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Lancer (ランサー, Ransā?) is the Lancer-class Servant summoned by the Wolf in the False Holy Grail War of Fate/strange fake.

Profile

Identity

Lancer's identity is EnkiduWP (エルキドゥ, Erukidou?), the only friend of Gilgamesh. Born from a clod of earth, Enkidu was clay shaped by hands of the Gods, his father the king of gods, Anu, and his mother the goddess of creation, Aruru. He was neither male nor female, but merely a monster made of mud that descended onto the earth and awoke in the wilderness. He opened his eyelids in response to a voice calling him from afar, taking in the sight of the expanses of land and sky and the towering city in the distance. The voice was unknown to him, but it was neither the maternal hand nor the paternal rebuke.

He was given superb power, but his parents were unable to give him a soul. He had no intellect after awakening, so his existence for years afterward consisted of rushing through the wilderness with the animals. He had a purpose, given the task of being the chains to return the keystone, Gilgamesh, to their control, but he could only live ferally without a soul. Lacking the will of a human, his happiness came from being free in the wild, neither perfect or flawed. He would still stop to look at the city occasionally, hearing the voice that was neither his father or mother calling him from beyond the wilds.

Anu brought him a woman, the divine harlot, after despairing over his lack of rational thought.[1] The asexual lump of clay fell for the beauty of the woman, which transcended the bound between man and woman, and they spent six days and seven nights together. The mud puppet, ignorant of mankind, slowly allowed his form to approximate that of a human, which seemed to become that of the beautiful harlot sharing his food and bed in attempting to assume her beauty. He made her paradoxical beauty his own, losing much of his strength and divinity, though still far above humanity, in exchange for wisdom and reason.[2] He had never looked in a mirror, so the humanoid form became a good instructor for him to learn about himself. He acquired knowledge and rational though, all the truths of heaven and earth. Filled with the soul needed to fulfill his task, he spoke his name for the first time and the world became something extremely simple in that instant.

Finally recognizing his role and task, imposing the wrath of the gods and divine judgement upon a fellow puppet of the gods, he decided to seek out the arrogant Gilgamesh. The one he found was still a child, so he had to wait until Gilgamesh reached adulthood in order to fight and reprimand him as an equal. He watched the city while waiting, hearing the familiar voice from within. He watched his growth by the day, and Gilgamesh's fair nature confused him and made him question the gods' judgement. He came to realize they were correct as Gilgamesh grew and became a tyrant, but he understood the reason behind it.

Understanding that Gilgamesh's arrogance stemmed from his solitude, he sought to reprimand him, but did not state the real reason to avoid hurting his pride. He met Gilgamesh in front of the temple of Uruk, and they clashed in a fierce battle that lasted for several days. Gilgamesh was angered by a "clod of mud" being equal to him, humiliated that he had to use his treasures. He soon came to enjoy the battle, bringing them out without regret. After fierce fighting that left them both spent, they both collapsed to the ground without consideration for the location. Gilgamesh did so laughing, noting that there could be no winner without two corpses, and Enkidu fell in imitation of him, like a mirror.

Praising each other's valor, they became peerless friends who went on to have many adventures. One of his few achievements of the time was to have Gilgamesh make use of his treasures in battle. They combined their strength to defeat the guardian of the forest and beast of the gods, Humbaba, for the reason of protecting Uruk rather than anything to do with the gods. Enkidu commented that the people were suffering under them, so he questioned the point of such an action. Enkidu came to understand Gilgamesh's path at that point, that he would observe humanity's future from his solidarity.

Enkidu attempted to declare that he was a tool for Gilgamesh's use, claiming that he would stand by his side until the end of the world. Gilgamesh instead called him a fool, telling him that those who live together, talk together, and fight together are neither people nor tools, but what is called a friend. Obtaining that word was precious to him, and it was the moment he acquired a “self” in the true sense of the word. Afterward, Ishtar proposed to Gilgamesh, but he rejected her. Angered by his insults, she begged Anu to release the Bull of Heaven to punish them.

After working together to destroy it, Ishtar requested they be put to death for slaying a beast of the gods. Her request was granted, and Enkidu, created by the gods, was unable to defy the decree. He slowly weakened and was returned to clay, as Gilgamesh desperately held on to the crumbling clod in his arms. Gilgamesh was angered, exclaiming that he should have been punished instead, but Enkidu reiterated that he was only one of the numerous weapons in his collection. There would be no need to grieve because he would find countless greater treasures, so there is no worth left in him to deserve any tears from the king.

He believed that Gilgamesh was a hero who had a soul and free will since the beginning, who had true life and worth unlike his expendable self. He had always yearned for that and hated that they were such different beings despite being created by the same father. Gilgamesh exclaimed that he did have worth, declaring " In all this world, only one shall be my friend. Thus---not for all eternity shall his worth ever change.” As the rain gradually let up, he returned to his original state, naught but a clod of earth in the wilderness, leaving behind nothing but the thunderous cry of the king.[1] The rest of Gilgamesh's lifetime afterward showed the large shadow cast over him from losing the sole person who understood him.[3]

Appearance

Lancer is able to take a myriad of forms, but his usual form is that of a sixteen-year-old androgynous person with long, beautiful hair that shimmers with a light-green color.[3] He is summoned only wearing a plain tunic, so he seems rather unremarkable compared to those normally called Heroic Spirits. He is not summoned with any items, and his clothing does not look valuable in any way. While heroes are not determined by their wealth, being summoned completely barehanded is abnormal.

It is hard to tell if he is a man or woman at first glance. His face retains vaguely childlike features that are able to be interpreted as that of either gender. His lustrous skin and soft features are reminiscent of a woman, but his loose tunic further obscures his sex by hiding his physique, making it impossible to see his chest and hips, and making it difficult to discern if he is even actually human. He has firm and taut limbs, and his body seems like a coiled spring ready to rocket forth.

With an androgynous and neutral voice, his face can be called beautiful and elegant despite his gender, but at the same time gives off a strange and uncomfortable atmosphere. While his face looks human, it also appears inhuman due to the fact that it looks "too perfect." While the feeling cannot be put into words and it isn't immediately apparent to the eye, his form evokes a similar feeling in the observer as a mannequin or puppets constructed by magi. His nature becomes less apparent the more one looks upon him, but his beauty as a being of perfect harmony is undeniable. He is a paradoxical being that possesses the impurity characteristic of mankind and the immaculacy inherent to nature. Defying classification as man or woman, human or beast, god or demon, his body is like the velvety boughs wrapping the statue of Venus.

Personality

Lancer seems to greatly appreciate nature, and he finds it as a relief that the world still beautiful as ever even after being covered by cities like Uruk. He is happy to sit while his Master is resting and simply allow himself to enjoy the magnificent natural landscape and the "song of the river." He enjoyed running in the wild during his days as a beast, with only the voice of Gilgamesh drawing him towards Uruk.

Even when dealing with the person who hurt his Master, he speaks serenely in a polite manner without any provocation. He follows his Master's wishes exactly without issue, leaving the magus to his own devices. At the final jeering from the magus calling his Master a mongrel, Lancer simply turns his head and looks at the magus with eyes saturated with “rejection.” He instantly dissolves the malice in his eyes upon the magus' departure, and focuses on his Master.

