|Gate of Babylon|
|Noble Phantasm | Activation|
|Transliteration:||Ō no Zaihō|
|Rank:||E ~ A++|
The Gate of Babylon: King's Treasure (王の財宝, Ō no Zaihō?) is a dark red, key-shaped shortsword that connects to the "Golden Capital", the treasury of Gilgamesh, allowing the user to easily access its contents. It connects the space of reality to the vault, opening an "invisible door" that allows for the contents to pass through upon the user's command. The items that pass through the gate form ripples in the empty air as they appear. They can be summoned anywhere, either directly to the users hands or anywhere in the direct vicinity. The rank changes from E to A++ due to reflecting on the ranks of the various contents of the treasury, and it is also once referred to as an EX ranked Noble Phantasm during Fate/Zero due to containing Ea. The Gate becomes more powerful as the wealth of the owner increases, but if the treasury does not contain a wealth of valuables, then it will not be a useful Noble Phantasm. There is probably a Road of Babylon as well.
Holding the key, called Key of the King's Law, Bab-ilu (王律鍵バヴ＝イル, ?), vertically in the air and turning it, the parts around its grip begin to rotate, start to glow, and then settle. It releases a large, labyrinth-like, red pattern that can be seen covering the sky from a great distance away, and then it recedes into a small orb. This Noble Phantasm is the reason that Gilgamesh is of the Archer class, and it was first utilized as such during his first battle with Enkidu. The weapons contained in his treasury become bullets upon his command, making him an archer with the strongest arrows. He generally readies numerous weapons at a time, either just letting their hilts stick slightly out of the gate or letting them levitate in the air behind him. Upon snapping his fingers, the seemingly infinite number of weapons can be fired without pause. They move and take aim at the target according to Gilgamesh's will, allowing him to fire without having to even touch them. Each weapon has the ability to cause certain death to an opponent, and they are shot with enough force to repel a swing from Berserker's large axe-sword. While it is possible to block many of the strikes, to do so without knowing the abilities of the weapons can be seen as suicidal.
He starts out with lower numbers of weapons, but increases the number of weapons fired in a volley depending on the amount of respect or anger he feels towards his target. He uses as little as one or two at first while playing with his opponents, but can easily summon over eighty for a single strike when he is serious. Upon firing them, he can allow them to pierce the ground after striking the target, causing a large amount of destruction with each weapon, or he can instantly return them to the vault faster than Shirou Emiya can even perceive during the Fate route. He utilizes a Noble Phantasm to retrieve any weapons left on the battlefield, instantly dissipating and returning them to the vault. He can leave them out if he wishes, such as when they've been "stained" by striking Caster's summoned creature. The ability to fire the weapons yields an excellent ratio of destructive power to magic energy efficiency due to the cost of prana used to fire the Noble Phantasms as bullets being relatively low. The only real prana usage lies with the Gate of Babylon's activation cost.
He generally fights at long range, though he will wield a single weapon in close combat if he feels confident in his victory. He makes use of the many unknown abilities of the weapons, and constantly switches them to keep his opponent off guard. He can fire at an opponent from extremely close range as well, loosing weapons from above, below, and to the side. Still, he is not a swordsman, so he is easily outclassed if an opponent is skilled at close combat. Against something like Unlimited Blade Works, which allows for weapons to be drawn and fired slightly faster than the Gate of Babylon, Gilgamesh finds himself easily outclassed and overwhelmed when forced to fight in close combat.
Gilgamesh collected and stored away samples of all the technology that was developed during his age, making his favorite phrase, "I collected all the treasures of the earth", not an exaggeration or metaphor. The treasury contains all of the treasures of the world that he collected during his life, from the finest wine and golden drinking cups to divine mysteries from nearly every legend. As anything can be found within the vault, the amount of wealth within exceeds even his own knowledge. The desires of ancient humans were similar to those of the current age, so their technology, bolstered by the magical energy being alive and well, was not inferior to that of the modern age. The "Instruments of Hope" that people dreamed of were all realized, and because every single case was requisitioned by the King's hand, his collection is even furnished with airplanes and submarines. It also contains all of the original bases for all intellectual properties produced by mankind that originated in his kingdom, making board games and the works of the Library of Alexandria no more than imitations.
That within are not merely riches, but his collection is the very "origins of human wisdom." That which is missing from the vault would be items produced with completely new concepts by a new human race, and items produced with extraterrestrial intelligence and technology. He is the original hero, so all heroes of various myths are derived from his legend. It may be a paradox, but he, as the original, must possess that which can be handed down as the Noble Phantasms possessed by those later heroes derived from him for that reason. These weapons are technically nameless, the original Prototypes of the Noble Phantasms (すべての宝具の原型, Subete no Hōgu no Genkei?) and the common points before they became objects of faith that act as the foundations for their legends.
They are the original models of every legend, myth, and folklore, besides some noted exceptions. He makes references to wishing to obtain Excalibur and Kavacha and Kundala, and he is surprised by Avalon's existence. It is also possible, such as with Vasavi Shakti, that he cannot tell if something corresponds to the treasures in his vault. Karna's legend records that he "has" the spear, but there is no description of it "being used." It does not exist in his eyes due to never having been described, so he wishes to obtain it. The weaponry contained within includes swords, pole-arms, lances, hammers, shields, demonic swords that later made their way to Europe and South America, and a number of weapons unidentifiable to Shirou from sight, all of which form a perfect treasury of masses of unused weapons that simply went to sleep with the king. He owns the treasured swords that saved later heroes and the cursed swords that stole the lives of heroes, and their numbers are approximately infinite. After Gilgamesh's death, the contents were spread all over the world after being passed on or stolen, and the treasure, valued because they were splendid swords, eventually became Noble Phantasms.
