles was convicted for his past misdeeds and executed. The censures towards his blasphemy and cruel deeds were all nothing but political pretenses.
This man, who couldn't help but hold suspicions against God exactly because he extolled God too much and infatuated himself with scornfully curse God, was finally destroyed without being judged by God. Probably, only a Master who shows understanding towards such zeal and despair can perfectly employ him as a Servant.
ジル・ド・レェ - キャスター
- ↑ 6.0 6.1 6.2 Fate/Zero - Volume 2
- ↑ 7.0 7.1 7.2 7.3 7.4 7.5
 Fate/Zero material - Encyclopedia: Gilles de Rais [Servant], p.097-098
Gilles de Rais [Servant]
A nobleman from 15th Century France. As a leader in the French army, he fought alongside Joan of Arc to put an end to the Hundred Years War, and was hailed as a hero who saved his country. But soon after he returned to his territory, he began kidnapping, raping, and killing young boys one after another, eventually coming to be feared as the villain "Bluebeard".
However, it was all-too-common in that era for nobles to disregard the human rights of commoners and treat the populations of their territories as disposable livestock. So, under normal circumstances even killing them en masse shouldn't have been treated as anything more serious than animal abuse. But unfortunately for Gilles, he had an enormous amount of land holdings at the time, far exceeding those held by the Duke of Brittany, and enough to be regarded as a threat by the king himself. On top of that, due to his mind-boggling wastefulness in his private life, his public finances were almost entirely depleted, and there were apprehensions that he may try to sell his land to enemy nations. As a result, he was condemned and executed for his crimes as a pretext for seizing control of his assets.
As for Gilles' relation to sorcery, he turned to alchemy in an attempt to relieve his financial difficulties, and eventually strayed down a dark path that led him to try summoning a demon. But while it's certainly true that he participated in the ceremony, the actual magus was his friend François Prelati – Gilles himself was nothing more than a patron. As such, he is not a Heroic Spirit that qualifies for the Caster class. Or rather, he is not even a proper Heroic Spirit at all. The fact that Ryuunosuke's bogus ritual ended up actually completing a summoning sorcery was, honestly, more or less a total fluke. In that sense, the "Caster" Gilles de Rais is just as much of an irregular Servant as the "Assassin" Sasaki Kojirou.
- ↑ Fate/Zero - Volume 3
- ↑ 9.0 9.1 9.2 9.3 Fate/Zero - Act 2 Part 3: -222:24:48
- ↑ 10.0 10.1 10.2 10.3 10.4
 Fate/Zero Blu-ray Disc Box II English Translation booklet: Master Session 001 - Caster Side, p.005-007
Master Session 001 - Caster Side
Where did you draw your portrayals of Caster and Ryunosuke from?
Tsuruoka: Some of it comes from looking at the visuals. The bulging eyes says it all. I learned from reading the novel that he has a talkative personality, so I thought I would play him in a kabuki style in spite of the fact that he's European. I based his speaking styles on big actresses and entertainers and decided that he would tend to use kabuki tones when he becomes emotional.
Ishida: Back when I first played him in "Sound Drama", I thought to myself, "Boy, this character is horrible" (laughs). "A character like this can only exist inside a story." Plus, since "Sound Drama," had no visuals, I had no choice but to rely on the insanity inside myself. Even at the risk of being misunderstood, I believe that Ryunosuke's emotions are ones that everyone had deep down. I thought I would give that a broad interpretation. I was a bit hesitation when I first started playing him, but then I gradually started thinking. "Hey, it's fun to be able to cut loose like this." In the end, I've managed to reach a place where I understand Ryunosuke, as dangerous as that sound (laughs).
When Ryuunosuke was shot (#14), I was overjoyed that I was able to feel, "Oh, no...Ryunosuke..." That scene was original to the anime, and I recorded two versions after discussing the performance with Director Ei Aoki. One was an upbeat performance, like, "But do not worry, Ryunosuke!" The other performance, "You have died and left me alone" was sadder, said as if he was cradling Ryunosuke. The former was chosen for the broadcast version, but at the end, I go, "Behold, Ryunosuke!" As a performer, I was happy that he had realized that Ryunosuke still existed somewhere inside his heart.