Much like Gilgamesh, he regards their friendship highly. He held that he was a weapon in life, and that his fate was to be supplanted by the next. Any worth or mystery was to be limited only to his age, but Gilgamesh changed those thoughts. Gilgamesh accepted a penalty of a fate of solitude thereafter, but granted Enkidu with a soul with his words. He believes that he sinned in knowing Gilgamesh, whose greatest sincerity was to remain aloof without acknowledging the strong or the weak, but he ended up leaving a lasting mar upon that integrity.[1]

He is extremely surprised upon learning Gilgamesh has been summoned, and initially cannot even believe in such a turn of fate. After calmly opening his eyes, slowly standing up, and having a brief moment of silence, he has a feeling rampaging in his chest that goes through emotions of confusion, frustration, and finally overwhelming joy. He believes it is destiny that they will battle once again in the Holy Grail War, and he is confident that the tapestry woven between Enkidu and his King would not tear just because a fight or two. Even after a thousand melees together, their bond would remain just as strong as ever.

Development

Lancer was designed by Ryohgo NaritaWP and illustrated by Shidzuki Morii. His background and final moments differ somewhat in his three appearances. His background in Fate/strange fake and Fate/Extra CCC differ in the time of his creation and events leading to their initial battle, his final conversation in Fate/Zero differs from that of Fate/Extra CCC. The appearance in Fate/Zero was written to be vague and ambiguous as not to ruin the proceeding scene with Excalibur's activation. It was not possible to depict it as such in the anime adaptation, so the scene was not animated.[4]

Role

Fate/strange fake

Enkidujoy

Lancer expressing his joy in being able to fight Gilgamesh.

Lancer is summoned by a Wolf originally meant to act as a catalyst for another magus. Before the magus can slay the wolf to retrieve the Command Spells, the wolf's most basic instinct, the will to survive, causes it to let out a bellow that acts as both magecraft and a summoning ritual for Lancer. While the magus is confused and intimidated by Lancer's appearance, he cannot deny Lancer's presence as a Heroic Spirit. Lancer quickly tends to his Master, speaking to him in an “animal language” to complete their contract, and prepares to take him to heal his wounds.

The magus, outraged at the farce of a chimera becoming a Master, attempts to fire upon him in rage. Lancer tells him to lower his weapon because his Master wishes him no harm, and even though Lancer can tell what had happened from his Master's wounds, he wishes to make it clear that his Master holds no malice against the magus. The magus makes a final plea to work together towards the Holy Grail rather than with that "mongrel", which earns the magus a gaze saturated with a crushing sense of “rejection” that causes him to flee with a squeal.

Brought forth by the gods as a beast during Gilgamesh's rule, it was rumored that Enkidu was more powerful than Gilgamesh, the Hero who ruled the nation, when he unleashed his wrath. Gilgamesh dismissed it entirely because he considered “having a contest of strength with a beast” to be complete nonsense. He merely laughed at the rumor due to the absolute faith in his own might and because he was certain that there existed no one stronger. The fate of everyone was altered upon the encounter between the divine harlot and the beast, bringing him the form and wisdom of a human. He stood before the great King, and they quickly became inseparable friends after an epic melee that shook the Heavens and Earth. While the views of the Golden King and the mud puppet could not be more different, the duo went on innumerable adventures while sharing in each other’s joy and sorrow.

Upon applying minimal treatment to his Master's wounds at a small river ten kilometers away, he takes a survey of the area. He immediately shifts his sight to the northwest upon detecting a familiar presence, a Heroic Spirit in golden armor, exiting a cave that was covered by a magus’ Bounded Field. Much like they were brought together in the past, it seems that fate is about to be altered once again. Certain that the presence in the north was his King, he smiles, silently opens his arms as if to bear his heart to the world, and announces: “Let us continued the duel on that plaza once again… Let us relive that joy.” He begins to sing a song that shakes the earth, and acts as the signal that the War has begun.

Fate/Extra CCC

Enkidu's past from his own perspective appears to Hakuno Kishinami in a dream if Gilgamesh is their Servant. As his records fade away, he speaks to Hakuno, noting that he is naught but a long-gone regret of the past. He tells them that it is their future and their story, the story of someone who is human unlike him. He asks them to ask Gilgamesh if he still loves humanity, still remembers the name of his friend, and if he has "finally cast aside the mistakes of a distant age and laid them to rest."

After Hakuno awakes, Gilgamesh also reveals that he had been dreaming of something nostalgic, the battle with the Bull of Heaven. Hakuno attributes it to Servants rarely sharing a mental link while sleeping. If asked if he remembers his friend, Gilgamesh claims that he hardly had friends, and that he would have forgotten the name of his friend if he had one. He disdainfully says "I can no longer speak the name.", but his voice contains no trace of anger. If asked if he loves humanity, he responds that it should be obvious from the way he treats Hakuno, and they take it as an affirmation.

Gilgamesh makes it clear that he was dreaming about the path traced by his own life, calling the events Hakuno glimpsed tainted by their own perspective and far from his truth. Although Hakuno is confused over the nature of the dream, knowing that it was not Gilgamesh's or their own perspective, they know the words spoken were the entirety of the truth, especially the King who uttered "Not for all eternity shall that worth ever change" to his friend. Hakuno apologizes to the one who the dream belonged to, noting that his wish for Gilgamesh to cast aside those memories will never be granted.[1]

Fate/Zero

« Who would understand you after I die? Who else would march forward by your side? My friend… when I think that you will live on all alone henceforth, I can’t help but shed tears… »

(Enkidu final words to Gilgamesh)

Gilgamesh recalls Enkidu's death upon witnessing Excalibur's light. He is described as foolish and ridiculous, having set his heart to stand next to the gods even with a body of mud and soil. Through his hubris and disrespectful arrogance that offended the gods, he suffered divine retribution and lost his life. Gilgamesh was unable to forget his death and the tears streaming down his face.

Other appearances

Lancer has appeared in a number of pieces of guest artwork in various TYPE-MOON material books. He was included in the April Fools' Day joke, Sensha Otoko, as Enkidu-chan, "Gil's" childhood friend and next door neighbor, and he managed to be the only strange fake character to earn a place on the top one hundred in the TYPE-MOON Fes. character poll.

Abilities

Lancer's might is far beyond human comprehension, and Gilgamesh considers him to be his only equal in the world. He is a being made by the gods, an autonomous weapon similar in nature to an AI, given their blood much like Gilgamesh, and he was "Uruk's greatest weapon." He was made from clay by a god, so he lacks a gender or a fixed form. He can change shape at will, but he was complete from birth and neither grew or evolved unlike Gilgamesh. He generally uses his androgynous appearance despite being able to take forms as needed.

He can be a spear, axe, shield, or beast should he need, and it allowed him to last several days in battle against Gilgamesh and the Gate of Babylon. Though it required using ninety percent of his clay, leaving him at the point of being unable to even form clothing, he forced Gilgamesh to empty the vault. The battle left them in a state where it was considered to be a draw because defenselessly charging would have left two corpses.[1]

Faldeus is surprised Enkidu can even be summoned, as he was more a Noble Phantasm of the Gods than a hero. Gilgamesh speculates that Enkidu could potentially be summoned as a Berserker-class Servant or in some other way that would make their coming duel less favorable, but he casts aside the thought. Faldeus comments that he would potentially reach the level of a god, regaining the power lost from gaining humanity.

He has a connection with nature, and he can speak in an animal language (獣の言葉?) that allows him to understand, communicate with, translate the "words" of his Master and other animals. Even though the wolf is not capable of "thought" in the sense of humans, Lancer is able to communicate that the wolf bears no malice towards his creator. It is noted that when he sings, the landscape resonates to his song, and the entire land of Snowfield sings with him. It is a tremendous roar with the power to shake both heaven and earth, too beautiful to be called such, instead sounding like a lullaby sung by the earth itself. It lays waste to the laws of physics, sounding like the cry of a newborn and showing his power at the same time.