Shirou states that the quality of the weapons makes the Noble Phantasms used by others look like fakes themselves. While Cú Chulainn has the Gáe Bolg that became famous, Gilgamesh possesses a weapon that later became the Gáe Bolg, but wasn't famous at the time Gilgamesh owned it. The only item contained in the vault that was not passed on to another user than Gilgamesh is Ea, a sword unique to only Gilgamesh. Shirou claims that even though he cannot see them all, he can feel that their numbers are infinite. If weapons of a previous incarnation meet those that descended from them, such as Gram facing Caliburn or copies facing originals, the deteriorated newer model will always lose.
It contains numerous A rank weapons, capable of piercing God Hand dozens of times to take eleven of Berserker's lives and then piercing him with twenty-three more weapons afterward. Just a single weapon is enough to pierce Caster's strongest shield, and keep any other another Servant on the defensive. The numerous weapons contain various different effects and abilities, allowing him to assault the weaknesses of any Servant. This places him at an advantage over most Servants in combat, such as attacking with a weapon strong against a certain attribute or assaulting a Servant with a weapon they were specifically weak against during life.
- Command Spells of an unknown number have been collected by Gilgamesh in the Moon Cell. They are the lifeline of Masters in the Moon Cell Holy Grail War, so it is unimaginable that a Servant would be able to provide a new set to his own Master. While such a thing should shake the Holy Grail War, Hakuno Kishinami rationalizes that Gilgamesh is simply such a Heroic Spirit, proving why he is sealed within the Far Side.
- Dáinsleif (ダインスレフ, Dainsurefu?) is a demonic sword from the Nibelungen. It is a sword that has been in two myths, with both versions showing its frightening nature. Within the Völsunga Saga, it is a sword that was part of Fafnir's collection of treasure, taken by the clan that killed the Northern European hero, Sigurd. It is a cursed Noble Phantasm that contains a powerful curse of "reparation" to be used on its target, and it also drives the fate of its possessor to ruin and causes them to surely die. Within the Skáldskaparmál, it is possessed by the Danish king, Hogni. He became locked in eternal combat with the king of Serkland, Hedinn, due to the sword's curse, which requires it to always kill a man once drawn and does not allow it to return to its sheath until such is accomplished. While demonic and holy swords carry with them both glory and destruction, Dáinsleif is said to only bring the latter onto its master.
- Durandal: The Peerless Sword (絶世の名剣, Zessei no Meiken?) is the holy sword favored by the paladin leader of the Twelve Peers, Roland. It was granted to King Charlemagne of the Frankish Empire by an angel, and awarded to Roland. Appearing in the “Song of Roland, it is a symbol of power splendidly forged much like Caliburn, having been the emblem of the Battle of Roncevaux Pass. It is a dazzling sword that possesses three miracles that allow it to maintain its sharpness even after its possessor's prana is depleted. Though Roland, on the verge of death in battle, had wished to destroy it to keep it from falling into enemy hands, it proved to be completely indestructible. It was featured later prominently in the various legends concerning Charlemagne, eventually becoming a symbol of the knight Roland’s bravery.
- Ea - Ea is the most powerful weapon inside the Gate of Babylon, and it is the one favored by Gilgamesh. He is able to use a rain of weapons to keep the opponent off-guard while preparing to use it.
- Gáe Bolg
- Gram (グラム, Guramu?) is the sword of the sun wielded by Sigurd, the greatest hero of Northern Europe in the Völsunga saga. It is a demonic sword of glory and destruction that is the model of Caliburn in the legend of King Arthur and also based on Merodach. Their true natures, the ideas behind their creation, and their souls are very similar. As Caliburn was a "sword stuck in the stone that chooses the king", Gram was also a chosen sword of appointment lodged in the mighty tree of the king of Volsung that was pulled out by Sigurd's father, Sigmund. Sigurd received the shattered pieces of the sword from his father, Sigmund, and reforged it into a demonic sword capable of killing even a dragon. The legend of Gram and its master, Sigurd, is a tale ripe with glory and destruction fitting the great hero. The later composed Middle Ages Germany retelling, Der Ring des Nibelungen, is a story of a knight equal to the legend of King Arthur with Gram appearing with its name changed to Balmung. It is the greatest of enchanted swords rivaling the greatest of holy blades, and is even equipped with special dragon slaying attributes damaging towards people such as the king of knights who is the incarnation of a dragon. It uses the same ability as Caliburn, a light the burns away everything it touches, that took seven of Berserker's lives.