Caster's Master. His fascination with, and lust for, death leads him to become a serial killer who commits murder after murder. He has two piercing, a chain at his waist, and a quiet disposition. The bracelet on his wrist is a magical item given to him by Caster, however, it is destroyed by Rin Tohsaka. Atsushi Ikariya was in charge of the character design for the anime version.
True name: Gilles de Rais. Doubting God, he becomes a Heroic Spirit to try to resurrect the holy virgin Joan Of Arc. In the original novel, he is described as having "huge, rolling eyes and oily, glistening cheeks." Because he was originally a knight, he has a muscular build. Atsuhi Ikariya was in charge of the character design for the anime version
A divine treasure. A shining ship housed within the Gate of Bablyon, the treasury of Acrher, the Heroic Spirit Gilgamesh. Made of gold and emerald, it has an emerald-encrusted power core and variable wings. At its center, there is a golden throne that acts as its control seat.
- ↑ 11.0 11.1 Fate/Zero - Act 5 Part 1: -150.39.43
- ↑ Fate/Zero - Act 6 Part 1: -131:23:03
 Fate/Zero material - Talk about Fate/Zero: Fate/Zero Summary talk, p.130-135
Fate/Zero Summary talk
Kinoko Nasu X Gen Urobuchi
Moderated by: Takashi Takeuchi
Urobuchi: I was having too much trouble thinking of a Caster, so I asked if I could use a Chinese Xian or something. That's how I learned the "Western only" rule.
Nasu: Plus Xian would be too strong.
 Interview de Gen UROBUCHI à l’Épitanime 2013
TMF : D’où vous est venue l’idée de faire apparaitre Gilles de Rais en tant que Servant ?
U : Au début de Fate/stay night, il y avait un personnage en armure, féminin, blond, donc tout le monde, dont moi, s’est dit que c’était Jeanne d’Arc. Mais ce n’était pas le cas. Du coup, pour taquiner le lecteur, je me suis dit que j’allais aussi mettre un personnage blond avec une armure, et on penserait que c’est Jeanne d’Arc. C’est comme ça que Gilles de Rais est arrivé. Je suis sûr que les lecteurs feront la même bourde moi.
- ↑ 15.0 15.1
 Fate/Zero Blu-ray Disc Box II English Translation booklet: Master Session 002 - Lancer Side, p.007-010
Master Session 002 - Lancer Side
Midorikawa: Lancer had quite a few of scenes, but I was struck by the scene where he curses them as he dies (episode 16), and by the way he's shown as being so vigorous in the first half of the episode. He was so lively that when he's forced to kill himself, you feel sorrier for him. I thought his suicide scene was handled delicately. There's an illustration for that scene in the original (the TYPE-MOON VERSION). But they presented it differently in the anime. I was really impressed at how well they pulled it off.
Yamazaki: I bet that if we'd applied ourselves, we would've been the favorite to win the Holy Grail War.
Midorikawa wished that they allow Lancer and Saber to go on fighting forever as Lancer seemed to be enjoying himself.
Kayneth El-Melloi Archibald
Lancer's Master. Lecturer at the Clocktower, the Mages's Association's headquarters.
Eldest son of the Archibald family. Taking part in the Holy Grail War as a feather in his professional cap.
A holy relic in his possession was stolen by Waver, his student.
He makes use of a mana-infused orb mercury, the Volumen Hydragram, to attack and defend. Atsushi Ikariya was in charge of the character design for the anime version.
- ↑ 16.0 16.1 16.2 Fate/Zero Blu-ray Disc Box I, p.031
- ↑ 17.0 17.1 17.2 Fate/Zero Blu-ray Disc Box I, p.015
- ↑ TYPE-MOON 10th Anniversary Phantasm - p.207
- ↑ Fate/Zero Blu-ray Disc Box I, p.30