Lancer's special ability is Presence Detection (気配感知?) of the highest rank, which allows him to easily detect the presence of another Servant very far north of his position and recognize it as Gilgamesh almost immediately. It can also be used to sense the "presence" of water over ten kilometers away even without any sounds or visible clues. He can feel the direction in which it can be found, and details as to how it "caresses the land."

References

  1. 1.0 1.1 1.2 1.3 1.4 Gilgamesh Secret Garden conversations: 1, 2, 3, and 4
  2. Fate/strange fake
  3. 3.0 3.1
    [v] Fate/EXTRA CCC - Gilgamesh Matrix

    Class: None
    Name: Gilgamesh
    Master: [PC]
    Noble Phantasm: Enuma Elish (The Star of Creation That Split Heaven and Earth)
    Keyword: King of Heroes, friend
    Strength: B, Endurance: C, Agility: C, Magic: A, Luck: A
    Divinity: B (A+), Golden Rule: A, Collector: EX

    Keywords

    Enuma Elish (The Star of Creation That Split Heaven and Earth)
    Gilgamesh's final Noble Phantasm which reveals creation--the beginning of everything.
    The severing of space which comes from the Sword of Rupture, Ea, the sword crowned with the name of a god from Mesopotamian mythology.
    The god, Ea, is believed to be the quasi-deification of the power of the planet which turned, smashed, and stabilized the surface of the earth when it was still covered in gas and seas of magma, during the primordial stage of the earth.
    Many gods began building nations after the the primordial earth was stabilized into a world where living creatures could live, but Ea is a god who performed the act of building of planet before that.
    Gilgamesh's sword, which is crowned with Ea's name, changes space itself by agitating space-time through the rotation of three layers of giant power fields.
    It's true power is not something to be used against a single living creature but against the world. Even among the many Noble Phantasms possessed by Servants, it is one considered to be at the top, the sword "which tore apart the world."

    King of Heroes
    Another name for Gilgamesh. It does not mean a king who is a hero but is used with the implication that he is the king over heroes.
    The story of Gilgamesh, is who mankind's oldest hero, is copied within the mythologies of all the countries of the world. The origin of all myths, the model on which heroes are based...calling him such would not be an exaggeration.
    More or less, the heroes of various myths are derived from Gilgamesh's legend. As such, Gilgamesh possesses the prototypes of the Noble Phantasms that heroes carry... the original treasures from before every legend was arranged. Though it may be a paradox, unless the original, Gilgamesh, possesses it, it cannot be handed down as the Noble Phantasm possessed by the later heroes who were derived from him.
    When humanity was still small. Within the treasury of the king, who governed his kingdom and lived in as much luxury as he desired, was collected every single treasure in the world.
    Inside that treasury, there is the treasured swords that saved later heroes, and there is preserved the cursed swords that stole the lives of heroes.
    The reason that Gilgamesh is called the King of Heroes is here. Noble Phantasms are primarily one to a any single hero. Not only does he possess an approximately infinite amount of them, he also owns the "legends" that other heroes are wake against, as if it were natural. It should be impossible for an average hero to cross swords with him.
    As a Heroic Spirit, he is an absolute warrior in battles against Heroic Spirits. While there are several heroes who hold the title of king, such as the King of Knights and the King of Conquerors, but in regards to being crowned with the title "King of All Heroes," in all of heaven and earth, he is the only one.

    Friend
    As he became a young man, Gilgamesh's violent disposition only grew. Of course the people of Uruk, but even the gods who dispatched him, were greatly perplexed by his violence.
    "Gilgamesh is not fulfilling his original role." "That insolent creature needs someone to admonish him."
    Having come to that conclusion, the gods sent a single life to the surface. Its name was Enkidu. It was a person made by a god and given her blood, the same as Gilgamesh.
    It had neither a sex nor a fixed form. Enkidu, being made from clay by a god, was "Uruk's greatest weapon," able to change its shape at will. According to the god which was its mother's will, Enkidu confronted Gilgamesh before the temple of Uruk. With their exchanging of blows like a storm, their battle occurred within the city.
    After that fierce fighting, they both collapsed to the ground without consideration for where, praised each other's valor, and became peerless friends.
    Gilgamesh, who had been without equal, for the first time found someone he could call "a friend."
    After that, while his vainglorious attitude did not change, Gilgamesh, remonstrated by Enkidu, softened his tyranny.
    Gilgamesh, who had acquired someone who understood him in Enkidu, defeated the guardian of the forest and beast of the gods, Humbaba, and, as the most excellent king on the earth, took possession of every single treasure.
    At this time, the dazzlingly powerful Gilgamesh was an existence that not even the gods could avert their eyes from.
    A goddess fell in LOVE with this Gilgamesh. It was the goddess of fertility Ishtar. She proposed to Gilgamesh, but he quickly refused. Because he knew that how whimsical and cruel a witch who rendered men useless Ishtar was.
    Ishtar, enraged by Gilgamesh's insults, as her revenge, clung to her father, the god Anu, in tears and released the greatest of divine beasts, "the Bull of Heaven," onto the earth.
    "The Bull of Heaven" is a disaster of extreme magnitude clad in storms. When it appeared, a seven-year famine and destruction occurred on earth. In other words, the downfall of Uruk.
    Against this divine beast which none could match, Gilgamesh and Enkidu worked together to stand against it and repelled it splendidly. Once again, the goddess lost face. Naturally, Isthar's rage had not lessened, and she requested death for either of the two of them from the gods. Because for one with a human body to kill the beast of the gods was a sin.
    Ishtar's wish was granted, and one of the two, Enkidu, who was created by the gods, unable to defy that decree, slowly weakened and died.
    ...The sole person who understood the king, Enkidu. Just how large a shadow his loss cast over Gilgamesh is told in his lifetime afterward.
    Enkidu is an autonomous weapon created from the clay of the gods. In SE.RA.PH. terms, he is close to an AI. As a result of being complete from birth, he neither grows nor evolves. He could take various forms as needed, but it is said his usual appearance was that of a 16-year-old person who could be seen as a girl or a boy with long hair which faintly shines a light-green color.

    01 - 『天地乖離す開闢の星(エヌマ・エリシュ)
    開闢―――すべての始まりを示す、ギルガメッシュの最終宝具。
    メソポタミア神話における神の名を冠した剣、乖離剣エアによる空間切断。
    エア神はまだ地球が原始状態だった頃、マグマの海とガスとに覆われた地表を回し、砕き、
    安定させた星の力が擬神化したものとされる。
    多くの神は原始地球が安定し生命が住まう世界となった後で国造りを始めるが、
    エアはその以前、星造りを行った一神とされる。
    エアの名を冠したギルガメッシュの剣は、三層の巨大な力場を回転させる事で時空流を起こし、
    空間そのものを変動させる。
    その真の威力は一個の生命相手に用いるものではなく、世界を相手に用いるものだ。
    サーヴァントたちが持つ数ある宝具の中でも頂点の一つとされる、“世界を切り裂いた”剣である。

    02 - 英雄王
    ギルガメッシュの異名。
    英雄の王、という意味ではなく、英雄たちの王、という意味合いで用いられる。
    人類最古の英雄であるギルガメッシュの物語は、世界各国の神話に模倣された。
    あらゆる神話の原典、英雄たちのモデル……と言っても過言ではないだろう。
    大なり小なり、様々な神話の英雄たちはギルガメッシュ伝説から派生したものだ。
    であるなら、ギルガメッシュは英雄たちが持つ宝具の原型……各神話ごとにアレンジされる前の、
    大本の宝を所持している事になる。
    逆説ではあるが、原典であるギルガメッシュが持っていなければ、発展系であるその後の英雄たちの手に
    宝具は伝わらないからである。