- Houtengeki (方天戟, Hōtengeki?) is one kind of halberd passed down in Chinese culture and the only type of halberd out of many to attain the rank of Noble Phantasm, probably due to the use of Houtengageki (方天画戟, lit. The Decrated Halberd that Matches the Heavens?) by a famous military commander. It is a polearm with many different uses such as thrusting, swiping, pulling, parrying, and various others. Chinese halberds have a spearhead at the tip of the shaft and a blade attached to the side, and the distinguishing characteristic of a Houtengeki is a unique crescent-moon shaped side blade, the “Moon Fang.” Weapons with only one of these blades are called Seiryugeki. It is said that a great deal of skill is needed to handle this weapon, though its versatility and ease of use once mastering it allowed for it to be used to serve the appropriate role for any type of combatant. Its use eventually went out of favor as different dynasties rose and fell until it was revived during the Song Dynasty as Houtengeki.
- Merodach: The Original Sin (原罪, Genzai?) is the originating sword that eventually led to the legends of both Gram and later Caliburn. The word Merodach is a form of the name of Marduk, the patron god of Babylon.
- Potion of youth
- Sha Nagba Imuru: The all-knowing, all-powerful star (全知なるや全能の星, Zenchinaru ya zennō no hoshi?) is the Noble Phantasm owned by the child form of Gilgamesh in the Fate/hollow ataraxia card game. It allows him to view some of the cards in the opponent's hand and deck. It is unknown if either form of Gilgamesh possesses it outside of the card game.
- Vajra (ヴァジュラ, Vajura?) is a weapon appearing in the Vedic mythology of ancient India. It was a weapon crafted by Tvastar, the maker of divine instruments, using the bones of the sage, Dadhichi. It became symbol of divinity of Indra, the god of lightning, and the indestructible diamond pounder (金剛杵, Kongōsho?) weapon carried by the gods of Buddhism. It was held in one interpretation to be a manifestation of Indra’s lightning, which is supported by its deceptions as a golden projectile and its appearance unbefitting of a conventional weapon. Vajra was initially known by its proper name of Vjaya when Indra was first introduced to India as a phenomenon that spread from the Aryans. Along with Indra, whose name changed to Taishakuten, his divine symbol also had its name changed and became known as Vajra after the age of Buddhism as India's main religion began. It is a simple weapon that can only be shot only once for a fixed B+ rank damage separate from the user's prana supply.
- Axe, scythe, and scimitar with the ability to change their path after being avoided by the target, allowing them to turn around in mid-air towards the target at a speed that allows them to match the pace of a jet.
- Curtain of night (夜の帳, ?) is mentioned as something that could be used to counter Gawain, possibly affecting his Numeral of the Saint skill.
- Defensive armament that protects against the Multi-Dimensional Refraction Phenomenon that is capable of stopping Tsubame Gaeshi.
- Giant sickle able to cleave a weapon enhanced by Knight of Honor in a similar manner as Gae Dearg.
- Golden axe, lance, drill-like weapon, and swords similar to Enki utilized in close combat in Fate/Extra CCC.
- Golden armor that he often wears, though it is unknown if it is one of his Noble Phantasms or normally stored in the vault. It is shown to be able to withstand multiple B rank attacks and the rebound of Merodach. It improves his Magic Resistance and grants protection against petrification.
- Invisible sword like Invisible Air.
- Machine guns, nuclear warheads, and other weaponry from ancient India that were previously equipped to Vimana. They were removed and stored within the vault.
- Meat that multiplies in proportion to how much is eaten.
- Mirror shield used to effortlessly repel strong magecraft.
- Poison tasting Noble Phantasm
- Retrieval-based Noble Phantasm that returns weapons to the vault no matter how far they travel.
- Seasoning and herbs, though he notes that none could make the cooking of Lancer palatable. There is an herb that can prepare the stomach for such a meal, but it causes permanent ageusia upon consumption.
- Sickle that drains away prana and deals damage while passing directly through flesh and armor without causing any actual physical damage.
- Swords and spears capable of piercing through mountains.
- Swords and hammers larger than a person.
- Sword of ice that freezes the space that it cuts, allowing it to cover the target in ice even if they manage to dodge the actual strike.
- Ship of light (光の船, ?) that allows him to travel faster than the speed of light. It allows him to instantly return after he is sent to the edge of the Moon Cell's Imaginary Space hundreds of lightyears away. When the feat is questioned, he mentions that it is obvious that he would have a Noble Phantasm corresponding to a technique that sends the target to the edge of space, as his vault holds the origin of human wisdom.
- Three-edged sword able to arc behind the opponent to attack them from an unguarded position.
- Wine, "the king's wine" as claimed by Gilgamesh, contained in a set of wine bottles made of heavy gold that are inset with sparkling gems. Rider believes that it could not be brewed by human hands, asking if it is a "drink of the gods", to which Gilgamesh affirms by boasting that "Whether wines or swords, only the best is stored in my treasury."
- ↑ 1.0 1.1 1.2
 Fate/Zero material - Servant Status: Archer, p.014-015 English | Japanese
Master: Tokimoi Tohasaka
True Name: Gilgamesh
Alignment: Chaotic Good
Noble Phantasm: EX
■ Magic Resistance: C
■ Independent Action: A
■ Golden Rule: A
■ Charisma: A+
■ Divinity: B
■ The Gate of Babylon: King's Treasure
Type: Anti-Unit Noble Phantasm
■ Enuma Elish: The Star of Creation that Split Heaven and Earth
Type: Anti-World Noble Phantasm
Range: 1 ~ 99
Maximum number of targets:1000 people
- ↑ 2.0 2.1 2.2
 Fate/complete material III: World Material - The Servants of the Fifth Holy Grail War: Gilgamesh, p.024-025
Master: Kotomine Kirei
Alignment: Chaotic Good
Noble Phantasm: EX
The great king depicted in mankind’s oldest epic – “The Epic of Gilgamesh”. He was an actual king who ruled Uruk, the capital city of ancient Mesopotamia during the Sumer Dynasty 5000 years ago.
