Rider's True Name is Marie Antoinette (マリー・アントワネット, Marī Antowanetto?), the Queen of France of the 18th Century whose genealogy is related to the House of Habsburg. The queen consort of Louis XVI. An ephemeral lady. Born between Holy Roman Emperor Francis I, a person originating from the House of Lorraine as its Duke, and Maria Theresa, who is a descendant of the great aristocratic German household, the House of Habsburg, Marie was born and raised as an existence that symbolizes the "rule of nobility" of the European world, and during a chaotic period of human history where the right of monarchy was no longer absolute, she lost her life in a changing world.
Loved as a symbol of royal authority, being blessed while living—Destested as a symbol of royal authority, shown contempt as she ended up dead. Protruding eyes of the nobility, political marriage, living the royal court life, and then, revolution and execution. It is possible to say that Marie's way of life and manner of death is the embodiment of royal authority as an evident "idol".
Although a target of hatred by many people before, during and after the Age of Revolution, Marie's reputation has been restored in modern France; during famines, she reduced court expenses to make donations, personally demanded for the nobility to provide support to the people and such—it has thus being confirmed that she was a woman that thought of the people.
There was a tragedy. Still————
Marie will never wish to the Holy Grail, for the erasure of her tragedy. She will only fulfill her own role. In other words, radiance to the sky. Blessings to the earth.
————Happiness to the people.
Marie is endowed with the greatest body and good looks as the result of her being born so as to become a beautiful monarch that will be loved. Her attire is based on the concept of an "Idol Queen".
During the Moon Festival event, Marie commented that in life, no matter how much food she ate, all the food would go to her breasts, making that the more she ate, the bustier she would get. d'Eon then confirmed it and stated through that, her Majesty would grow to have one of the finest bodies in France.
An image (idol) from birth. Soothing the masses with a smile, earning adoration with a gaze. Marie was born to be loved, and this is not a theory, but her actually feeling this as an instinct. Finding joy on and accepting the fact that she is an image, she is set on conducting herself just as it is expected of her. Such mentality is already close to some sort of goddess.
Marie never hates the people. As she was born to be loved, she therefore loves the people. If the people deem her to be unnecessary, and even if they shout at her, capture her, and kill her, she will smile at them even at the moment of her death. However, her mentality as a Servant have fundamentally stopped at "the moment she married Louis XVI, visited France as its queen, and was loved and blessed by the many citizens", and she does not easily display her aspect as the queen of a tragedy. (It cannot be concluded that she has no memories after the aforementioned moment, but the stage of her character and mentality is simply at "that time".)
Honest. Spontaneous. Marie will speak whatever she thought of. She will say the things she likes are what she likes, and the things she dislikes are what she dislikes.
Marie loves baths. Similar to and influenced by her mother, Maria Theresa, she awfully loves being clean. That's because, the perfumes she uses aren't that strong (for her, the light ones that are similar to herbs and flowers are good).
Marie is a spendthrift. She wastes money on one thing or another as she pleases, and she does not understand even herself about this habit.
As the bond with the protagonist (Master) deepens, it appears that she will display the aspect of her tragic side. It is very evident that she is "the very idol that continues to scatter love, yet whose body and mind are scarred." And yet, she still smiles beautifully. Never, will Marie desire for the erasure of the tragedy.
- Around the time when she was seven years old, on the occasion of a six-year-old genius, who was invited as a performing musician to the palace of Vienna, falling down, she kindly extended her hand to him. As a matter of fact, this genius boy would be later known as Amadeus Mozart, and he proposed marriage to the beautiful Marie (who at that time had the name Maria). The answer at that time was...
- Even now where she became a Heroic Spirit, this event that was enjoyable and sincere to her is said to be recognized as "love". That is, nothing about this "love" has changed whatsoever from when she felt it around that very youthful time.
- Charles-Henri Sanson
- The executioner who hoisted the guillotine for Marie. During her lifetime, he is the last companion who raised his voice to her during her final moments. Just before her execution, Marie expressed her words of apology regarding her stepping on Sanson's shoes.
- Chevalier d'Eon
- She completely recognizes d'Eon as "female". Furthermore, she deeply respects her as a person who endeavored in diplomacy and secret missions while she was a woman. Marie had gave a dress to d'Eon before in life. For Marie, she thinks about going out with d'Eon as a fellow friend and not as master and servant.