    まだ人類が少なかった頃。王国を治め、贅沢を欲しいままにした王の蔵には
    世界中のありとあらゆる財宝が集められた。
    その蔵には後の英雄たちを助けた宝剣の原典があり、英雄たちの命を奪った魔剣の原典も貯蔵されている。
    ギルガメッシュが英雄王と呼ばれる由縁はここにある。
    宝具とは本来、ひとりの英雄にひとつのもの。
    それをほぼ無限に所持しているばかりか、彼は英雄たちが苦手とする“伝説”さえ当然のように所持しているのだ。
    並の英霊に太刀打ちできる筈がない。
    英霊にして、対英霊戦における絶対強者。
    騎士たちの王、征服する王、と王の称号を持つ英雄は数あれど、“全ての英雄たちの王”の名をいただくのは
    天地においてこの男だけである。

    03 - 友人
    青年になったギルガメッシュの暴力性は増すばかりだった。
    ウルクの民はもちろん、彼を遣わせた神々でさえ、ギルガメッシュの横暴さに困り果てていた。
    “ギルガメッシュは本来の役割を果たせていない”
    “あの不埒者を戒めるモノが必要だ―――”
    そう結論した神々は、ひとつの生命を地上に送りこんだ。
    名をエルキドゥ。
    ギルガメッシュと同じく、神の血を与えられた神造の人である。

    ソレには性別はなく、また定まったカタチもない。
    神に作られた粘土であるエルキドゥは自在に姿を変える“ウルク最強の兵器”だった。
    エルキドゥは母である神に従い、ウルクの神殿の前でギルガメッシュと対峙した。
    両者は嵐のように刃を交え、戦いは都市中におよんだ。
    激闘の末、両者はどちらともなく地に倒れ、相手の武勇を褒め称え、無二の友人となった。
    対等の存在がいなかったギルガメッシュにとって、はじめて“友”と呼べるものが出来たのである。

    以後、ギルガメッシュはその独尊ぶりは変わらずとも、エルキドゥに諫められ圧政を軟化させた。
    エルキドゥという理解者を得たギルガメッシュは森の番人、神の獣フンババを下し、
    地上で最も優れた王としてあらゆる財を手中に収める。
    この時、ギルガメッシュは眩しく強大で、神々でさえ目を逸らせない存在だった。
    そのギルガメッシュに、一人の女神が恋をした。
    豊穣の女神イシュタルである。
    彼女はギルガメッシュに求婚するが、ギルガメッシュはこれをあっさりと跳ね除ける。
    イシュタルがどれほど移り気で残忍で、男を駄目にする魔女かを知っていたが故だった。
    イシュタルはギルガメッシュに侮辱されたと激怒し、報復として父であるアヌ神に泣きつき、
    最強の神獣“天の牡牛”を地上に放ってしまった。
    “天の牡牛”は嵐をまとう超高層の災害である。
    これが現れた時、地上には七年間の飢饉と破壊が訪れる。
    即ち、ウルクの滅亡である。
    この、敵う者のいない神の獣にギルガメッシュとエルキドゥは協力して立ち向かい、見事撃退する。
    女神の面目は再度丸つぶれにされたのだ。
    イシュタルの怒りは当然収まらず、彼女は両名どちらかの死を神々に求めた。
    人の身で神の獣を殺した事が罪だからである。
    イシュタルの願いは聞き届けられ、両名のうち一人、神に作られたエルキドゥは
    その命に逆らう事が出来ずゆっくりと衰弱死した。
    ……王のただ一人の理解者、エルキドゥ。
    彼を失った事がギルガメッシュにどれほどの影を落としたのかは、後の彼の生涯が語っている。

    エルキドゥは神の粘土で作られた自律型兵器だ。
    SE.RA.PHで言うのならAIに近い。
    生まれた時から完成していたため、成長も進化もしない。
    必要に応じて様々な姿に変化したが、基本は緑色に淡く輝く髪を長く伸ばした、
    少女とも少年とも取れぬ十六歳ほどのヒト型だったという。

    Skills

    01 - Divinity [B (A+)]
    A judgement regarding whether or not one's body possess the property of being divine.
    Though he possesses the greatest rank of divine spirit aptitude, Gilgamesh himself hates the gods, so the rank has gone down.

    02 - Golden Rule [A]
    Not the bodily golden ratio, but one's destiny in regard to how much money follows one around in life.
    At rank A, it's possible to call it a soul of gold. With this Goldy attitude, even while living like a multimillionaire, he won't have any money troubles during his life.

    03 - Collector [EX]
    The ability to acquire items of higher quality. It's the good luck of frequently obtaining even rare items, but because it only applies to Gilgamesh himself, it does not bless the Master.
    Gilgamesh is a collector of treasure. "I collected all the treasures of the earth," is Gilgamesh's favorite phrase, but that is not a metaphor. He collected and stored away a sample of all the technology that was developed during his age and sealed them.
    That which Gilgamesh stored, rather than being treasure, is "the origin of the intelligence of mankind" itself. If it does not exist in Gilgamesh's treasury, then it is "something produced by a new breed of humanity, according a completely new concept," "something made from the technology of the culture born from the intelligent life from another heavenly body," one of the two.
    For that reason, of course he has airplanes and submarines. The desires of the people from before Christ are not different, and it would not do for the crafts of ancient times when magic was in good health to be inferior to the crafts of the modern age. People generally realize the "tools of hope" that they dream of, and each time that occurs, it ended with them being confiscated by the king's hand.
    The offensive skill Gilgamesh uses, "Gate of Babylon," shoots the treasure he collected like this like arrows. The gate to the golden capital opens, and his treasures are shot out from his treasure cellar.
    This is a digression, but after the Noble Phantasms that are shot out are used, regardless of how far it has gone, it turns to Gilgamesh's treasure cellar. "Hah. I possess a Noble Phantasm which excels at the task of retrieval," says the person himself.

    01 - 神性 [B(A+)]
    その体に神性属性があるかないかの判定。
    最大の神霊適正を持つのだが、ギルガメッシュ本人が神を嫌っているのでランクダウンしている。

    02 - 黄金律 [A]
    身体の黄金比ではなく、人生において金銭がどれほどついて回るかの宿命。
    ランクAともなれば黄金の魂と言える。
    大富豪でもやっていける金ピカぶりで、一生金銭には困らない。

    03 - コレクター [EX]
    より品質の良いアイテムを取得する才能。
    レアアイテムすら頻繁に手に入れる幸運だが、ギルガメッシュ本人にしか適用されない為、
    マスターに恩恵はない。

    ギルガメッシュは財宝のコレクターでもある。
    “地上の宝はすべて集めた”がギルガメッシュの口癖だが、それは比喩でも何でもない。
    彼は彼の時代において発生した、あらゆる技術の雛形を集め、納め、これを封印した。
    ギルガメッシュが貯蔵したものは財宝というより、“人類の知恵の原典”そのものである。
    英雄王の蔵にないものがあるとすれば、それは“新人類が生み出す、まったく新しい概念によるもの”
    “他天体の知的生命体による文明技術によるもの”のどちらかとなる。
    なので飛行機も潜水艦も当然完備。
    西暦以前であれ人の欲望は変わらず、また、魔力が健在だった頃の古代の技術は
    近代の技術に劣ってはいなかった。
    人が夢見る“希望の道具”はたいてい実現し、その都度、王の手によって接収されていた訳だ。
    ギルガメッシュが用いる攻撃スキル、『ゲートオブバビロン』はこうして集めた財宝を
    矢として射出するもの。
    黄金の都に通じる扉を開き、彼の宝物庫から財宝を撃ちだしているのである。
    余談ではあるが、撃ち出された宝具は使用後、ほどなくしてギルガメッシュの宝物庫に戻っていく。
    「フッ。回収用の優れた宝具があるのだ」
    とは本人の弁。