A despot who possesses high divinity with 2/3 being God and 1/3 being human, and believed he was invincible. However, answering the call of people who were oppressed by Gilgamesh’s tyrannical policies, Enkidu, a man created by the goddess Aruru, was released to fight against Gilgamesh. Gilgamesh and Enkidu met and battled as enemies, but soon they began to recognise each other and rule the nation together. Gilgamesh gradually began to change after finding a friend who he considered to be an equal, and Uruk became unprecedentedly prosperous. Gilgamesh, as the greatest king, eventually acquired all the treasure on the earth.
The goddess Ishtar wooed Gilgamesh, but was rejected bluntly. As a result, Ishtar unleashed the Bull of Heaven in a fit of rage, wrecking havoc on earth. After her failure, Ishtar complained before the Gods and caused the weakening and eventual death of Enkidu, who could not resist the will of the Gods that created him. The death of Enkidu significantly impacted Gilgamesh, and as a result he set out for the underworld in order to acquire the potion of immortality. However, the potion was drunk by a snake, and Gilgamesh died in despair.
Gilgamesh battles by shooting the originals of all Noble Phantasms like bullets via Gate of Babylon. The tactic yields excellent destructive power to magic energy efficiency. Since every Noble Phantasm is a bullet, the real magical energy used is merely the activation cost of Gate of Babylon. Because he possesses the originals of all Noble Phantasms, he can assault the weakness of any Servants. As a result, Gilgamesh has the advantage over most of the Servants in combat.
Because he has absolute self-confidence, he is able to calmly show himself before his opponents. However, depending on mood, he is also fine with scoring kills by raining Noble Phantasms behind the enemies’ back. The will of the king cannot be simply gauged by the concept of tactic.
Magic Resistance: E
Magic resistance gained through the class ability of Archer. However, since Gilgamesh did not have any abilities that can resist magecraft, it remains at the minimum level of E. Its effect is merely light damage mitigation against sorcery rather than full neutralisation. The cause of his low Magic Resistance is probably related to his Master, Kotomine Kirei’s lack of magical energy. In reality, during the Fourth Holy Grail War, Gilgamesh’s Magic Resistance was elevated to C with Tohsaka Tokiomi as his Master.
Although his Magic Resistance is low, Gilgamesh is able to neutralise most sorceries due to having many items that defend against sorcery, such as the golden armour. The defensive powers of these items are quite high, as Rin’s sorcery was completely repelled.
If magi attempt to use large-scale sorceries and act as “mongrels” that impede the king, Gilgamesh will simply unleash a raging wave of Noble Phantasms and completely crush them without giving them the time to cast spells. (Translator’s Note: Gate of Babylon and Sword Spam are now officially categorised as a form of Magic Resistance.)
Independent Action: A+
With an Independent Action rank that sets him completely apart from the rest, Gilgamesh is able to operate without a Master. With a rank of A+ that exceeds even A, the support of a Master is unnecessary even while unleashing a large amount of magical power. It is an ability that bends the rules and allows for the continued materialisation of Servants even after the conclusion of the Holy Grail War. After being summoned as Archer during the Fourth Holy Grail War, Gilgamesh remained materialised for 10 years until the Fifth.
Since the Fourth Holy Grail War, the ability to freely operate without regard for the Master remained unchanged. However, the ability to remain materialised after the Holy Grail War was not gained until he was showered by the content of the Holy Grail. At the end of the Fourth Holy Grail War, Gilgamesh was absorbed for a while after being showered by the black mud spilled from the broken vessel of the Holy Grail. However, Gilgamesh could not even be digested by the mud that was filled with “All the World’s Evil – Angra Mainyu”. On the contrary, he was given a flesh body and regurgitated back into the present world. As a result, Gilgamesh was completely incarnated and continued to survive as an existence with a physical body. Also worth mentioning is that, thanks to the changed shape and personality granted by the potion of youth, the super egotistical Gilgamesh was able to live in the human society for 10 years without much trouble.
Golden Rule: A
Being fated a life that is filled with riches. Gilgamesh lives the life of a nabob and has no money troubles. In the legend, he claimed all the world’s treasure as his own. The originals of Noble Phantasms preserved in his treasury were collected during this period. Although this ability seems unrelated to battle, it plays a great role in arming Gilgamesh.
Upon seeing Gilgamesh’s golden figure, Rin half-jealously called him “Gin-Pika” (Gold-glitter).
Often praised as the greatest king, Gilgamesh’s ability to command and lead great armies is excellent. Charisma is a rare talent, and a B rank is sufficient to lead a nation, but Gilgamesh has a rank of A+. At this level, it is not a matter of popularity or skill, but closer to something like sorcery or curse. An army led by Gilgamesh will have a tremendous increase in abilities.
An egotistical Gilgamesh radiating with self-confidence will sure boost the morale of his army to an extremely high level.