Orleans: Wicked Dragon Hundred Years' WarEdit
Marie appears as an ally to Ritsuka Fujimaru and Mash Kyrielight. When Ritsuka, Mash and Jeanne are being overwhelmed by Jeanne Alter's Servants in La Charite, she, along with Mozart, suddenly arrives to help the group escape.
After the group set up camp in a forest, Marie and Mozart introduce themselves as stray Servants, with her being infatuated with Jeanne. She decides to join Ritsuka's group to combat Jeanne Alter, believing it to be the reason why she and Mozart were summoned. Marie then wonders if Berserk-Saber is actually Chevalier d'Eon, which leads to a discussion about Jeanne Alter's Servants having Mad Enhancement regardless of their backgrounds. After Jeanne theorizes that the Holy Grail summoned her and Mozart to combat the reversal of causality of the Holy Grail having a holder before the Holy Grail War even began, Marie becomes excited at the prospect of meeting new people. Later that night, she and the others fight and kill Saint Martha, who tells them to go to Lyon where they'll find a dragon slayer who can slay Jeanne Alter's dragon.
The next day, Marie gathers intel about Lyon from a nearby town while the others wait outside since Jeanne is currently feared as the "Dragon Witch". She reports that Lyon was destroyed a while ago, yet despite that, they decide to go to the town to search for the dragon slayer who once served as the town's protector. While searching the town, the group eventually encounter and kill the Phantom of the Opera. Romani then warns them of a dragon and three Servants coming towards them, but Marie and Mozart stand to fight while the others go rescue the dragon slayer from the town's castle. After the others rescue the dragon slayer, Siegfried, Marie and the others encounter Jeanne Alter and her dragon, Fafnir, who is then commanded to burn them all. But Marie and the others are protected from the dragon's flames by Jeanne and Mash, before they then escape when Siegfried's Balmung causes Fafnir to retreat. While escaping, they encounter a French army being attacked by wyverns, and there, she encounters her executioner, Sanson, who she repels him with Mash and Mozart's help. After the group kills Lancelot while Carmilla and Sanson escaped, she asks Jeanne if she wishes to answer Gilles before they leave, but Jeanne decides not to so as to not endanger his position.
Arriving at an abandoned fort, Marie heals Siegfried of his wounds, but she and the others discover that he'd been cursed. Jeanne is unable to remove the curses due to their multiplicity, so Marie and the others split up to search for a saint to help remove the curses. Traveling with Jeanne, Marie tells her that if she were her, she would probably accept Jeanne Alter's scornful words, but she tells Jeanne to reject such words. Eventually reaching a town under protection of Georgios, Jeanne and Marie try to recruit him, but he replies that he cannot leave until the town's citizens are evacuated. When Jeanne Alter comes to attack the town, Marie stays behind to protect the town while Jeanne and Georgios escape.
As they escape, Marie encounters Sanson, who has come to execute her once again. After he is defeated, Sanson expresses his disbelief at his own self being defeated after killing so many. But Marie replies that he became weaker because he became more proficient as a killer, but while becoming weaker as an executioner, as a savior of criminals. Sanson denies her claims, saying that he honed his skill so as to give her a better execution so she would forgive him. Marie, however, reveals that she bears no grudge against him; before Sanson could reply, he disappears when Jeanne Alter arrives. After greeting Jeanne Alter, Marie activates her Noble Phantasm, Crystal Palace. Saying goodbye to Jeanne, Marie fights Jeanne Alter, but she perishes in said battle.
Do Moon Goddesses Dream of Dango?Edit
Together with Sanson and d'Eon, Marie had stolen a load of dumplings that were originally transported to the Singularity by Artemis. However, they had to give most of the dumplings to Saint Martha, Georgios, and Sasaki as a sign of friendship.