    Setting

    Source
    The demigod king who ruled over the Sumerian city-state of Uruk in the time before Christ. Not just a legend but also a real person, the king written of in mankind's oldest epic, "The Epic of Gilgamesh."
    Possessing great divinity as two-thirds god and one-third human, without anyone to match him in this world, he was perfected as a transcendent being who attained everything in the world.
    In his childhood, he was adored by the people as the ideal ruler, but as he grew, possible due to being treated as almighty, his consideration for the people waned, and he came to rule Uruk with absolute power.
    However, simply being oppressive does not make one a tyrant, he made Uruk prosper properly, found a friend he could speak with, and in personally subjugating the phenomena that would harm the people, that heroic quality cannot be doubted.
    He is the heroic figure who defeated the bull so large it was cloaked in the heavens and rendered the civilization of this fortified Sumerian city unshakeable.
    The following is historical fact, which differs from "The Epic of Gilgamesh." According to a fragment of an inscription found in an archaeological excavation of the historical ruins of this Sumerian city, Uruk was a city-state that existed on the shore of Persian south of Mesopotamia, and he was the fifth king of that city's first dynasty. It obtained assets through ocean trade and subjugated the region of southern Mesopotamia. He was victorious in the fight against Aga, king of the Kish who controlled the north made strong the city-states of Sumer. However, as a result the reckless deforestation of the woods due to the building of ships, their agricultural land was destroyed.
    For that reason, Gilgamesh, seeking the giant tree, the Lebanon Cedar, launched an expedition all the way to far-away Phoenicia (modern day Lebanon), fought against the people of woods, called Humbaba, gained victory against them, and brought that massive tree back with him.

    Source
    According to "The Epic of Gilgamesh," it seems that Gilgamesh, after the loss of Enkidu, fell into depression, his previous vigor gone.
    The fact that Enkidu, whose strength had not been inferior to Gilgamesh's own, could die, was the shock that Gilgamesh received.
    Gilgamesh, who was tormented over anxiety of death, finally set off on a trip to the realm of the death in search of perpetual youth and eternal life.
    It was said that there lived a sage who had lived since placing a large amount of animals upon an ark before the coming of a deluge that assailed the earth.
    This sage was said to be the only one of the earth escape from death and live until the present. Seeking him, Gilgamesh set across wilderness alone.
    At the end of that long journey and many hardships, Gilgamesh finally managed to reach the realm of the dead. There, he met the sage, Utnapishtim, spoke with him, and in the end, Gilgamesh attained the spirit herb of perpetual youth and eternal life.
    Gilgamesh came to rise above the "death" that had taken even Enkidu.
    His heart's desire fulfilled, during his triumphant return to Uruk, Gilgamesh stopped by a spring. He cleansed himself; it seems he wanted to test the fruits of his labor while in perfect condition.
    However. While he was bathing, unexpectedly, a snake with an empty stomach sniffed out the smell of the spirit herb of perpetual youth and eternal life.
    By the time he noticed, it was too late. Panicked, Gilgamesh emerged from the spring, all that remained there was the skin that snake had shed.
    Having lost the spirit herb of perpetual youth and eternal life in this way, Gilgamesh was irritated for a long interval, but afterwards, he made his way back to his own castle, Uruk.
    While the Gilgamesh after this was severe, he ruled his state quietly, entrusted to to the next king, and went to his eternal rest.
    Without telling anyone of the whereabouts of the spirit herb of perpetual youth and eternal life.
    Mankind's oldest king of heroes, Gilgamesh. Discord with the gods, the journey for the perpetual youth and eternal life, a deluge which covered the world. In that epic is the basis of every legend.
    The truth of his epic poem, which has many uncertain points concerning fine details exists on the other side of the veil of romance placed upon it by the present day.
    This is another digression, but the snake is reborn with a new body every time it sheds its skin because it stole and ate Gilgamesh's spirit herb... is what is said. It seems that the way the snake goes about its life appeared to the ancient people as a kind of perpetual youth and eternal life that was not available to humans.

    01 - 出典
    紀元前、シュメールの都市国家ウルクを治めていた半神半人の王。
    伝説だけではなく実在したとされる、人類最古の叙事詩『ギルガメシュ叙事詩』に記された王。
    三分の二が神、三分の一が人という高い神格を持ち、この世で彼に敵う存在はなく、
    この世の全てを手に入れた超越者として完成されていた。

    幼年期は理想の統治者として人々を心酔させたが、万能のおごりからか成長すると共に民を省みなくなり、
    ウルクを絶対的な力で支配した。
    しかし横暴なだけで暴君という訳でもなく、ウルクを正しく繁栄させ、語り合える友を見いだし、
    民の害となる魔物たちを自ら討伐するなど、その英雄性には疑いようがない。
    天を覆うほどの巨大な牡牛さえ倒し、シュメールの城塞都市文明を確固たる物にした傑物でもある。

                  ◆

    以下は『叙事詩』とは違い、史実のもの。
    シュメール都市の遺跡より出土した碑文の欠片によると、ウルクはメソポタミア南方ペルシア沿岸に存在した都市国家であり、
    彼はその第1王朝第5番目の王とされる。
    海洋貿易により財力を得、メソポタミア南方地域を征服。
    北方を制したキシュの王アカとの戦いに勝利し、シュメール都市国家群を堅固なものとした。
    だが船建築の材料として森林を乱伐した結果、農地を荒廃させてしまう。

    そのため、ギルガメシュは巨木のレバノン杉を求め遠くフェニキア(現在のレバノン)にまで遠征し、
     フンババと呼ばれる森の民と戦いこれに勝利を収め、大量の木を持ち帰ったとされる。

    02 - 出典
    『叙事詩』によると、エルキドゥを失った後のギルガメッシュは暗く落ちこみ、かつての勢いは無くなったとされる。
    自分に勝るとも劣らない力を持つエルキドゥですら死ぬ、という事実にギルガメッシュは衝撃を受けた。

    “死”の不安に苛まれたギルガメッシュは、ついには不老不死を求めて冥界へと旅立つ事になった。
    そこにはかつて、地上を襲った大津波を前に多くの動物たちを箱船に乗せて生き延びた老人がいるという。
    地上でただひとり死から逃れ、また、今も生き続けるという賢人。
    彼を求めて、ギルガメッシュは単身で荒野に旅立った。

    長い旅路、数多の苦難の末、ギルガメッシュはついに冥界に辿り着く。
    そこでナピュシテムという老人と出会い、語り、彼はついに不老不死の霊草を手に入れた。
    エルキドゥを奪った“死”すら、ギルガメッシュは超越する事になったのだ。

                  ◆

    念願叶い、ウルクに凱旋する途中、ギルガメッシュは泉に立ち寄った。
    身を清め、己が成果を万全の状態で試そうとしたのだろう。

    しかし。
    その水浴びをしている最中、たまたま腹を空かせていた蛇が不老不死の霊草の匂いをかぎつけた。
    気がついた時にはすべてが手遅れ。
    あわてて泉から出るギルガメッシュだが、そこには脱皮した蛇の抜け殻だけが残されていた。

     こうして不老不死の霊草を失い、ギルガメッシュは長く焦燥したあと、己が居城であるウルクへの帰路についた。
      その後のギルガメッシュは苛烈さこそあるものの穏やかに国を治め、次の王に都市を委ねて永眠した。
      不老不死の霊草の在処を、誰にも話さないままで。

                  ◆

    人類最古の英雄王、ギルガメッシュ。
    神との確執、不老不死を求める旅、世界を覆う大洪水。
    その叙事詩にはあらゆる神話の原形がある。

    こまかなところで疑問点の多い彼の叙事詩の真相は、いま以て浪漫のベールの向こう側にある。

    また余談だが、蛇が脱皮する度に新しい体に生まれ変わるのはギルガメッシュの霊草をかすめ飲んだから……とも言われている。
    古代人は蛇の在り方に、人間にはない不老不死を見たという事だろう。

  4. [v] Fate/Zero Blu-ray Disc Box II English Translation booklet: Introduction, p.003-004

    Introduction
    Special issue
    Gen Urobuchi:
    To give a specific example, allow me to explain Berserker's flashback scenes, which were probably the most heavily revised from the original. In the original novel, it is a scene that jumps to an entirely different time period that is inserted right in the middle of the duel at the end. It is precisely because the depiction of the fight had been placed in the back of the reader's mind as a concept that it was possible to depict and link this to his past as a separate narrative thread.