Divinity: B (A+)
Due to being 2/3 God, Gilgamesh possesses the highest level of divinity among the many Heroic Spirits. His level exceeds even Herakles, who is the son of Zeus and ascended to the Pantheon after death. However, Gilgamesh despises the Gods because they killed his friend Enkidu, unleashed the Bull of Heaven onto the earth, and caused him much trouble. As a result, his Divinity decreased.
He is the half-man-half-God King of Heroes born from the union of King of Uruk, Lugalbanda, and goddess Rimat-Ninsun. (Translator’s Note: Wait what? Half and half?)
The Star of Genesis which Separates the Heaven and Earth – Enuma Elish
Maximum Targets: 1000 Persons
The sword that cuts and divides the World, with output matching or even exceeds Altria’s Excalibur. Its power will further increase given the support of Noble Phantasms within Gate of Babylon. More correctly speaking, “Sword of Rupture – Ea” is the Noble Phantasm, “Enuma Elish” is the state under which Sword of Rupture – Ea unleashes its maximum output. By generating wind pressure strata, the attack crushes the enemies by simulating spatial rends. In addition, the names “Sword of Rupture – Ea” and “Enuma Elish” are all given by Gilgamesh. They are thought to be references to the Great God Ea (Enki) of the Mesopotamian and Babylonian myths, and the Genesis Epic of the Babylonian myth, Enuma Elish.
The most powerful sword that cannot be duplicated by Unlimited Blade Work. Gilgamesh calls it “something that knows the hellish planet before genesis”.
The three cylindrical blades spin in different directions, generating air pressure strata. Its power will not be neutralised even when colliding with Excalibur.
Gate of Babylon
A key-like sword that connects to the “Golden Capital”. The spatial connection with the treasury allows for easy access to the items within. The rank changes to E~A++ because Gilgamesh put all the originals of Noble Phantasms into the treasury. In other words, E~A++ reflects the rank of the items in the treasury. If the treasury does not contain a wealth of valuables, then it will not be a useful Noble Phantasm.
The favourite Noble Phantasm within the Gate of Babylon is the chain which has captured the Bull of Heaven – Enkidu. It is an anti-deity Noble Phantasm that increases in strength as the target’s Divinity increases. It was able to completely seal Herakles.
 Fate/side material - Encyclopedia: The King's Treasure [Noble Phantasm], p.057 English | Japanese
The King's Treasure [Noble Phantasm]
Gate of Babylon.
The key-shaped sword that connected to the golden capital.
Items in the treasury can be freely remove through the spatial link.
Needless to say, the more material wealth the user had, the more powerful this Noble Phantasm became.
The rationale for the English name was that "Babylon" had become synonymous with "capital of sin" and "the golden capital".
Similar items included Road of Babylon.
- ↑ Fate/Extra CCC and Fate/Zero - Episode 05
 Fate/complete material II: Character material - Characters: Gilgamesh, p.074-079 English | Japanese
Nasu Kinoko & Takeuchi Takashi Discussion
Nasu: (Summary) He's saying that, when they were brainstorming the heroes, they came up with Heracles for the strongest, most well-known hero. Then, when trying to come up with the oldest, most obscure hero, they went for Gilgamesh. There were other candidates, but they liked his strong-sounding name and his myth. Conceptually, their Gilgamesh has changed very little since they first came up with him.
Nasu: Regardless he was incarnated or not, as long as Gilgamesh was materialized under the Grail System, he could not resist the Grail itself - Black Sakura. Also, the incarnated Gilgamesh had an amazing amount of mana. In Sakura Route, since she devoured an unexpectedly large amount of mana from Gilgamesh, Sakura who was barely maintaining herself, buckled like a broken dam.
- ↑ 6.0 6.1 6.2 6.3 6.4 6.5
 Fate/Extra CCC - Gilgamesh Matrix
Noble Phantasm: Enuma Elish (The Star of Creation That Split Heaven and Earth)
Keyword: King of Heroes, friend
Strength: B, Endurance: C, Agility: C, Magic: A, Luck: A
Divinity: A (B+), Golden Rule: A, Collector: EX
The demigod king who ruled over the Sumerian city-state of Uruk in the time before Christ. Not just a legend but also a real person, the king written of in mankind's oldest epic, "The Epic of Gilgamesh."
Possessing great divinity as two-thirds god and one-third human, without anyone to match him in this world, he was perfected as a transcendent being who attained everything in the world.
In his childhood, he was adored by the people as the ideal ruler, but as he grew, possible due to being treated as almighty, his consideration for the people waned, and he came to rule Uruk with absolute power.
However, simply being oppressive does not make one a tyrant, he made Uruk prosper properly, found a friend he could speak with, and in personally subjugating the phenomena that would harm the people, that heroic quality cannot be doubted.
He is the heroic figure who defeated the bull so large it was cloaked in the heavens and rendered the civilization of this fortified Sumerian city unshakeable.
The following is historical fact, which differs from "The Epic of Gilgamesh." According to a fragment of an inscription found in an archaeological excavation of the historical ruins of this Sumerian city, Uruk was a city-state that existed on the shore of Persian south of Mesopotamia, and he was the fifth king of that city's first dynasty. It obtained assets through ocean trade and subjugated the region of southern Mesopotamia. He was victorious in the fight against Aga, king of the Kish who controlled the north made strong the city-states of Sumer. However, as a result the reckless deforestation of the woods due to the building of ships, their agricultural land was destroyed.