Later while camping out in a forest, Marie eats dumplings with Sanson and d'Eon, who she feeds the dumplings to. Sanson questions the morality of them taking all three tons, but Marie reprimands him for being too modest, asking where asking his boldness when he prepared the guillotine went. She then reveals, to Sanson's amazement, that all the food she eats goes to her breasts when he tells that she is eating too many dumplings. Marie doesn't it call a medical marvel as Sanson does, but something that all girls have in common. However, Ritsuka, Mash, Artemis arrive in the forest, with Mash demanding that they surrender. Marie greets Ritsuka and Marie, but struggles to remember them and ends up fighting them with d'Eon and Sanson. After tthe group defeats them, Mozart appears to help the French Servants, with Marie happy to see him. Then after the group defeat Mozart, d'Eon, and Sanson, Marie remembers who Ritsuka and Mash are and returns the dumplings to them. She then reveals that her group had given most of the dumplings they stole to another group as a sign of friendship. Marie admits that they couldn't possibly carry three tons worth of dumplings, and reveals that the other group had gone to pray near the waters of Marseille. She then wishes Ritsuka and Mash good fortune in their venture, giving Ritsuka a kiss goodbye.
Miss Almost Weekly Santa AlterEdit
After Chevalier d'Eon bought back a French Royal family treasure back from Julius Caesar, who is mistaken for Santa Claus, Marie reprimands them for accidentally selling it earlier. Later, she writes a letter to Santa saying that she wants a present that'll bring her two friends, who are always fighting, together. But when Santa Alter comes in response to the letter, Marie shoots her down with a cannon. However, when Santa Alter lands and speaks briefly with her and d'Eon before their fight, she realizes that Santa Alter isn't the same Santa Claus from before. After Santa Alter defeats them, Marie tells d'Eon that what she figured out before the fight, though she omitted that fact due to having fun in her fight with Santa Alter. She then tells d'Eon and Astolfo to line up after Santa Alter told them to do so to retrieve their presents, then she is given a glass horse as her present. After Astolfo tossed a Halloween pumpkin as his present, Marie ponders on what it means, but later figures out that it means that he won't reappear until next year's Halloween.
Salomon: The Grand Time TempleEdit
Chaldea Summer Memories ~White Beach of Solace~Edit
Marie appears in her swimsuit as a Caster-class Servant due to Scáthach's deed.
Chaldea Heat Odyssey ~Evolving Civilization~Edit
In her first interlude Queen of Lily and Emperor of Rose, Marie is summoned to Chaldea by Romani Archaman for the purpose of cheering Vive La France repeatedly with her. However, Marie begins feel that their cheering would be better with more people, and asks Romani if they can go to a place with more energy and people. Romani suggests that they can go to Rome, saying that it should be safe without any enemy Servants there. After Rayshifting to Rome with Ritsuka and Mash, Marie is impressed with the city's architecture and the jovial energy of its citizens. She then takes notice of the palace, and proceeds go towards it without Ritsuka and Mash, who go after her. Inside of the palace, Marie is impressed by how elegant it looks yet it is still strong and sturdy. After Romani expresses disappointed at not being to Rayshift to 18th century France, Marie takes notice of the throne, and goes to the throne room to look at it. In the throne room, she encounters Nero Claudius, who is somewhat confused by Marie's presence. After Nero asks her where she is from, Marie introduces herself to Nero, who introduces herself back. Marie then proceeds to ask Nero if she could on her throne, but Nero mistakes her request as a challenge for the throne. After the group defeat Nero in the ensuing fight, she tells Marie sit on throne later when no one is around, and invites the group to a banquet. Hearing Romani's disappointment that he can't join the banquet, Marie promises him that they'll bring back presents.
In her second interlude The Fragile Lily, Marie, Ritsuka, and Mash encounter each other inside a dream of hers, which makes her ponder who is exactly dreaming. She then recognizes their current location as Tour du Temple, the place where she awaited her execution, her perceived mental landscape. After wondering if the others perceive the location as different or the same, Marie tells Ritsuka and Mash that they need to leave her prison and return to the real world. However, the prison is turned into labyrinth due to Marie's doubts that she can escape on her own as the prison represents her memories of sorrow and misery. However, her connection with Ritsuka encourages her that she can find a way to the exit. After defeating a group of ghosts, Marie expresses that she never fell into despair while imprison, and further expresses her belief that France is eternal even if the royal family is dead and forgotten. However, after she states France is eternal even if it changes, the group is confronted by another Marie, who says that Marie's words are just self-deception. "Marie" then proceeds to state that Marie in truth wants France, and its people who killed her family, to die. Confirming that both of them are real, Marie states that she is the one who never gave up while "Marie" is the one that did. However, "Marie" calls Marie fake, and calls herself the real Marie Antoinette, cursing France for her fate. But, Marie rejects other herself, saying that she never stopped smile no matter what fate befell her. After "Marie" further expresses her hatred for France and the world at large, the group proceeds to fight her. After the group defeats "Marie", Marie is thankful that she now has nothing to hide from Ritsuka and Mash, and then proceeds to lead them to the exit. Before leading them though, she asks Ritsuka and Mash that if they remember the dream to not tell Romani or Cath Palug about it, not wanting them to see her not smiling.