    With that said, in the visual medium, because the audience takes in the battle in the underground garbage by means of sight and sounds, the scene has a sense of place which helps to make it seem as if they themselves are there. If the point of view were to suddenly shift to another time, another story, the tension that suffused that showdown scene would suddenly evaporate. Although humans can develop differing concepts in parallel, they can only focus on and process one view point at a time. If the anime version has ignored this difference and stayed slavishly true to the original novel and revealed Berserker's past in exactly the same way, the viewers probably would have felt a visceral sense of incongruity and instantly been thrown out of the moment.

    The same goes for the flashback scene where Gilgamesh reminisces about Enkidu. In the novel, I took care to write it with deliberately vague, ambiguous imagery to depict Gilgamesh's flashback so as not to ruin the afterimage of Excalibur's activation scene that immediately preceded it. However, this sort of allowance isn't possible in visual media. Every scene is depicted with the same resolution and the same sense of presence as time unfolds at the same pace. So with that in mind, they had no choice but to place both the catharsis of Excalibur and the information dealing with Enkidu on the table and decide between. Of course, it was obviously the former that was more vital to the overall story.

Characters by series
Fate/stay night Main characters: Shirou EmiyaSaberRin TohsakaSakura MatouIllyasviel von EinzbernArcherKirei Kotomine
Secondary characters: AssassinBerserkerCasterGilgameshLancerRiderShinji MatouSouichirou KuzukiTrue AssassinZouken Matou
Minor characters: Atrum GalliastaAyako MitsuzuriBedivereClaudia HortensiaGai GotouIssei RyuudouKaede MakideraKane HimuroLeysrittJusteaze Lizrich von EinzbernOtoko HotaruzukaSellaTaiga FujimuraVivianYukika Saegusa
Fate/hollow ataraxia Main characters: Bazett Fraga McRemitzAvengerCaren Hortensia
Secondary characters: AssassinDiloEdelfelt sistersLuviagelita EdelfeltMinori Mitsuzuri Master of AssassinPerseusReikan RyuudouSaberScáthachSthenoEuryale
Fate/Zero Main characters: Kiritsugu EmiyaIrisviel von EinzbernSaberKirei KotomineWaver VelvetRiderTokiomi TohsakaArcher
Secondary characters: Aoi TohsakaAssassinBerserkerCasterKariya MatouKayneth El-Melloi ArchibaldLancerMaiya HisauRisei KotomineRyuunosuke UryuuSola-Ui Nuada-Re Sophia-Ri
Minor characters: Byakuya MatouFionn mac CumhaillGlen and Martha MackenzieGrainneJubstacheit von EinzbernNatalia KaminskiNorikata EmiyaShirley
Fate/EXTRA Main characters: Hakuno KishinamiSaberArcherCasterGilgameshRin TohsakaRani VIIISakura MatouBB
Secondary characters: AliceArcherAssassinBerserkerBerserkerCasterCasterDan BlackmoreJinako CarigiriJulius B. HarweyLauncherKiara SessyoinLancerLancerLancerRun RuLeonardo B. HarweyMeltryllisMonji GatouPassionlipRiderSaberSaverShinji MatouTwice H. Pieceman
Minor characters: AmaterasuAoko Aozaki Chishiki MabiIkuyo YuutouIssei RyuudouKirei KotomineShiki RyougiSialim Eltnam Re-AtlasiaTaiga FujimuraTouko Aozaki
Fate/Apocrypha Black Faction characters: Caules Forvedge YggdmillenniaDarnic Prestone YggdmillenniaFiore Forvedge YggdmillenniaGordes Musik YggdmillenniaReika RikudouRoche Flyn YggdmillenniaCelenike Icecolle YggdmillenniaArcher of BlackAssassin of BlackBerserker of BlackCaster of BlackLancer of BlackRider of BlackSaber of Black
Red Faction characters: Kairi SisigouShirou KotomineRottweil BerzinskyJean RumPentel brothersFeend vor SembrenArcher of RedAssassin of RedBerserker of RedCaster of RedLancer of RedRider of RedSaber of Red
Other characters: SiegRuler
Minor characters: AiasAlma PetresiaAlzirBram Nuada-Re Sophia-RiFafnirHectorLord El-Melloi IIReines El-Melloi ArchisorteRocco BelfebanSergeTooleTouki SisigouTrimmauVictor Frankenstein
Fate/Prototype Main characters: Ayaka SajyouSaberMisaya ReiroukanLancerArcherRiderManaka Sajyou

Secondary characters: Archer's MasterAssassinBeast|BerserkerCasterAro IsemiHiroki SajyouSancraid Phahn

Fate/Prototype: Fragments Manaka SajyouSaberElza SaijoArcherNigel SawardLancerShizuri IsemiRiderMisaya's fatherCasterTatsumi KitanoBerserkerSeiji JingaAssassin
Fate/Labyrinth Manaka SajyouNorma GoodfellowSaberArcherCasterAssassinGrayLord El-Melloi IIWolfgang Faustus
Fate/strange fake False Masters and Servants: Flat EscardosFalse BerserkerTiné ChelcFalse ArcherWolfFalse LancerTsubaki KuruokaFalse RiderOrlando ReeveFalse CasterJester KartureFalse Assassin
True Masters and Servants: Ayaka SajyouPlayerSaberSigmaWatcherBazdilot CordelionTrue ArcherFrancesca PrelatiTrue CasterHaruri BorzakTrue BerserkerFaldeus DiolandTrue AssassinDoris LusendraTrue Rider
Other characters: FilliaJohn WingardVera LevittClan CalatinHansa CervantesLord El-Melloi IIYuukaku KuruokaCashuraGalvarosso ScladioRohngallSaint GermainMaster of Archer (Fate/strange Fake)
Fate/Grand Order Main characters: Ritsuka FujimaruMash Kyrielight
Observer on Timeless Temple characters: Romani ArchamanLeonardo da VinciOlga Marie AnimusphereFouSherlock HolmesLev Lainur FlaurosBeast IIGoetia
Epic of Remnant characters: BaalPhenexZeparBeast III/RAshiya DoumanRaumRandolph Carter
Cosmos in the Lostbelt characters: Goredolf MusikJingle Abel MeuniereSion Eltnam SokarisCaptain NemoTamamo Vitch KoyanskayaGrigori RasputinKirei KotominePriestess of the Alien GodAlien GodKadoc ZemlupusOphelia PhamrsoloneHinako AkutaScandinavia PeperoncinoKirschtaria WodimeBeryl GutDaybit Sem VoidSenji MuramasaChaldeanDavid Bluebook
Other characters: Marisbury AnimusphereGalahadCharacters in Fate/Grand Order
Lord El-Melloi II Case Files Main characters: Lord El-Melloi IIGrayReines El-Melloi Archisorte