For that reason, Gilgamesh, seeking the giant tree, the Lebanon Cedar, launched an expedition all the way to far-away Phoenicia (modern day Lebanon), fought against the people of woods, called Humbaba, gained victory against them, and brought that massive tree back with him.
According to "The Epic of Gilgamesh," it seems that Gilgamesh, after the loss of Enkidu, fell into depression, his previous vigor gone.
The fact that Enkidu, whose strength had not been inferior to Gilgamesh's own, could die, was the shock that Gilgamesh received.
Gilgamesh, who was tormented over anxiety of death, finally set off on a trip to the realm of the death in search of perpetual youth and eternal life.
It was said that there lived a sage who had lived since placing a large amount of animals upon an ark before the coming of a deluge that assailed the earth.
This sage was said to be the only one of the earth escape from death and live until the present. Seeking him, Gilgamesh set across wilderness alone.
At the end of that long journey and many hardships, Gilgamesh finally managed to reach the realm of the dead. There, he met the sage, Utnapishtim, spoke with him, and in the end, Gilgamesh attained the spirit herb of perpetual youth and eternal life.
Gilgamesh came to rise above the "death" that had taken even Enkidu.
His heart's desire fulfilled, during his triumphant return to Uruk, Gilgamesh stopped by a spring. He cleansed himself; it seems he wanted to test the fruits of his labor while in perfect condition.
However. While he was bathing, unexpectedly, a snake with an empty stomach sniffed out the smell of the spirit herb of perpetual youth and eternal life.
By the time he noticed, it was too late. Panicked, Gilgamesh emerged from the spring, all that remained there was the skin that snake had shed.
Having lost the spirit herb of perpetual youth and eternal life in this way, Gilgamesh was irritated for a long interval, but afterwards, he made his way back to his own castle, Uruk.
While the Gilgamesh after this was severe, he ruled his state quietly, entrusted to to the next king, and went to his eternal rest.
Without telling anyone of the whereabouts of the spirit herb of perpetual youth and eternal life.
Mankind's oldest king of heroes, Gilgamesh. Discord with the gods, the journey for the perpetual youth and eternal life, a deluge which covered the world. In that epic is the basis of every legend.
The truth of his epic poem, which has many uncertain points concerning fine details exists on the other side of the veil of romance placed upon it by the present day.
This is another digression, but the snake is reborn with a new body every time it sheds its skin because it stole and ate Gilgamesh's spirit herb... is what is said. It seems that the way the snake goes about its life appeared to the ancient people as a kind of perpetual youth and eternal life that was not available to humans.
Enuma Elish (The Star of Creation That Split Heaven and Earth)
Gilgamesh's final Noble Phantasm which reveals creation--the beginning of everything.
The severing of space which comes from the Sword of Rupture, Ea, the sword crowned with the name of a god from Mesopotamian mythology.
The god, Ea, is believed to be the quasi-deification of the power of the planet which turned, smashed, and stabilized the surface of the earth when it was still covered in gas and seas of magma, during the primordial stage of the earth.
Many gods began building nations after the the primordial earth was stabilized into a world where living creatures could live, but Ea is a god who performed the act of building of planet before that.
Gilgamesh's sword, which is crowned with Ea's name, changes space itself by agitating space-time through the rotation of three layers of giant power fields.
It's true power is not something to be used against a single living creature but against the world. Even among the many Noble Phantasms possessed by Servants, it is one considered to be at the top, the sword "which tore apart the world."
King of Heroes
Another name for Gilgamesh. It does not mean a king who is a hero but is used with the implication that he is the king over heroes.
The story of Gilgamesh, is who mankind's oldest hero, is copied within the mythologies of all the countries of the world. The origin of all myths, the model on which heroes are based...calling him such would not be an exaggeration.
More or less, the heroes of various myths are derived from Gilgamesh's legend. As such, Gilgamesh possesses the prototypes of the Noble Phantasms that heroes carry... the original treasures from before every legend was arranged. Though it may be a paradox, unless the original, Gilgamesh, possesses it, it cannot be handed down as the Noble Phantasm possessed by the later heroes who were derived from him.
When humanity was still small. Within the treasury of the king, who governed his kingdom and lived in as much luxury as he desired, was collected every single treasure in the world.
Inside that treasury, there is the treasured swords that saved later heroes, and there is preserved the cursed swords that stole the lives of heroes.
The reason that Gilgamesh is called the King of Heroes is here. Noble Phantasms are primarily one to a any single hero. Not only does he possess an approximately infinite amount of them, he also owns the "legends" that other heroes are wake against, as if it were natural. It should be impossible for an average hero to cross swords with him.
As a Heroic Spirit, he is an absolute warrior in battles against Heroic Spirits. While there are several heroes who hold the title of king, such as the King of Knights and the King of Conquerors, but in regards to being crowned with the title "King of All Heroes," in all of heaven and earth, he is the only one.
As he became a young man, Gilgamesh's violent disposition only grew. Of course the people of Uruk, but even the gods who dispatched him, were greatly perplexed by his violence.
"Gilgamesh is not fulfilling his original role." "That insolent creature needs someone to admonish him."
Having come to that conclusion, the gods sent a single life to the surface. Its name was Enkidu. It was a person made by a god and given her blood, the same as Gilgamesh.