Marie - who is a heavenly-sent child of the royalty conferred by God - can freely handle all vehicles and beasts with her Riding Skill, starting from the white horse that symbolizes the French royal family. However, the Dragon Kind cannot be mounted.
Marie's general weapon is her singing voice due to her Alluring Nightingale (魅惑の美声, Miwaku no Bisei?) Skill. A mesmerizing-kind of Skill possessed by those with a beautiful natural voice; it is also a declaration of the exercise of power by the royalty. It works as a charm magecraft-like effect towards those of the user's opposite sex, but evasion is possible by means of a Magic Resistance Skill. Even without Magic Resistance, one can abate it to some extent so long he or she maintains a will to resist. For Marie, who has materialized as a symbolic existence, she can guide magical damage towards the opponents of the royalty with just a single singing voice.
Princess of Loveliness (麗しの姫君, Uruwashi no Himegimi?) is a Skill representing one's charismatic nature in regards not to leadership, but the ability to charm the people around oneself. For Marie, who possesses an A Rank in this Skill, a knightly individual that protects her is pulled towards her just by existing.
Forms and Alternate VersionsEdit
Having manifested in a swimsuit, Marie is not concerned at all about the high-degree of exposure. Lovely, enjoyably and gorgeously, Marie Antoinette continues to glitter. Rather, due to being too unaware about her own appearance, she may come out as rather bold in the eyes of others. Regardless of being in a palace or on a beach, a queen consort is a queen consort. Still, maybe due to being in somewhat high spirits, comparing from when she manifests as a Rider, the number of smiles she gives out has increased by a very little bit.
While it seems like she employs a beach ball during combat, it's possible that Marie herself is simply playing around with a ball at the beach, without being aware of the battle.
A Skill representing one's charismatic nature in regards not to leadership, but the ability to charm the people around oneself at the sea. By means of a composite effect with the Beach Flower Skill, Marie is revered and protected as a princess of the beach just by existing.
... please, take a good look. Those who protected Marie from the enemy just now were not just a musician, an executioner and a knight of white lilies under disguise that coincidentally passed by...
Creation and ConceptionEdit
Marie's concept is an "Idol Queen". An idol who flew down to 18th Century France. Or, a glass angel (as an embodiment and symbol of a pure and fleeting thing, and not as a religious motif).
- ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 1.20 1.21 1.22 1.23 1.24 1.25 1.26 1.27 1.28 1.29 1.30 1.31 1.32 1.33 1.34 1.35 1.36 1.37 1.38 1.39 1.40 1.41 1.42 1.43 1.44 1.45 1.46 1.47 Fate/Grand Order material I - Marie Antoinette, p.262-269, translated by Master of Chaos, You, RanonCap & mewarmo990 at Beast's Lair.
- ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11 2.12 2.13 2.14 2.15 2.16 2.17 2.18 2.19 2.20 2.21 2.22 2.23 2.24 2.25 2.26 2.27 2.28 2.29 2.30 2.31
 Fate/Grand Order - Marie Antoinette (Rider) Profile [T]
Marie Antoinette - Rider
Voice Actor: Risa Taneda
Noble Phantasm: A+
Magic Resistance: C
Beautiful Voice of Fascination: C
Princess of Loveliness: A
Grace of God: B
Guillotine Breaker: Glory to the Crown of Lilies
Type: Anti-Army Noble Phantasm
A French queen whose genealogy is related to the House of Habsburg.
In the 18th Century, she was the queen of Louis XVI.
The existence that symbolizes the "rule of the nobility" of the European world.
In a plunging age where the absoluteness of the royalty was being lost, she lost her life to the changes of the world.
Level 1 Bond
Source: Historical fact
Alignment: Lawful Good Gender: Female
Loves baths. Similar to her mother, Maria Theresa, she also likes cleanliness.
Level 2 Bond
An image (idol) from birth.
Soothing the masses with a smile, earning adoration with a gaze.