Recurring characters: AddTrimmauHishiri AdashinoFlat EscardosSvin GlascheitLuviagelita EdelfeltHishiri AdashinoMelvin WeinsFakerDoctor Heartless
Secondary characters: FluegerHeine IstariJiroubou Seigen TokitouClownOrlocke CaesarmundRosalind IstariGeryon AshbornTouko AozakiInorai Valualeta AtroholmByron Valualeta IselmaDiadra Valualeta IselmaEstella Valualeta IselmaCarinaReginaMaio Brishisan ClynellesIslo SebunanMick GrazilierAtrum GalliastaCaules ForvedgeYvette L. LehrmanOlga Marie AnimusphereTrisha FellowsKarabo FramptonRodinLeandraJean-Mario SupinerraBersac BlackmoreMagdalenaZepia Eltnam AtlasiaFernando CrozeSister IlumiaCorpse KingMcDonell Trambellio ElrodRufleus Nuada-Re EulyphisAsheara MystrasCalugh Ithred

The Adventures of Lord El-Melloi II Main characters: Lord El-Melloi IIGrayReines El-Melloi ArchisorteErgo

Secondary characters: AddRin TohsakaLatio Crudelis HiramTangereWuzhiqiFlat EscardosLuviagelita Edelfelt
Other characters: Shirou EmiyaMikiya KokutouMana Ryougi

Garden of Avalon AgravainArtoriaGalahadGawainGuinevereKayLancelotMerlinMorgan le FayTristanVortigern
Fate/kaleid liner Main characters: Illyasviel von EinzbernMiyu EdelfeltChloe von EinzbernRin TohsakaLuviagelita EdelfeltMagical RubyMagical Sapphire

Secondary characters: Shirou EmiyaSella (Fate/kaleid)Leysritt (Fate/kaleid)Kiritsugu EmiyaIrisviel von EinzbernCaren HortensiaBazett Fraga McRemitzTanakaBeatrice FlowerchildAngelicaDarius AinsworthErika AinsworthShirou Emiya (Miyu's brother)Julian AinsworthKischur Zelretch SchweinorgLord El-Melloi IIMimi KatsuraTatsuko GakumazawaSuzuka KuriharaNanaki MoriyamaTaiga FujimuraShinji MatouSakura Matou