It had neither a sex nor a fixed form. Enkidu, being made from clay by a god, was "Uruk's greatest weapon," able to change its shape at will. According to the god which was its mother's will, Enkidu confronted Gilgamesh before the temple of Uruk. With their exchanging of blows like a storm, their battle occurred within the city.
After that fierce fighting, they both collapsed to the ground without consideration for where, praised each other's valor, and became peerless friends.
Gilgamesh, who had been without equal, for the first time found someone he could call "a friend."
After that, while his vainglorious attitude did not change, Gilgamesh, remonstrated by Enkidu, softened his tyranny.
Gilgamesh, who had acquired someone who understood him in Enkidu, defeated the guardian of the forest and beast of the gods, Humbaba, and, as the most excellent king on the earth, took possession of every single treasure.
At this time, the dazzlingly powerful Gilgamesh was an existence that not even the gods could avert their eyes from.
A goddess fell in LOVE with this Gilgamesh. It was the goddess of fertility Ishtar. She proposed to Gilgamesh, but he quickly refused. Because he knew that how whimsical and cruel a witch who rendered men useless Ishtar was.
Ishtar, enraged by Gilgamesh's insults, as her revenge, clung to her father, the god Anu, in tears and released the greatest of divine beasts, "the Bull of Heaven," onto the earth.
"The Bull of Heaven" is a disaster of extreme magnitude clad in storms. When it appeared, a seven-year famine and destruction occurred on earth. In other words, the downfall of Uruk.
Against this divine beast which none could match, Gilgamesh and Enkidu worked together to stand against it and repelled it splendidly. Once again, the goddess lost face. Naturally, Isthar's rage had not lessened, and she requested death for either of the two of them from the gods. Because for one with a human body to kill the beast of the gods was a sin.
Ishtar's wish was granted, and one of the two, Enkidu, who was created by the gods, unable to defy that decree, slowly weakened and died.
...The sole person who understood the king, Enkidu. Just how large a shadow his loss cast over Gilgamesh is told in his lifetime afterward.
Enkidu is an autonomous weapon created from the clay of the gods. In SE.RA.PH. terms, he is close to an AI. As a result of being complete from birth, he neither grows nor evolves. He could take various forms as needed, but it is said his usual appearance was that of a 16-year-old person who could be seen as a girl or a boy with long hair which faintly shines a light-green color.
Divinity [B (A+)]
A judgement regarding whether or not one's body possess the property of being divine.
Though he possesses the greatest rank of divine spirit aptitude, Gilgamesh himself hates the gods, so the rank has gone down.
Golden Rule [A]
Not the bodily golden ratio, but one's destiny in regard to how much money follows one around in life.
At rank A, it's possible to call it a soul of gold. With this Goldy attitude, even while living like a multimillionaire, he won't have any money troubles during his life.
The ability to acquire items of higher quality. It's the good luck of frequently obtaining even rare items, but because it only applies to Gilgamesh himself, it does not bless the Master.
Gilgamesh is a collector of treasure. "I collected all the treasures of the earth," is Gilgamesh's favorite phrase, but that is not a metaphor. He collected and stored away a sample of all the technology that was developed during his age and sealed them.
That which Gilgamesh stored, rather than being treasure, is "the origin of the intelligence of mankind" itself. If it does not exist in Gilgamesh's treasury, then it is "something produced by a new breed of humanity, according a completely new concept," "something made from the technology of the culture born from the intelligent life from another heavenly body," one of the two.
For that reason, of course he has airplanes and submarines. The desires of the people from before Christ are not different, and it would not do for the crafts of ancient times when magic was in good health to be inferior to the crafts of the modern age. People generally realize the "tools of hope" that they dream of, and each time that occurs, it ended with them being confiscated by the king's hand.
The offensive skill Gilgamesh uses, "Gate of Babylon," shoots the treasure he collected like this like arrows. The gate to the golden capital opens, and his treasures are shot out from his treasure cellar.
This is a digression, but after the Noble Phantasms that are shot out are used, regardless of how far it has gone, it turns to Gilgamesh's treasure cellar. "Hah. I possess a Noble Phantasm which excels at the task of retrieval," says the person himself.
- ↑ Fate/Zero - “It is something that should be in my possession to start with. All the treasures in the world originate from my collection. However, because much time passed, it disappeared from my treasury. But I am still its owner.” “It’s not something you can understand. The total amount of my wealth even exceeded my knowing, but as long as it’s a ‘treasure’ then it’d obviously belong to me. You should have more sense then trying to rob my treasure away.”
 Fate/complete material III: World material - FAQ with Nasu: Noble Phantasms, p.134
Q: Does “King’s Treasure: Gate of Babylon” contain things such as rare but weak Noble Phantasms?
English | Japanese
Q: Does “King’s Treasure: Gate of Babylon” contain things such as rare but weak Noble Phantasms? I noticed he kept wine in there in Fate/Zero, so I was wondering if Gilgamesh’s everyday meals were in there as well.
A: Anything can be found in there. Like a meat that multiplies in proportion to how much is eaten. He’s definitely the “NEET of Babylon.”
- ↑ Fate/Extra CCC - Gilgamesh :: Did we have board games in Uruk? An obvious question. The original basis of all of the intellectual properties produced by mankind has its origin in my territories, and is stored in my treasury. Things like that library of the King of Conquerors’ are nothing but my imitators.