Finding joy on the fact she was born as a image meant to be loved, she is set on conducting herself just as it is expected of her.
Such mentality is already close to some sort of goddess.
Level 3 Bond
- Grace of God: B
The greatest body and good looks, a Skill that denotes the "beauty of royalty".
- Princess of Loveliness: A
The charismatic nature to charm the people around. Just by existing, a knightly individual that protects her is pulled towards her.
Level 4 Bond
- Beautiful Voice of Fascination: C
At the same times that it is a mesmerizing-kind of Skill that charms people, it is also a declaration of exercise of power by the royalty.
For Marie, who has materialized as a symbolic existence, she can guide magical damage to the opponents of the royalty with just a single singing voice.
Level 5 Bond
Although a target of hatred by many people during the Age of Revolution, her reputation has been restored in modern France.
During famines, she reduced court expenses to make donations, demanded herself for the nobility to provide support to the people and such - it has thus being confirmed she was a woman that thought in the people.
There was a tragedy. Still--
She will never wish to the Holy Grail, for the erasure of the tragedy.
She will only fulfill her own role. In other words, radiance to the sky. Blessings to the earth.
--Happiness to the people.
マリー・アントワネット - ライダー
- Grace of God: B
- ↑ Fate/Grand Order - Do Moon Goddesses Dream of Dango?
- ↑ Fate/Grand Order - Salomon: The Grand Time Temple - Act 02: I / Blast Furnace Naberius
- ↑ 5.00 5.01 5.02 5.03 5.04 5.05 5.06 5.07 5.08 5.09 5.10 5.11 5.12 5.13 5.14 5.15 5.16 5.17 5.18 5.19 Fate/Grand Order material IV - Marie Antoinette (Caster), p.184-195
- ↑ 6.00 6.01 6.02 6.03 6.04 6.05 6.06 6.07 6.08 6.09 6.10 6.11 6.12 6.13 6.14 6.15 6.16 6.17 6.18 6.19 6.20 6.21 6.22
 Fate/Grand Order - Marie Antoinette (Caster) Profile [T]
Marie Antoinette - Caster
Illustrator and Voice actor
Voice Actor: Risa Taneda
Noble Phantasm: A+
Beach Flower: A+
Sunflower Sparkle: A
Princess of Loveliness (Sea): A
Territory Creation: A
Item Construction: D
Crystal Dress: The Lovable Brilliance, to Eternity
Type: Anti-Army/Anti-Masses Noble Phantasm
----twinkle-twinke, a queen consort that glitters on the beach.
Level 1 Bond
Source: Historical fact
Alignment: Lawful Good Gender: Female
She employs a beach ball during combat. Or rather, there is a possibility that Marie herself is simply playing around with a ball at the beach, without being aware of the combat.
Level 2 Bond
Regardless of being on a palace or on a beach, a queen consort is a queen consort. Still, maybe due being in somewhat high spirits, comparing from when she manifests as a Rider, the number of smiles has increased a very little bit than.
Level 3 Bond
- Princess of Loveliness (Sea): A
A charismatic nature in regards not to leadership, but the capacity to charm the people around her. By means of a composite effect with the Beach Flower Skill, Marie is revered and protected as a princess of the beach just by existing.
...please, take a good look. Those who protected Marie from the enemy just now were not just a musician, an executioner and a knight of white lilies under disguise that coincidentally passed by...
Level 4 Bond
Having manifested on a swimsuit, she is not concerned at all about the high-degree of exposure. Lovely, enjoyably and gorgeously, Marie Antoinette continues to glitter. Rather, due being too unaware about her own appearance, she may come out as rather bold in the eyes of others.
Level 5 Bond
"The Lovable Brilliance, to Eternity"
Rank: A Type: Anti-Army/Anti-Masses
An illusion that must have exited for sure in the ages of old--- covering her body with the brilliance of royal authority itself as a Noble Phantasm.
Take a look at Marie's brilliance, who made a serious effort as a flower of the beach, a flower of the sun. Super twinkle-twinkle, twinkle-twinkle, brilliant, glitter!
In these summer days, Marie Antoinette will probably show you the dream of a true, genuine, celebrity's vacation. Since this is a dream, you'll have to wake up eventually, but the memories will surely remain.
マリー・アントワネット - キャスター
- Princess of Loveliness (Sea): A