Fate/Requiem Main characters: Erice UtsumiVoyagerKarinBerserkerKoharu F RiedenflausSaberChitose ManazuruLancerNzambiAnubis
Secondary characters: Caren FujimuraMakkiKuchimeRurihime
Fate/type Redline Main characters: Kanata AkagiTsukumo FujimiyaSaber
Secondary characters: ArcherBerserkerMajor MagatsuKanameMajor ReiterAssassinCasterRider
Fate/Koha-Ace Main characters: Sakura SaberKohakuAkihaDemon ArcherArtoriaRiderOryuuCaren KotomineLancerMajor MatouBerserkerAssassinCasterMajor ReiterFuhrerLancer
Other characters: SaberDevil SaberSun Wukong
Others Association DirectorGazamyGrail-kunKischur Zelretch SchweinorgMagical AmberMagical CarenMoby DickNagato TohsakaNeco-ArcPhantas-MoonRaiga FujimuraSaber LionTyphonList of characters by statistics
Fate/stay night Shirou EmiyaRin TohsakaIllyasviel von EinzbernShinji MatouSouichirou KuzukiCasterKirei KotomineZouken MatouSakura MatouAtrum Galliasta
Ernest Gravehill
Fate/hollow ataraxia Bazett Fraga McRemitzCaren HortensiaEdelfelt sistersMaster of AssassinEinzbern Master
Fate/Zero Kiritsugu EmiyaKirei KotomineTokiomi TohsakaRyuunosuke UryuuWaver VelvetKariya MatouKayneth El-Melloi ArchibaldSola-Ui Nuada-Re Sophia-Ri
Fate/EXTRA Hakuno KishinamiRin TohsakaRani VIIILeonardo B. HarweyRun RuDan BlackmoreShinji MatouAliceJulius B. HarweyMonji GatouTwice H. PiecemanJinako CarigiriKiara SessyoinMeltryllisBBKazuhito SakagamiIzaya KiiLeila RaidouMisao AmariAtrum Galliasta
Fate/Apocrypha Kairi SisigouShirou KotomineRottweil BerzinskyJean RumPentel brothersFeend vor SembrenGordes Musik YggdmillenniaFiore Forvedge YggdmillenniaDarnic Prestone YggdmillenniaCelenike Icecolle YggdmillenniaRoche Frain YggdmillenniaCaules Forvedge YggdmillenniaReika RikudouSagara HyoumaSieg
Fate/Prototype Ayaka SajyouMisaya ReiroukanManaka SajyouSancraid PhahnAro IsemiElza SaijoNigel SawardMisaya's fatherShizuri IsemiSeiji JingaTatsumi Kitano
Lord El-Melloi II Case Files Doctor Heartless
Fate/Labyrinth Manaka SajyouNorma GoodfellowWolfgang Faustus
Fate/strange fake PlayerTiné ChelcTsubaki KuruokaOrlando ReeveJester KartureFlat EscardosWolfAyaka SajyouSigmaFaldeus DiolandCashuraFrancescaDoris LusendraHaruriBazdilot Cordelion
Fate/Grand Order Ritsuka FujimaruKirschtaria WodimeOphelia PhamrsoloneKadoc ZemlupusScandinavia PeperoncinoHinako AkutaBeryl GutDaybit Sem Void
Fate/Samurai Remnant Miyamoto IoriZheng ChenggongChiemonYui ShousetsuTsuchimikado YasuhiroDorothea CoyettTakao Dayu
Fate/Requiem Erice UtsumiKarinKoharu F RiedenflausChitose ManazuruMakkiKuchimeRurihimeAhasuerus
Fate/type Redline Kanata AkagiKaname AsamaReiji MagatsuMajor ReiterMaster of CasterMysterious OfficerLanlan Fang
Koha-Ace KohakuArtoriaMajor MatouCaren Kotomine
Fate/kaleid liner Class Card users: Illyasviel von EinzbernMiyu EdelfeltAngelica AinsworthBeatrice FlowerchildJulian AinsworthRin TohsakaLuviagelita EdelfeltShinji MatouKariya MatouKayneth El-Melloi ArchibaldAtrum GalliastaZachary Ainsworth
Classes SaberLancerArcherRiderCasterAssassinBerserker
RulerAvengerAlter EgoMoonCancerShielderBeastSaverGunnerGatekeeperFunny VampFakerWatcherPretenderVoyager
Grand ServantNon-classed Servants
Fate/stay night SaberLancerArcherRiderCasterAssassinBerserker
ArcherAssassin
Shielder
Fate/hollow ataraxia AvengerSaberAssassin
Fate/Zero SaberLancerArcherRiderCasterAssassinBerserker
Fate/EXTRA Playable Servants: SaberArcherCasterGilgameshSaberCasterSaberRuler
Party Servants: RiderRiderRulerSaberRiderLancerArcherBerserkerCasterBerserker
Non-Playable Servants: SaberLancerLancerArcherRiderCasterAssassinBerserkerBerserkerSaverRiderAssassinLancerSaberLancerBerserkerBerserkerArmstrong
Non-Playable CCC Servants: SaberLancerCasterLauncherBB
Alter Ego: PassionlipMeltryllisVioletKingproteaKazuradrop
Others: Saber
Fate/Apocrypha Black Faction: Saber of Black (Sieg) • Lancer of BlackArcher of BlackRider of BlackCaster of BlackAssassin of BlackBerserker of Black
Red Faction: Saber of RedLancer of RedArcher of RedRider of RedCaster of RedAssassin of RedBerserker of Red
Others: RulerRuler
Discarded designs: DavidMusashibou BenkeiGeorgiosSakata Kintoki
Fate/Prototype First Tokyo Holy Grail War Servants: SaberLancerArcherRiderCasterAssassinBerserker
Second Tokyo Holy Grail War Servants: SaberLancerArcherRiderCasterAssassinBerserkerBeast
Fate/strange fake False Servants: SaberFalse LancerFalse ArcherFalse RiderFalse CasterFalse AssassinFalse Berserker
True Servants: True ArcherTrue RiderTrue CasterTrue AssassinTrue BerserkerWatcher
Fate/Grand Order Saber: AstolfoAlteraArtoria PendragonArtoria Pendragon (Alter)Artoria Pendragon LilyBarghestBedivereBenienmaCharlemagneChevalier d'EonDiarmuid Ua DuibhneDioscuriFergus mac RóichGaius Julius CaesarGilles de RaisIbuki-doujiJasonLancelotMedusaMiyamoto MusashiMordredNero ClaudiusNero BridePrince of LanlingRamaRolandSaitou HajimeSenji MuramasaShiki RyougiSiegfriedSigurdSuzuka GozenTheseusTrưng sistersWatanabe-no-TsunaYagyuu MunenoriYamanami Keisuke
Lancer: Artoria PendragonArtoria Pendragon (Alter)BhimaBradamanteBritomartBrynhildrCaenisCú ChulainnCú Chulainn (Prototype)Diarmuid Ua DuibhneDon QuixoteElizabeth BathoryEnkiduEreshkigalErice UtsumiFionn mac CumhaillGarethHectorHouzouin InshunJaguar ManKarnaLeonidasMary AnningMedusaMelusineMusashibou BenkeiNezhaParvatiPercivalQin LiangyuRomulusRomulus-QuirinusScáthachSétantaSakamoto RyoumaValkyrieVritra
Archer: ArashArjunaBaobhan SithAtalantaBilly the KidCalamity JaneChild-GilChironChloe von EinzbernDavidDurgaEMIYAEMIYA AlterEuryaleFujino AsagamiGilgameshIshtarJames MoriartyKaliNapoleonOda NobukatsuOda NobunagaOrion (Artemis)ParisPtolemyRobin HoodSaika MagoichiSei ShounagonSugitani ZenjuubouSuper OrionTakasugi ShinsakuTawara ToutaTomoe GozenTristanZenobia
Rider: AchillesAlexanderArtoria Pendragon (Santa Alter)AstolfoBartholomew RobertsBonny and ReadBoudicaCaptain NemoChristopher ColumbusConstantine XIDobrynya NikitichEdward TeachEuropaFrancis DrakeHabetrotHuang FeihuIvan the TerribleLeonardo da VinciMandricardoMarie AntoinetteMedbMedusaOzymandiasQuetzalcoatlRed HareGeorgiosMarthaSakamoto RyoumaSakata KintokiTaigong WangTakeda HarunobuUshiwakamaru
Caster: AescAnastasia Nikolaevna RomanovaArtoria AvalonAvicebronCharles BabbageChen GongCirceCú ChulainnDaikokutenGeronimoGilgameshGilles de RaisHans Christian AndersenHelena BlavatskyIllyasviel von EinzbernIrisviel (Dress of Heaven)Izumo-no-OkuniLeonardo da VinciMedeaMedea LilyMephistophelesMerlinMerlin (Prototype)Miss CraneMurasaki ShikibuNitocrisNursery RhymeQueen of ShebaScáthach SkadiScheherazadeSiegSolomonTamamo-no-MaeThomas EdisonWilliam ShakespeareParacelsus von HohenheimWolfgang Amadeus MozartXuanzang SanzangZhang JueZhuge Liang (Lord El-Melloi II)
Assassin: CarmillaCharles-Henri SansonCharlotte CordayCleopatraConsort YuDr. JekyllEMIYAFuuma KotarouHassan of the Cursed ArmHassan of the Hundred FacesHassan of SerenityHuyan ZhuoJack the RipperJing KeKamaKashin KojiKatō DanzōKiichi HougenKing HassanKoyanskaya of LightLocustaMata HariMochizuki ChiyomeMysterious Heroine XOkada IzouOsakabehimePhantom of the OperaSasaki KojirouSemiramisShiki RyougiShuten-doujiSthenoTezcatlipocaWu ZetianYan Qing
Berserker: AsteriosAtalanta AlterBeowulfCaligulaChachaCú Chulainn AlterDarius IIIDuryodhanaEric BloodaxeFlorence NightingaleFrankenstein's MonsterHeraclesHijikata ToshizoGalateaIbaraki-doujiKijyo KoyoKiyohimeKriemhildLancelotLu BuMinamoto-no-RaikouMorganMysterious Heroine X AlterNagakura ShinpachiPenthesileaPaul BunyanSakata KintokiSalomeSen no RikyuSpartacusTamamo CatVlad IIIXiang Yu
Ruler: Amakusa Shirou TokisadaAmourHimikoIyoJames MoriartyJeanne d'ArcJohannaQin Shi HuangSherlock HolmesUesugi Kenshin
Avenger: Amakusa Shirou TokisadaAngra MainyuAntonio SalieriBlack IriEdmond DantèsGorgonHessian LoboJeanne AlterMysterious Ranmaru XNitocris AlterSpace IshtarTaira-no-Kagekiyo
Alter Ego: Ashiya DoumanKiara SessyoinKingproteaLarva/TiamatManannán mac LirMecha Eli-chanMecha Eli-chan MkIIMeltryllisOkita Souji AlterPassionlipSitonaiSuper BunyanTaisui XingjunXu Fu
MoonCancer: Archetype: EarthBBGaneshaKiara Sessyoin
Foreigner: Abigail WilliamsBB PeleJacques de MolayKatsushika HokusaiKoyanskaya of DarknessKukulkanMysterious Heroine XXMysterious Idol X AlterVan GoghVoyagerWandjinaYang Guifei
Pretender: Hephaestion MnemosyneLady AvalonNine-Tattoo Dragon ElizaOberonTenochtitlan
Beast: GoetiaTiamatKiara SessyoinKama/MaraCath PalugTamamo Vitch KoyanskayaWhore of BabylonU-Olga Marie
Fate/Samurai Remnant Initial Servants: SaberArcherLancerRiderCasterAssassinBerserker
Stray Servants: Stray SaberStray ArcherStray LancerStray RiderStray CasterStray AssassinStray BerserkerStray Ruler
Others: Ototachibana-hime
Fate/Requiem VoyagerBerserkerSaberLancerCasterAnubisUnnamed female ServantAssassinAvengerRiderHendrik van der DeckenBarbarossaCirceEdward TeachEl CidJacques de MolayHannibalMarcus Vipsanius AgrippaMinamoto Kurou YoshitsuneElizabeth BathoryMata HariForeignerAsclepiusOdysseus
Fate/type Redline SaberArcherBerserkerAssassinCasterRiderLancerFake Lancer
Fate/kaleid liner Fifth Holy Grail War Class Cards: Archer (Gilgamesh) • Assassin (AssassinAssassin) • SaberLancerArcherRiderCasterBerserker
Unknown Holy Grail War Class Cards: AssassinBerserkerBerserker
Koha-Ace Sakura SaberMusashiLancerDemon ArcherDevil SaberRiderCasterAssassinBerserkerSun WukongLancer
Others Saber LionFakerOthersServants of Fate/Grand Order x Himuro's World
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