- ↑ Fate/Extra CCC dialogue
- ↑ Fate/Extra CCC - CCC route Gilgamesh farewell
 Fate/complete material II: Character material - Weapons: Dáinsleif, p.136 English | Japanese
One of the many, many Noble Phantasms owned by Gilgamesh. It appears in two different stories in Norse mythology. Whichever one you go by, it is a frightening cursed demonic sword.
In the “Völsunga Saga”, it was taken from Fafnir’s treasures by the clan that killed Sigurd. Its curse causes all who possess it to surely die.
In the “Skáldskaparmál”, it is possessed by the Danish king Hogni. It is cursed to always kill a man once it is drawn, and cannot be returned to its sheathe until it does. It is due to this curse that Hogni is locked in eternal combat with the king of Serkland, Hedinn.
 Fate/complete material II: Character material - Weapons: Durandal, p.134 English | Japanese
One of the Noble Phantasms owned by Gilgamesh.
A holy sword appearing in the “Song of Roland” and emblem of the Battle of Roncevaux Pass. Wielded by Roland, one of the Twelve Peers of Charlemagne, king of the Frankish Empire. When Roland was on the verge of death in battle, he attempted to break Durandal in order to keep it from falling into enemy hands. Unfortunately, the sword proved to be completely indestructible.
Afterward, it was featured prominently in the various legends concerning Charlemagne, eventually becoming a symbol of the knight Roland’s bravery.
 Fate/complete material II: Character material - Weapons: Gram, p.134 English | JapaneseUser: Gilgamesh
A sword that appears in the “Völsunga Saga” of Norse mythology. It is wielded by the hero Sigurd. The incident where Sigurd’s father Sigmund pulled Gram from the trunk of a tree later became the model for Caliburn, the sword in the stone. After Sigurd reforged Gram from the shattered pieces, it is said to have become a demonic sword capable even of killing a dragon.
 Fate/complete material II: Character material - Weapons: Houtengeki, p.136 English | Japanese
A weapon used chiefly during China’s Song Dynasty, even this is owned by Gilgamesh.
A Houtengeki is a variation of the Chinese halberd, which is a type of weapon with both a spearhead at the tip of the shaft, and a blade attached to the side.
The distinguishing characteristic of a Houtengeki is the unique crescent shape of the side blade, called the “Moon Fang”. It is a versatile weapon capable of performing piercing, chopping, and slicing attacks. However, because of its extreme versatility a high level of skill is required to master it.
The “Houtengageki” used by Lu Bu in “Romance of the Three Kingdoms” is this kind of weapon.
 Fate/complete material II: Character material - Weapons: Vajra, p.135 English | Japanese
A weapon appearing in the Vedic mythology of ancient India. Owned by Gilgamesh. Originally the bones of the sage Dadhichi, and crafted into a weapon by the maker of divine instruments, Tvastar. In the decisive battle against the Asura Vritra, the thunder god Indra used this weapon to slay him.
One interpretation holds that Vajra is a manifestation of Indra’s lightning, supported by the fact that it is often depicted as a golden projectile. Plus, it just doesn’t look very useful as a conventional weapon.
When the myths were absorbed into Buddhism, Indra was replaced with Śakra, and Vajra’s name was also changed accordingly.
Fate/Extra CCC - Conversation with Saber English | JapaneseN/A
 Comptiq 2007-11 issue - Fate Dojo Q & A:
Q: Gilgamesh has no skills in swordsmanship, would Assassin win if Gilgamesh is caught in the range of Tsubame Gaeshi?
English | Japanese
Q: Gilgamesh has no skills in swordsmanship, would Assassin win if Gilgamesh is caught in the range of Tsubame Gaeshi?
A: Most likely, he will just defend with his armour, or take out some really unfair defensive armament that protects against Multidimensional Refraction Phenomenon, from the Gate of Babylon. However, Gilgamesh is capable of accurately assessing his opponents' abilities, so he would not consider having a battle of swordsmanship with Assassin the first place.
- ↑ CCC screenshot 1 and CCC screenshot 2
- ↑ Fate/Extra CCC - Gilgamesh: Wait. If all you require is that it be completely eaten, then you will not mind if I do so, yes? I have a poison-tasting Noble Phantasm perfectly suited for this.
Fate/Extra CCC - Cooking competition
Unfortunately, there is no seasoning in my vault that can make this palatable.
There is, however, an herb that can ready your stomach,
though it has the drawback of causing permanent ageusia upon consumption...
Thank you. Your thoughtfulness stills my trembling.
But I must vanquish this by my own hand...I mean mouth.
After all, Elizabeth prepared these dishes for Kishinami Hakuno.
I understand that an arduous battle awaits me.
That’s why, when the day comes that I finish this meal―――
won’t you come home with me to the countryside
and marry me?
“I applaud your resolve. Now best that fate of death that you have set up yourself.”
- ↑ Fate/Zero volume 3 - the power to pierce through even mountains (四本の剣と槍はことごとく直撃し、山をも穿つその威力によって, ?)
Fate/Extra CCC English | JapaneseSesshouin Kiara: That's, even though you were flung to the edge of the galaxy......! Even if this is a conceptual space, you shouldn't have been able to cross that distance in an instant! How were you able to fly faster than light?
Gilgamesh: What an idiot, did you thought I wouldn't have a ship of light among my treasures? Just because I like the classics doesn't mean I don't keep up with recent developments.